14 posts tagged with Indie and film. (View popular tags)
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"Once upon a time there was a game that nobody ever played, sitting on the floor in the back room of an empty arcade. The game was full of life and strife, mega-monsters and robot fights. We Are The Strange was the title. Now meet the players who live inside, idle." The story of filmmaker M dot Strange and his solo indie masterpiece, We Are The Strange. [more inside]
posted by Rhaomi on Apr 9, 2009 - 5 comments

"Girls Will Be Girls", the hilariously tacky and tasteless story of a trio of women in Hollywood, earned Best Actress awards for its leads at both Outfest and the U.S. Comedy Arts Festival in 2003. This was notable largely because the parts were played by three male performers. Now, thanks to the internet, you can watch the continuing adventures of Varla, Coco, and Evie in streaming hi-def. Oh, the gays and their wit.
posted by Help, I can't stop talking! on May 3, 2008 - 14 comments

Independent Filmaking: Kafkaesque Nightmare? Tom DiCillo's new film Delirious stars Steve Buscemi, is currently rated at 85% at Rotten Tomatoes, and yet, it only made $200,000. DiCillo asks Roger Ebert why.
posted by zabuni on Dec 2, 2007 - 44 comments

NoMediaKings.org will tell you how to hand-bind books in a variety of ways. Then you can make the movie of the book. As a bonus: Time Management for Anarchists.
posted by WPW on Jul 8, 2007 - 10 comments

The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
posted by boost ventilator on Jun 1, 2006 - 28 comments

If you can't be there in person, at least you can read the blogs of those lucky attendees. Share your preferred Sundance news sources here and/or by del.icio.us tag. If you are attending for the first time, you'll want to read the Virgin's Guide. Some think "Sundance shows too many "indie" films that are loaded with well-established talent in front of and behind the camera and ample budgets. It's not the place to go for new opportunities much anymore". (comment on page) See also: This year's titles sorted for your convenience.
posted by spock on Jan 18, 2006 - 12 comments

I don't know what "independent film" means. At a time when the Weinsteins are trying to extricate themselves from Disney, it seems an appropriate question to ask. There are Indie films (non-industry money) that are supposed to imitate fancy hollywood films, there are new studios being opened outside of LA by Wealthy Christians in Denver hoping to convert through CS Lewis movies and there are Garden State, Lost in Translation, Eternal Sunshine etc. which are like other Hollywood films: have stars, and studio money but are marketed as "Independent Films." What makes these independent? Finally, and seemingly too infrequently, there are privately financed and self-distributed unusual films like Assisted Living which despite their obvious merits and the critic's adoration are presumably ignored by the studios, blasted by the brain-numbing EW and distributed instead by the two young first-time filmmakers Why can't we see more non-hollywood and non-hollywood espousing independent ART on the screen? Why do we let every other multi-million dollar romantic comedy be sold to us as "indy" just because it has a quirky soundtrack or aesthetic sensibility. What can we do about it? I'm going to the movies. You?
posted by tallbuildings on Apr 15, 2005 - 30 comments

Jesus Christ Vampire Hunter
posted by Mwongozi on Sep 9, 2004 - 18 comments

"What did you think of Seabiscuit?" the young man added helpfully. Even the deadpan Jarmusch laughed. Jim Jarmusch's new movie (the first feature-lenght after 1999's Ghost Dog), "Coffee And Cigarettes", is "a droll, ironic look at two of our favorite addictions". The black and white movie (trailer here) has a strange (or Stranger than Paradise?) cast: Roberto Benigni, Steven Wright, Steve Buscemi, Iggy Pop, Tom Waits, Cate Blanchett, Meg White, Jack White, Alfred Molina, Steve Coogan, GZA, RZA, Bill Murray, ... Jarmusch's philosophy: "When you're watching movies, the guy's girlfriend calls him, she's having something bad happening, and he says, 'I'll take a cab. I'll be right over.' Cut to him getting out of the cab. And my brain always says, what about the cab ride? The incidental thing, the thing that's not the destination?". (more inside)
posted by matteo on Mar 28, 2004 - 18 comments

Independent film festivals often see a wide group of styles brought together and none more eclectic than the films being broadcast through the Iconscious Film Festival - "A diverse audio/visual festival featuring online events and live screenings of work from a selection of artists and film makers. A lucid optical experience brought electronically to unsuspecting net users and clubgoers worldwide." Pick of the bunch is probably Ben Milner's No Soul Journey whilst Vector(Remix) is strangely compelling. Real Player required.
posted by Kiell on Oct 18, 2003 - 1 comment

Rabbit Proof Fence is a movie about Australia's "stolen generation," the 100,000 Aboriginal and "half-caste" children kidnapped between 1910 and 1970 and raised in institutions, as part of a policy to "breed out" their Aboriginal blood and integrate them into white society. The movie is the true story of three girls who ran away and walked 1500 miles back home. Molly, the oldest one, walked it again years later when they captured her and her children. Here's a teacher's guide (pdf) based on the gov't report about the stolen generation. (book by Molly's daughter Doris Pilkington, movie soundtrack by Peter Gabriel. It's getting a lot of press despite its low profile -- go support your local indie theater)
posted by fotzepolitic on Feb 11, 2003 - 13 comments

Low or no budget horror films. They're awful, and oh so enticing (prolly 'cause they can be awful, amusing, and sometimes really good). How do you do special effects on no budget? Boggles the mind. As Halloween as it gets, the independant film makers and horror officiandos have their own portal. Crawl down these haunted corridors at your own risk.
posted by Wulfgar! on Oct 31, 2001 - 7 comments

dependent films has made a lot of interesting, quirky, and humourous short movies. the newest is - how to sprain your wrist: without even trying.

be sure to check out the video section for more downloadable short films.

i love how the web allows people to exercise creativity. any other film artists out there?
posted by bwg on Sep 27, 2001 - 7 comments

Ghost World is made into a movie. The comic on which it is based is by Daniel Clowes, an "alternative" comics author of some fame. I think I'm just a bit shocked that, of all comics, a movie would be made about ... well, anything by Daniel Clowes. Starring Steve Buscemi and Thora Birch from American Beauty. (Thanks to URB magazine (print) for the tip and Memepool for the Clowes interview pointer.)
posted by moz on Jun 25, 2001 - 9 comments