"At the time, Groening was best known as the artist of the comic Life in Hell, as The Simpsons has not yet premiered. The brochure was titled, 'Who Needs a Computer Anyway' and interspersed Groening’s Life in Hell style illustrations with standard information on Apple’s Mac computers." Apple once hired Matt Groening to do some illustrations for them.
American illustrator Coles Phillips became famous in 1908 for his "Fade-Away Girl" magazine covers, which caught the eye and saved money on color printing. He was a leader in creating "more modern, active and athletic images of women" after the prim poise of the Gibson Girl era. His later work became more overtly sexual, making him one of the first artists whose beautifully designed ads were "torn out of magazines and swiped out of store windows to become pin-ups on college dormitory walls." Some were considered scandalous. He died in 1927. Two long pages of Coles Phillips images. Six pages. Bio. Tumblr tag. More ads.
Beautifully designed, quirky, colorful late 19th-century "artistic" and "gaslight" printing at Dick Sheaff's ephemera pages. [via, via] [more inside]
A complete archive of French magazine L'Officiel de la Mode, from 1921 to 2008. It's a treasure trove for fans of fashion, photography, advertising and design. [more inside]
Beautiful early Zionist propaganda posters, courtesy of the Swann Galleries. The first 73 items in this large batch of vintage posters up for auction are related to Israel, Jews or anti-Semitism. [via Paperholic]
12 months of George Petty pinups. And 16 more. Hell, have 5 pages worth. More about the Petty Girl, an advertising and pop culture icon with an often unfinished look who made her first appearance in Esquire in 1933 and whose elegant line quickly became famous. [via Bibi's Box, which has lots more Petty and pinup links] [warning: busty pinup girls]
Ben Frost is a painter, performance artist and illustrator who currently lives in Australia. His work explores themes of alienation, dispossession, and perversity that exists behind the facade of contemporary western society. By subverting mainstream iconography from the advertising, entertainment and political spectrum he creates a visual and conceptual framework that is bold, confronting and often contraversial.
You probably remember him best for his famous green devil, tempting you with the esoteric delight of evil absinthe*, or the familiar image of the jester pushing the pleasures of Bitter Campari. Called by some the "father of the modern poster", and even the "father of advertising", Italian-born Leonetto Cappiello created over 1,000 memorable posters during his 40-year career in belle-epoque and fin-de-siecle Paris, and a quick look at a collection of his work quickly reminds us how enduring both his images and his basic concepts have been. (more...)