On a bright April morning in Menlo Park, California, I became an Internet spy.
This was easier than it sounds because I had a willing target. I had partnered with National Public Radio (NPR) tech correspondent Steve Henn for an experiment in Internet surveillance. For one week, while Henn researched a story, he allowed himself to be watched—acting as a stand-in, in effect, for everyone who uses Internet-connected devices. How much of our lives do we really reveal simply by going online?
Ars tests Internet surveillance—by spying on an NPR reporter.
posted by Johnny Wallflower
on Jun 16, 2014 -
is a Youtube video aggregator that shows you videos with 50 views or less. [possibly NSFW results]
posted by Taft
on Jun 7, 2014 -
"Advertising is not well.
Though companies supported by advertising still dominate the landscape and capture the popular imagination, cracks are beginning to show in the very financial foundations of the web. Despite the best efforts of an industry, advertising is becoming less and less effective online. The once reliable fuel that powered a generation of innovations on the web is slowly, but perceptibly beginning to falter. Consider the long-term trend: when the first banner advertisement
emerged online in 1994, it reported a (now) staggering clickthrough rate of 78%. By 2011, the average Facebook advertisement
clickthrough rate sat dramatically lower at 0.05%. Even if only a rough proxy, something underlies such a dramatic change in the ability for an advertisement to pique the interest of users online. What underlies this decline, and what does it mean for the Internet at large? This short [PDF] paper puts forth the argument for peak advertising
—the argument that an overall slowing in online advertising will eventually force a significant (and potentially painful) shift in the structure of business online. Like the theory of Peak Oil
that it references, the goal is not to look to the immediate upcoming quarter, but to think on the decade-long scale
about the business models that sustain the Internet." [more inside]
posted by Rhaomi
on Jun 3, 2014 -
In 2003, Andy "waxpancake" Baio created Upcoming
, "a collaborative event calendar focused on interesting arts and tech events around the world, curated by its community. It surfaced weird and wonderful events that usually fell under the radar of traditional event listings from newspapers and local weeklies." In 2005, it was acquired by Yahoo!, who killed the site last April with little warning, and no way to back up events
. Fortunately, the complete site was saved
by the Internet Archive
. But Upcoming isn't dead yet! Two months ago, Yahoo! offered to sell the domain back to Baio. And now, with a fully-funded kickstarter
, he's planning on "rebuilding it for the modern era using tools and platforms that weren't available when it was first designed." Welcome to the brilliant life, stupid death, and improbable return of Upcoming.org. [more inside]
posted by zarq
on Jun 3, 2014 -
How Russia’s Troll Army Hit America. The documents show instructions provided to the commenters that detail the workload expected of them. On an average working day, the Russians are to post on news articles 50 times. Each blogger is to maintain six Facebook accounts publishing at least three posts a day and discussing the news in groups at least twice a day. By the end of the first month, they are expected to have won 500 subscribers and get at least five posts on each item a day. On Twitter, the bloggers are expected to manage 10 accounts with up to 2,000 followers and tweet 50 times a day.
posted by shivohum
on Jun 2, 2014 -
The Federal Communications Commission has announced
that they would propose new rules allowing content providers to pay ISPs for priority "fast lanes," reversing their earlier position and effectively rejecting the principle of net neutrality
held since the earliest days of the internet. The full set of proposed rules will be announced on May 15. [more inside]
posted by theodolite
on Apr 24, 2014 -
is "a comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through as series of cinematic tweets." [more inside]
posted by mysticreferee
on Apr 20, 2014 -
How I got here in the end.
Picture this: you're a former drug dealer who has turned to hacking for a living. You're crashing in an apartment a bit older than Texas, surrounded by about seventeen computers, sleeping on a futon with a girlfriend with metre-long purple dreadlocks, and planning your defection from one net-based futuristic corporation to another over Korean take-away food. [more inside]
posted by bitmage
on Apr 18, 2014 -
The Day We Fight Back
is a protest against mass surveillance. "The SOPA and PIPA protests were successful because we all took part, as a community. As Aaron Swartz put it, everybody "made themselves the hero of their own story." We can set a date, but we need all of you, the users of the Internet, to make it a movement. [more inside]
posted by aniola
on Feb 11, 2014 -
Visiting the Big Apple? "Don't ask a pedestrian where a certain street is. He is usually too busy to stop, and if polite enough to stop, won't know. No New Yorker knows anything about New York."
And another kind reminder: "Don't gape at women smoking cigarettes in restaurants. They are harmless and respectable, notwithstanding and nevertheless. They are also smart."
Advice from Valentine’s City of New York: A Guide Book
, published in 1920. [more inside]
posted by zarq
on Jan 29, 2014 -
The Columbia Journalism Review interviews Evgeny Morozov: Evgeny vs. the internet
The entire Morozov aesthetic is in this sentence: the venom, the derision, the reverse jujitsu of his opponents’ sanctimony, the bald accusation that all the talk about a new age of human flourishing is nothing but an attempt to vamp the speaker’s consulting business. Tech enthusiasts channel hope. Tech skeptics channel worry. Morozov channels anger, and this can be a very satisfying emotion to anyone unconvinced that everything is getting better. Leon Wieseltier, who has published some of Morozov’s most acid criticism at The New Republic, compares him to the ferocious jazz musician Charles Mingus, who once responded to an interviewer who accused him of “hollerin’ ” by saying, “I feel like hollerin’.” I asked Morozov if he considers his Twitter feed, which spews a constant stream of invective and absurdist satire, to be performative. This was a bit like asking Mingus if he considers jazz performative. “Absolutely,” he said. “I consider it art.” [more inside]
posted by the man of twists and turns
on Jan 13, 2014 -