Bill Moggridge, 1943-2012 "I think it's always wise to remember to use the dirtiest method you possibly can at the time. Use the quickest thing and the simplest thing for the stage you're at." Bill Moggridge, designer, co-founder of IDEO and director of the Smithsonian's Cooper-Hewitt Design Museum, died after a battle with cancer on September 8 2012.
[more inside]
posted by running order squabble fest
on Sep 9, 2012 -
12 comments
Prototypes are usually the missing links in the evolution of human technology, the dead-ends of ideas that give way to the refinement of the final physical product. Prototypes aren't just for
Darth Vader. While the legal back and forth between Apple and Samsung continues, a
treasure trove of
prototype designs for Apple devices has been released to the public, showing insights into various design approaches and feature enhancements, including
larger form-factor iPads
with and without
kickstands and
landscape ports and iPhones that
parody the Sony logo, show a different layout for
camera elements, and look remarkably like
fourth-generation models, as far back as 2005. On the other hand, some have made prototypes into the end goal itself, such as the folks at
Dangerous Prototypes, a site which features a new open-source electronic hardware
project each month. Some are just
gratuitous fun, while others are a bit more practical, such as one project that
recycles old Nokia displays and another that provides access to
infrared signal, useful for hacking together remote controls for all sorts of IR-based devices. Other prototypes of
tomorrow's technology are less concerned with shrinking down the guts of the invention itself, to make it disappear, but rather on
how we
interact with and
integrate physical representations of these ideas into our daily lives. Above all else, prototypes are always forward-looking and are therefore inherently optimistic expressions of human creativity: Even
children are getting into imagining the world of tomorrow.
posted by Blazecock Pileon
on Aug 1, 2012 -
14 comments
If you can make it through the glacially paced intro and can put up with the typically clunky, often laughable and jingoistic fifties-style narration, this 1958 film from Chevrolet,
The American Look is worth viewing. Chock full of futuristic telephones, toasters, blenders, office machines, architecture and more, it's a mid-century design lover's dream. The film is visually striking and elegant, and presented in widescreen format. Here's part
2 and part
3. Or see it here in its
entirety.
[more inside]
posted by flapjax at midnite
on May 12, 2008 -
15 comments
"The difference between BJ and AJ, Before and After Jobs, is not the process," [Don Norman] continues. "It is the person. Never before did Apple have such focus and dedication. Apple used to wobble, moving this way and that.
No more."
posted by Blazecock Pileon
on May 8, 2007 -
26 comments
Razzle Dazzle Camouflage
"During World War I, the British and Americans faced a serious threat from German U-boats, which were sinking allied shipping at a dangerous rate. All attempts to camouflage ships at sea had failed, as the appearance of the sea and sky are always changing. Any color scheme that was concealing in one situation was conspicuous in others. A British artist and naval officer, Norman Wilkinson, promoted a new camouflage scheme that was derived from the artistic fashions of the time, particularly cubism. Instead of trying to conceal the ship, it simply broke up its lines and made it more difficult for the U-boat captain to determine the ship's course. The British called this camouflage scheme 'Dazzle Painting.' The Americans called it 'Razzle Dazzle.'"
posted by hall of robots
on Nov 4, 2005 -
31 comments
