Robert Aickman wrote some of the best ghost stories of the last fifty years. He also edited one of the finest genre anthology series of his time: The Fontana Book of Great Ghost Stories. Between 1964 and 1972, he curated eight volumes of horror fiction without repeating an author, favoring always the subtle, the psychological, the poetic, the rare, the neglected. 59 of his selections can be found online. [more inside]
The remarkable occurrences of which I am about to write were related by certain French persons of sound sense and unimpeachable veracity, who happened to be in Berlin a few weeks before the outbreak of the European War. The Kaiser, the most superstitious monarch who ever sat upon the Prussian throne, sternly forbade the circulation of the report of these happenings in his own country, but our gallant Allies across the Channel are, fortunately, not obliged to obey the despotic commands of Wilhelm II, and these persons, therefore, upon their return to France, related, to those interested in such matters, the following story of the great War Lord's three visitations from the dreaded ghost of the Hohenzollerns.From "Wilhelm II and the White Lady of the Hohenzollerns," by Katharine Cox, as reproduced in S. Mukerji's charmingly digressive Indian Ghost Stories.
It was 1931. Subtitles weren't practical, dubbing had yet to catch on, but Universal Studios wanted their lavish new production of Dracula to play in Latin America. The solution? Shoot a separate film in Spanish on the night shift. [more inside]
In a nameless city deluged by a continuous rain, three rabbits live with a fearful mystery... [more inside]
"The Great God Pan," by Arthur Machen. "The Beckoning Fair One," by Oliver Onions. "Green Tea," by J. Sheridan LeFanu. "The Boarded Window," by Ambrose Bierce. "The Horla," by Guy de Maupassant.
"Oh, Whistle, And I'll Come to You, My Lad," "Casting the Runes," and other stories by M.R. James, the master of the ghost story.