You couldn’t control the camera, I mean. The Silent Hill video games were blunt and herky-jerky—you, backed into a corner, swinging a plywood board clumsily at two sets of mannequin hips bolted horrifically together, flailing at you. Clay-colored, faceless children grabbed at you in the dark as you tap-tap-jogged awkwardly in circles, desperate to regain some kind of control. The world fell silent for cutscenes, PlayStation glory-era wax-lipped women with empty eyes mouthing hollow dialogue at you from the mist and shadows.Why Silent Hill mattered.
It was all really bad and scary, and kind of broken, and everyone loved it, especially me.
Robert Macfarlane, in The Guardian: In music, literature, art, film and photography, as well as in new and hybrid forms and media, the English eerie is on the rise. A loose but substantial body of work is emerging that explores the English landscape in terms of its anomalies rather than its continuities, that is sceptical of comfortable notions of “dwelling” and “belonging”, and of the packagings of the past as “heritage”, and that locates itself within a spectred rather than a sceptred isle. Such concerns are not new, but there is a distinctive intensity and variety to their contemporary address. This eerie counter-culture – this occulture – is drawing in experimental film-makers, folk singers, folklorists, academics, avant-garde antiquaries, landscape historians, utopians, collectives, mainstreamers and Arch-Droods alike, in a magnificent mash-up of hauntology, geological sentience and political activism. The hedgerows, fields, ruins, hills and saltings of England have been set seething. [more inside]
What are the most disturbing novels? [The Guardian] [Books] Guardian Books discusses disturbing reads:
"Bret Easton Ellis has haunted some of our readers for days, and on the books desk we’re still getting over certain depictions of dangerous obsessions and hellish orgies. Which fiction has most unnerved you?"
Peter Watts (previously) tours the FX house responsible for Hannibal's bodies. Meanwhile Neil Marshall and Vincenzo Natali are to direct episodes of the show.
Following the capture of the notorious Horror Owl of Purmerand, another notable Dutch owl is capturing the public imagination. [more inside]
When British daytime TV and geek heroes collide... a collection of youtube interviews with various sf, horror, fantasy people such as Terry Pratchett, several Dr Whos and William Shatner on various lightweight UK tv chatshows from years past
"Death #1: Devoured by bats. Death #2: Sailed too close to the Elder Continent; my ship, bones gained sentience." People have been discussing Sunless Sea, the nouveau-Roguelike game just released by FailBetter Games. What else are they saying? Rock, Paper, Shotgun: "...the most delicious collection of words in all of gaming." Eurogamer: "This is the video game at its most mystical and revealing." There is, of course, a trailer. [more inside]
The Wall Street Journal celebrates the 20th anniversary of John Carpenter's In The Mouth of Madness. Meanwhile, at VICE, John Carpenter wouldn't explain his new album, so they got a bunch of artists to each provide their own interpretation.
Locus Magazine has published its 2014 Recommended Reading List. BestSF.net has given its Best SF Short Story Award for 2014. Tables of contents have been announced for The Year's Best Science Fiction, Thirty-Second Annual Collection edited by Gardner Dozois, Year's Best Weird Fiction, Volume Two edited by Kathe Koja and Michael Kelly, and The Best Science Fiction and Fantasy of the Year, Volume Nine edited by Jonathan Strahan. And several writers have called out their favorite stories of the year too, e.g. Ken Liu, Carmen Maria Machado and Sofia Samatar, Usman Malik, and Fran Wilde, Michael R. Underwood, Tina Connolly, and Beth Cato. Quite a few of these short fiction selections from 2014 have been published online in full. [more inside]
Welcome to my database of science fiction and fantasy books that demonstrate diversity in sexuality/gender, race, disability, and other aspects. My hope is that this will both promote existing but less well-known books, and inspire authors to write more and publishers to make them available.All Our Worlds is a "Database of Diverse Fantastic Fiction" which can be searched by tag, or you can check notable releases.
Nerdist talks to Sam Raimi about fruit, his career in retail sales, how he got started making movies, the links between comedy and horror, the Evil Dead TV show and of course why Spider-Man 3 was "awful".
Bad Memories is a supernatural horror radio play by Julian Simpson. It was first broadcast on BBC Radio 4 on 07 January 2011, as an installment of the Friday Play. The play won a 2011 BBC Audio Drama Award in the category of Best Use of Sound in an Audio Drama. [more inside]
Director Mel Brooks spent a lot of money on white handkerchiefs while making his 1974 tour de farce, Young Frankenstein. "I gave everybody in the crew a white handkerchief," said the 88-year-old comedy legend during a recent phone interview. "I said, 'When you feel like laughing, put this in your mouth.' Every once in a while, I'd turn around and see a sea of white handkerchiefs, and I said, 'I got a hit.'"An interview with Mel Brooks on the 40th anniversary of Young Frankenstein, with an overview of the events that lead to what Mel Brooks calls 'by far the best movie I ever made.' [more inside]
Young Frankenstein was more than a hit. It is a comic masterpiece.
It was Christmas Eve. I begin this way because it is the proper, orthodox, respectable way to begin, and I have been brought up in a proper, orthodox, respectable way, and taught to always do the proper, orthodox, respectable thing; and the habit clings to me. Of course, as a mere matter of information it is quite unnecessary to mention the date at all. The experienced reader knows it was Christmas Eve ... It always is Christmas Eve, in a ghost story.In Told After Supper (1891), Jerome K. Jerome parodied the tradition of telling Christmas ghost stories, but it's plain to see that he had fun writing them. And horror writer Ramsey Campbell, himself the author of a number of Christmas stories, recently dropped by /r/WeirdLit to list off a few places to find more. [more inside]
Tor.com presents Max Gladstone's A Kiss With Teeth, in which an ancient evil settles down and tries out middle-class married life.
We knew Universal Studios was rebooting the classic monster movies into a new cinematic universe. So who's writing them? The "Monster Men," a collective of writers inspired by both the Pixar "brain trust" and the traditional tv writer's room. Among the writers on board: screenwriter/director Alex Kurtzman (Star Trek, Fringe); longtime Fast & Furious writer Chris Morgan; the creator and writer of the Fargo tv series, Noah Hawley; Prisoners screenwriter Aaron Guzikowski; and Bill & Ted’s Excellent Adventure and Men In Black screenwriter Ed Solomon. [more inside]
The Uncanny Power of Weird Fiction, by Jeff VanderMeer in The Atlantic.
The film that frightened me most - Guardian writers on their personal cinematic nightmares: Threads, Ringu, The Sixth Sense, The Blair Witch Project, The Shining, The Texas Chainsaw Massacre, The Orphanage, Eden Lake, Watership Down, Psycho
Disclaimer: The facts are taken from the journal "Taste, Taboo, Trash: The Story of Ramsay Brothers" by Kartik Nair. I personally declare that the journal is only used as a reference & no intentions copying the content for any benefits, it's only to spread the knowledge regarding the working ways of Ramsay brothers. [more inside]
Pseudopod 401: The Lighthouse Keeper’s Wife Be careful what you wish for, and be careful of things with labels you can't read. [more inside]
The Dissolve's "Movie of the Week" on this week leading to Halloween has been The Blair Witch Project, which it describes as "the most widely despised great horror movie". They discuss the legacy of the film fifteen years after its release and the future of the genre that it helped to create: found-footage horror. And where are the people who made it these days? Heather Donahue is growing pot. Josh Leonard is still acting (Michael C. Williams less so). And the directors Daniel Myrick and Eduardo Sánchez seem to want to catch that same lightning in a bottle, but with very underwhelming results.
FACT magazine runs down the 100 greatest horror soundtracks (that's a lot of horror soundtracks). Also, there's a companion streamable YouTube playlist.
Lauren Davis rounds up webcomics to give you thrills and chills on io9, calling out 18 specifically, then listing additional titles in some of the descriptions. [more inside]
Why not just quit your job and spend all of your savings on a horror-themed road trip where you visit the real locations of some iconic scary movies. If that sounds like too much effort, well we've done a Google-based trip ourselves.
Here's what we found... [more inside]
Here's what we found... [more inside]
Halloween is almost here which to me means one thing: overanalyzing horror flicks for any feminist undertones! ... [N]o season has better metaphors for misogynistic fears and powerful female sexuality than the scary movies that permeate almost every channel and film festival throughout October.At Autostraddle, Nina suggests nine horror films she likes in the "Blossoming-Teenage-Girl-Becoming-A-Woman" sub-genre. She is far from alone in her search for interesting feminist themes in horror cinema and literature. [more inside]
The closest a film has ever come to adapting King’s internal-horror aesthetic is a film King himself has publicly lambasted: Kubrick’s version of The Shining. It’s the most artful, scary, and beautifully directed of the King adaptations, and even excludes some of the novel’s more overt (and potentially silly) visual elements, such as the hedge animals that come to life and stalk the family in the yard. Yet, the film never tackles the serious human horrors that infect Jack Torrance throughout the novel, specifically his alcoholism, along with the themes of cyclical abuse and mounting financial pressure. King’s criticism of the film is that Torrance, as played by Jack Nicholson, is portrayed as unhinged right from the start, whereas the novel slowly unravels the man’s sanity, the haunted house he occupies pushing him deeper into madness and violence. [more inside]
One minute horror film. By director Ignacio F. Rodó, based on this two sentence horror story from an AskReddit thread last year. Picohorror previously.
This is a tale nobody wanted to be told. It’s a cautionary tale about an obscure 1980s horror movie cobbled together from work by two separate groups of filmmakers working on the same set with two totally different casts. There’s also a savage businessman, crooked real-estate dealings, betrayal, madness, death, ex-Green Berets, ex-porn stars, and one of the founding fathers of the United States. - The Dissolve on "Spookies"
Scared Yet? is a creepypasta review series produced by Kris Straub, himself the creator of the infamous "Candle Cove" creepypasta. Episodes one, two, three, and four critique "Jeff the Killer," the SCP Foundation, "The Russian Sleep Experiment," and The Josef K. Stories, respectively. [more inside]
ComicsAlliance writer Benito Cereno has put together a collection of links to horror films available for streaming on Netflix this October: The Haunting of Netflix House 2: Your Sister is a Netflix
Fun Size Horror is a film collective which is creating enough variety of scares to make this Halloween really special. Starting October 27, five websites (DreadCentral, Bloody Disgusting, Shock Till You Drop, Hitfix, and Collider) will each host one of 31 horror shorts for 24 hours, and then the next day each will bring you a new horror short. The trailer for the entire series is on Vimeo. I assume you can get links and information from @FunSizeHorror on twitter.
Monster Legacy, a blog "trying to delve into the secrets of the making of Movie Monsters," presents Subterranean Terror, an in depth look at the creature effects of the greatest Precambrian sandworm horror-comedy franchise of all time. [more inside]
R.I.P., the Vincent Price of podcasts Lawrence Santoro (old but useful site), writer, director, and actor, passed this July. But he might be best known for his work as a podcaster, most notably through his Tales to Terrify. [more inside]
"The du Maurier sisters had, from their volatile, crowded childhood onward, formed this private country they could slip in and out of, where "menaces" and "Venetian tendencies" could be freely discussed. In other words, they found a way to use games of pretend to tell the absolute truth." - Carrie Frye on author Daphne du Maurier and her seminal gothic novel, Rebecca.
In 2004 Joseph Kahn directed the hyper-kinetic, poorly reviewed motorcycle action movie Torque. It was Kahn's directorial debut, and though he was tapped for (one of many) failed Neuromancer adaptations, he devoted the next six years to a largely self financed project: the horror-comedy farce Detention. Noted cultural critic Steven Shaviro discusses in this essay why Detention, despite also being reviewed negatively, is one of his favorite movies of the decade. Shaviro's review contains major spoilers for the plot, and it's probably best to go into the movie blind. A brief non-spoiler synopsis is available below the jump. [more inside]
Ghostbusters is the best comedy ever made about the limits of the Lovecraftian worldview. By Max Gladstone.
You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for?Dr. Peter Watts is no stranger to MetaFilter. But look past his sardonic nuptials, heartbreaking eulogies, and agonizing run-ins with fascists (and fasciitis) and you'll find one of the most brilliant, compelling, and disquieting science fiction authors at work today. A marine biologist skilled at deep background research, his acclaimed 2006 novel Blindsight [full text] -- a cerebral "first contact" tale led by a diverse crew of bleeding-edge post-humans -- is diamond-hard and deeply horrifying, wringing profound existential dread from such abstruse concepts as the Chinese Room, the Philosophical Zombie, Chernoff faces, and the myriad quirks and blind spots that haunt the human mind. But Blindsight's last, shattering insight is not the end of the story -- along with crew/ship/"Firefall" notes, a blackly funny in-universe lecture on resurrecting sociopathic vampirism (PDF - prev.), and a rigorously-cited (and spoiler-laden) reference section, tomorrow will see the release of
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
Director, writer, and producer Mick Garris releases videos of his interviews with people in the horror and sci-fi entertainment industry at his new website, Mick Garris Interviews. There is also a YouTube channel. An introduction can be found at the about page. According to The Nerdist, interviews will be released at the rate of one per week. Interviews already uploaded: a four-parter with Director John Carpenter (here's Part 1 YT), and one segment with John Badham, director of Dracula (1979) and, incidentally, Saturday Night Fever (1977).
Jason Blum—producer of Paranormal Activity, Insidious, Sinister, The Purge, The Bay, and Oculus—participated in an interesting interview at SXSW Film 2014 about his model of producing high-quality low-budget horror films for wide release. The video is almost an hour long, but worth watching if you're interested in contemporary mainstream horror.
The gals at Anglo-Filles have an entertaining (and epicly long) talk about the history of Dracula and vampires as characters and symbols throughout the ages and throughout fiction - topics discussed include Varney The Vampire, The Vienna Vampire Scare, Where Does Sunlight Killing Vampires Come From, The Secret Spanish Dracula, and Jonathan Harker As An Abuse Survivor.
Metafilter favorite David Cronenberg (previously, previously, previously) has lately been making short films for festival exhibition. Most are aggressively simple, with only a few actors and even fewer locations. But they're all unmistakably Cronenberg films. [more inside]