"We condition the poor and the working class to go to war. We promise them honor, status, glory, and adventure. We promise boys they will become men. We hold these promises up against the dead-end jobs of small-town life, the financial dislocations, credit card debt, bad marriages, lack of health insurance, and dread of unemployment. The military is the call of the Sirens, the enticement that has for generations seduced young Americans working in fast food restaurants or behind the counters of Walmarts to fight and die for war profiteers and elites."-- War is Betrayal. Persistent Myths of Combat, an essay by Chris Hedges of Truthdig. Responses within. [more inside]
From the mid 40s to the mid 50s Coronet Instructional Films were always ready to provide social guidance for teenagers on subjects as diverse as dating, popularity, preparing for being drafted, and shyness, as well as to children on following the law, the value of quietness in school, and appreciating our parents. They also provided education on topics such as the connection between attitudes and health, what kind of people live in America, how to keep a job, supervising women workers, the nature of capitalism, and the plantation System in Southern life. Inside is an annotated collection of all 86 of the complete Coronet films in the Prelinger Archives as well as a few more. Its not like you had work to do or anything right? [more inside]
Ana Utopia Giordano photoshops portraits of Venus for today's standards of the feminine ideal.
"It’s been nearly 6 years since the series finale of The West Wing, and more than 12 since the one-hour drama, which [Aaron] Sorkin created and largely wrote, first walked and talked its way through NBC’s Wednesday-night lineup; and yet you might think the series never ended, given the currency it still seems to enjoy in Washington, the frequency with which it comes up in D.C. conversations and is quoted or referenced on political blogs. In part this is because the smart, nerdy—they might prefer “precocious”—kids who grew up in the early part of the last decade worshipping the cool, technocratic charm of Sorkin’s characters have today matured into the young policy prodigies and press operatives who advise, brief, and excuse the behavior of the most powerful people in the country."