Slavoj Žižek
recently gave five talks under the title Masterclass - Notes Towards a Definition of Communist Culture. It sez 'ere, "The master class analyses phenomena of modern thought and culture with the intention to discern elements of possible Communist culture. It moves at two levels: first, it interprets some cultural phenomena (from today’s architecture to classic literary works like Rousseau’s La Nouvelle Heloise) as failures to imagine or enact a Communist culture; second, it explores attempts at imagining how a Communist culture could look, from Wagner’s Ring to Kafka’s and Beckett’s short stories and contemporary science fiction novels." Audio of Zizek's talks and subsequent discussion is now online:
Part I Utopias;
Part II Architecture as Ideology;
Part III Wagner’s Ring as a Communist narrative;
Part IV Populism and Democracy;
Part V Environment, Identity and Multiculturalism. Those who like to watch the beard in motion will find links to video of some of the talks posted
here.
posted by Abiezer
on Jun 22, 2009 -
29 comments
For Westerners, the index case of subculture has to be the
1960s UK conflict between the razor-sharp, tailored
mods and their mortal enemies, the greasy
rockers.
Difference was critical to these first self-identified youth subcultures: difference in dress, in music, in drug of choice, in the favored
mode of
transport...everything. This obsessive focus on not just standing out, but standing out
just so - on showing the world precisely the right angle of a hat, length of a coat, shortness of hair - has defined many a subculture since. We recognize
b-boys,
ganguro girls, and
straightedge punks by such deployments, among many, many other identifiable groups. (It's not just a youth thing, either:
leathermen and the
delightfully recrudescent roller derby culture are largely adult phenomena.)
To a devotee of a given subculture, such matters, far from being a "narcissism of small differences," are a matter of pivotal import in framing how one presents oneself to the world:
how we want to be seen, how we want others to understand us. But I'm getting older now, and further out of the loop, and I realize that just maybe I'm losing the ability to discern these differences in the people I pass walking down the street. I find myself asking, who and where are the new subcultures? And how do they choose to present themselves to us?
posted by adamgreenfield
on Sep 25, 2004 -
17 comments
