Late in 2013, Guillermo del Toro released a voluminous book, entitled Cabinet of Curiosities: My Notebooks, Collections, and Other Obsessions. As he explains in the video, the 256-page hardcover is a selection from his notebooks, where the director developed many of the monstrosities we’ve seen on screen. The Guardian notes that there’s something of da Vinci’s notebooks in del Toro’s records: the small, neat script, mixed in with the wonderfully detailed sketches, combine to give the impression of del Toro doing his best to record the torrent of his imagination before the thoughts disappear. In this post, we include a number of these images.Previously [more inside]
The Moon is Rolling in Her Grave is a video adaptation of the first chapter of the ongoing (since 2003) comic series "No Rest For The Wicked" by Andrea L. Peterson, a fantasy / adventure / horror tale that takes traditional fairytales and turns them on their heads: "Ms. Peterson uses, in conjunction with several more popular fables, folktales that you may have never even heard of. The entire plot actually centers around a little known Grimm fairytale called 'The Buried Moon', while also making reference to 'Red Riding Hood', 'Hansel & Gretel', 'The Girl Without Hands', 'The Boy Who Went Forth and Learned What Fear Was', and many MANY others." [more inside]
It's debatable whether the troubled World War Z signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's bleak, artful cult horror-drama 28 Days Later, which saw its US premiere ten years ago this weekend. From its iconic opening shots of an eerily abandoned London (set to Godspeed You! Black Emperor's brooding post-rock epic "East Hastings") to the frenzied chaos of its climax, Boyle's film -- a dark yet humanist tale of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count). And while sequel 28 Weeks Later with its heavyhanded Iraq War allusions failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences in modern horror), and 28 Months looks increasingly unlikely, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
The Cramps ripped it up, madly channeling the sordid specters of rock 'n roll's past while staying true to its psychedelic future, even when voxman Lux Interior was a lean 59 years old. The first show from their last-ever tour does nothing but prove it. [more inside]
If Doom and Nethack lived in Estonia and had a baby, it'd be named Teleglitch, a recently released pixelated action roguelike that will completely murder you if you're not very careful about how you explore its procedurally-generated corridors, fighting off former coworkers, crafting spare parts into new stuff and hunting for ammo and food and clues as to what the hell went so terribly wrong at the Militech R&D facility on Medusa 1-C. The game has a 4-level demo (Windows and Linux, Mac too apparently) which will probably kick your ass plenty all by itself. [more inside]
The 80s horror film genre called, and then you got a beep and turn-based squad tactics video games were on the other line, and it was a pretty confusing phone call basically but in the end you got the message that someone wanted Camp Keepalive back. Because it is awesome. And it runs on Windows and OSX and you should download the demo right now. [more inside]
"We worked very much like a comedy troupe — you sit around at a writer’s table and say, 'Who has the best idea?' It’s like campfire stories, you just try to freak each other out." An interview with Drew Daywalt, short-form horror pioneer behind Fewdio (previously) and now Daywalt Fear Factory. [more inside]
One of the side effects of being a 5-day, live show was that the Gothic soap opera Dark Shadows featured regular technical and acting flubs. Many, many, many flubs [more inside]
Just wait till we're alone together. Then I will tell you something new, something cold, something sleepy, something of cease and peace and the long bright curve of space. Go upstairs to your room. I will be waiting for you... As a rare October blizzard drifts a blanket of white across the Northeast just before Halloween, what better time to settle in and read (or watch) Conrad Aiken's most famous short story, "Silent Snow, Secret Snow." About a small boy who increasingly slips into an ominous fantasy of isolation and endless snow, it could be viewed as a metaphor about autism, Asperger's syndrome, and even schizophrenia before such conditions even had names. In addition to the 1934 short story, the tale has also been adapted as a creepy 1966 black-and-white short film (also at the Internet Archive) and as a Night Gallery episode (1, 2) narrated by Orson Welles. Or for a more academic take, see the essay "The Delicious Progress" examining Aiken's use of white as a symbol of psychological regression.
I am NOT gettting out of this car because I am SCARED of that TURKEY!
Drag Me To Hell As Remembered By Bunny and Coco Armed with the actual props and actual locations and actual stand-ins, Mefi's own Max Sparber (Astro Zombie) recreates Sam Raimi's spook-machine Drag Me To Hell from memory. [via mefi projects] [more inside]
"The oldest and strongest emotion of mankind is fear. And the oldest and strongest kind of fear is fear of the unknown."
Lovecraft: Fear of the Unknown - A 90 minute documentary on HP Lovecraft with contributions by Neil Gaiman, John Carpenter and Guillermo Del Toro.
Nearly three decades ago, folklorist Alvin Schwartz published Scary Stories to Tell in the Dark, the first of three horror anthologies that would go on to become the single most challenged book series of the 1990s. But most of the backlash was against not the stories themselves (which were fairly tame), but rather the illustrations of artist Stephen Gammell. His bizarre, grotesque, nightmarish black-and-white inkscapes suffused every page with an eerie, unsettling menace. Sadly, the series has since been re-issued with new illustrations by Brett Helquist, of A Series of Unfortunate Events fame. Luckily for fans of Gammell's dark vision, copies of the old artwork abound online, including in these three image galleries: Scary Stories to Tell in the Dark, More Scary Stories to Tell in the Dark, Scary Stories 3: More Tales to Chill Your Bones. Interested in revisiting the stories themselves? Then don't miss the virtual re-enactments of YouTube user MoonRaven09, or the dramatic readings of fellow YouTuber daMeatHook.
Zombies Vs Beatles (slyt)
The Video Nasty Project seeks to watch and review all 74 "video nasties" effectively banned in the UK in the 1980s in a moral panic over the subversive new video cassette technology. 39 videos were successfully prosecuted, initally under the Obscene Publications Act 1959, then the Video Recordings Act 1984.
Implants and transplants can be used to create a particularly exquisite type of horror, being so intimately connected to our own bodies. They can overwhelm us, assimilate us, drive us mad, piss us off, or consume us. [more inside]