"Outcasts are my kind, they try harder. From strip joints to Burlesque theaters, I went on a quest and met the 'Legends', these dominating characters of the quintessential American art of strip tease. Hours of confidence on tapes, intimate photo sessions, they peel off and reveal the hidden layers of their life with throaty emotion. Their memories reflecting the memories of the land. Vietnam vets and bikers are their loyal patrons..."
The Living Art Of Risqué, a photo essay from Marie Baronnet, features portraits of former strippers aged 60 to 95, accompanied by short bio-vignettes in their own words.
[NSFW; nudity] [more inside]
posted by taz
on Jan 10, 2013 -
4 comments
"The Secret Gestural Prehistory of Mobile Devices is cultural anthropology. It seeks to recover those moments of intuitive prehensile dexterity, when the famous and the ordinary alike felt the unconscious desire to occupy their hands for an as yet unknown purpose. Like Roy Neary's obsession with the image of Devil's Tower in Close Encounters of the Third Kind (1977), this gesture was vague, uncanny and compelling. It is the intimation in images of a gestural second nature to come."
[more inside]
posted by taz
on Mar 20, 2012 -
16 comments
Wonderfully surreal. Five galleries of (literally) fantastic, mostly figurative images by Maggie Taylor. Serendipity has me reading
Perdido Street Station at the moment, and these quaintly eerie portraits seem almost as though they could have been plucked from Miéville's mythic population of bizarre Remades, uncanny constructs and outlandish alien races. Beautiful. (Click the eye.)
posted by taz
on Jun 14, 2004 -
9 comments
"Twexus does contain 15800 images today". Twexus is an enigmatic, engaging little database-driven photoart site that rewards you with new site features as your page views increase. I can't seem to tear free from the hypnotic effect of the "
symmetry" page that concerns itself with my opinion on each proffered image.
sorry, gotta go... must... return... to... twexus...
posted by taz
on Nov 21, 2002 -
15 comments