(Content warning for pretty much the whole post: Body horror, bright flashes, and disturbing imagery abound.) Kitty Horrorshow (Itch, Twitter) is an independent game developer making fascinating, horrifying things. Minimalist horror games that go bold directions and are deeply uncomfortable experiences. Her biggest game by far, though, is ANATOMY, a game in which you explore a dark house, seeking out cassette tapes and studying the "physiology of domestic architecture". [more inside]
Need some vaguely disturbing furniture, sculpture, paintings or miscellaneous? William Robins, aka Elmer Presslee has your back. Visit his drive through exhibition.
Comic artist Chris Weston unilaterally declares it Kurt Russell week and produces a triptych of posters for Escape from New York, The Thing and Big Trouble in little China. These are just the roughs.
The Moon is Rolling in Her Grave is a video adaptation of the first chapter of the ongoing (since 2003) comic series "No Rest For The Wicked" by Andrea L. Peterson, a fantasy / adventure / horror tale that takes traditional fairytales and turns them on their heads: "Ms. Peterson uses, in conjunction with several more popular fables, folktales that you may have never even heard of. The entire plot actually centers around a little known Grimm fairytale called 'The Buried Moon', while also making reference to 'Red Riding Hood', 'Hansel & Gretel', 'The Girl Without Hands', 'The Boy Who Went Forth and Learned What Fear Was', and many MANY others." [more inside]
Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations, Braindead achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where Braindead finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (Braindead holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius. - Richard Scheib
... [Thomas] Ligotti's stories tend to have a profound emotional impact. His vision is exceedingly dark, and it is possible for his stories to infect the reader with a mild-to-severe case of depression. It is even possible for them to effect a change in the reader's self-perception and view of the universe. This warning is not meant to be sensationalistic, nor is it meant to turn new readers away. It is simply a statement of fact based upon the experiences of actual readers. Ligotti writes about the darkest of themes with an amazing power, and he means what he says. Often his stories seem to communicate a message below their surface, a sort of subliminal statement that should not rightly be able to traverse the barrier of verbal language. - Matt Cardin (previously) [more inside]
Return of the Living Dead (NSFW) is one of the greatest zombie movies ever made. Not only does it have loads of great looking zombies in it, it's one of the few zombie movies, besides its sequel, that has a perfect blend of humor and horror.
Comics artist Frazer Irving adapts Mary Shelly's Frankenstein in hauntingly beautiful black and white: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18.
In 1919, everyone wanted a copy of the deluxe edition of Edgar Allan Poe's Tales of Mystery and Imagination, but not because it was bound in vellum with real gold lettering. It was because of these grim and gorgeous illustrations by Harry Clarke, which added an extra dose of horror to Poe's already terrifying tales. Tales of Mystery and Imagination, which collects many of Poe's most enduring horror stories, including "The Masque Of The Red Death," "The Pit And The Pendulum," "The Telltale Heart," and "The Fall Of The House Of Usher," was actually first collected and published in 1908, nearly 60 years after Poe's death. This edition was published by George Harrap & Co., and included 24-full page illustrations by Clarke. Even though the volume cost five guineas (somewhere in the neighborhood of $300 US), it was much in demand and made Clarke's reputation as an illustrator. It's easy to see why, with these gorgeous renditions of often gruesome subjects. See all 24 illustrations here.
What if Edward Gorey illustrated Lovecraft? It'd look like John Kenn Mortensen's work, that's what. Except Mortensen makes his art in his spare time, on post-it notes. He has an art book.
"Rescue Pet" a comic about the effects of horrible mutating mimic blobs on a strained romantic relationship.
... it’s no exaggeration to say that LIFEFORCE tosses everything in but the kitchen in an attempt to entertain you. Actually, scratch that, it tosses everything including the kitchen sink. By the time the movie is complete, you may have to watch it again just to verify that you actually saw what you just saw. The movie is a mess of enormous proportions which I absolutely loved.
* (previously) [more inside]
Kris Kuksi makes sculptures, paintings, and drawings. A time-lapse of his sculpting process and a walkthrough with details. He has a book and sells his sculptures. His most famous work is perhaps Church Tank. [Previously]
Ghastly ghouls in flaming color! Mutant spores! Sizzling suns! - a selection of classic horror movie posters.
In September, Jon Schindehette [previously] and Lars Grant-West [wiki] issued a challenge to students at the Rhode Island School of Design: "Create a creature based upon a non-humanoid critter from H.P. Lovecraft's literature. The creature should have a fully resolved form, convey motion where appropriate, and be believable. Creature can be shown as either 3/4 view or 'turn-arounds'." Here are the entries and here are the judges' comments. [more inside]
Nearly three decades ago, folklorist Alvin Schwartz published Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s. But most of the backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued with new illustrations by Brett Helquist, of A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09, or the dramatic readings of fellow YouTuber daMeatHook.
"I've gotten a reputation for incorporating Lovecraft stuff into my work, but I've never sat down and done a straightforward tribute to him. That's what this Whittier story is." - After admirable efforts by Duncan Fedredo and Richard Corben, and spin-off work by Guy Davis, Mike Mignola returns to drawing Hellboy.
Too Much Horror Fiction: "Covering horror literature and its resplendent paperback cover art, mostly from the 1960s through the early 1990s. Mostly."
In an exclusive interview with MTV, Ridley Scott releases further details on his latest project: two 3D Alien prequels, which will have a non-Ripley female lead and focus on the story behind the first movie's "Space Jockey." [more inside]
Hanna Is Not A Boy's Name is a 'sugarcoated horror' webcomic that's wonderfully illustrated and typeset.
"All of which is a long way of saying that, to construct a new church of anatomical horror and to do so out of stone, as Al-Mehdari seems to be suggesting, is a fascinating idea. " - Body Baroque
The Path is a new independent horror-game inspired by the original Little Red Riding Hood stories, being developed by Tale of Tales (previously). The website is fun to explore, and the blog has many links to (and interviews with) their inspirations. They've also interviewed some other game designers. [via]
Michael Mararian creates pen and ink drawings of mischievously macabre babies and children. Meet the dark and wicked little demons in his current exhibit or explore the world of childhood terrors in his phobias, foibles and fiends collection (scroll down a few) where humor and horror collide.
"Mirage in time—image of long-vanish’d pre-human city." - "Ancient and unknown ruins—strange and immortal bird who SPEAKS in a language horrifying and revelatory to the explorers." - "A very ancient colossus in a very ancient desert. Face gone—no man hath seen it." - Images based on the commonplace book of HP Lovecraft. [more inside]
A luminous dragon climbing the side of a building is almost certain to be fearsome; but, when executed properly, even a sculpture of a bunny rabbit can threaten.... Gargoyles and Grotesques. (some nsfw stonework) [more inside]
Curt Purcell of The Groovy Age of Horror (previously) on Vampirella and the art of José González, who modeled his version of the character after Sophia Loren (NSFW, mild boobies) (Previous Vampirella)
..and when Pickman suddenly unveiled a huge canvas on the side away from the light I could not for my life keep back a loud scream
In the 1960s, as a response to the Comics Code Authority's attempt to sanitize comic books, Warren Publishing^ created a series of Graphic Magazine style horror books (using the "see, they're MAGAZINES, not comics, so that's why it's okay" defense), picking up the gauntlet from EC's Tales of the Crypt & other 50's era horror comics. The magazines, Creepy (and later) Eerie & Vampirella were rife with sex & gore, and featured full color well illustrated front covers by fantasy artists like Frank ("Conan") Frazetta & H.R. ("Alien") Giger. The Warren Magazine Collection Site (warning: annoying non-skippable flash intro) has put the entire catalog of cover art from the full run of all three magazines online. Skip the flash intro, and go straight to the galleries: Creepy, Eerie & Vampirella.
"He was someone who acted out our psyches ... He somehow got into the shadows inside our bodies; he was able to nail down some of our secret fears and put them on-screen... the history of Lon Chaney is the history of unrequited loves. He brings that part of you out into the open, because you fear that you are not loved, you fear that you never will be loved, you fear there is some part of you that's grotesque, that the world will turn away from." A Valentine for Lon Chaney, the Man of a Thousand Faces. (BugMeNot for the first link; more inside)
Monster Magazine Covers! Quote: "Vintage pulp magazines will be offensive to many people today. They were issued before the current climate of political correctness overtook the country. Themes of many magazines (or at least the covers) are racially insensitive, show violence to women, unsafe and/or promiscuous sex, and negative stereotyping of gays, lesbians, Asians, and almost any group you can imagine."
"You can fool everybody, but landie dearie me, you can't fool a cat. They seem to know who's not right". The psychoanalyst calmly explains to his patient that her idea that she is turning into a member of the cat family is a fantasy; she silences him with fang and talon. Val Lewton made his name as a producer with the horror film Cat People, produced for RKO on a minuscule budget and directed by Jacques Tourneur. The star? French actress Simone Simon, who died today in Paris aged 93. More inside.
Attack Of The 50ft. Website! How do you kill a monster that never sleeps?! The monster created by atoms gone wild! All New! Thrills! Shock! Suspense! For your own good, we urge you not to see it alone! See the ghastly ghouls in flaming color! The greatest collection of classic science fiction and horror poster art on the net! Now showing in a browser near you.
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