"But Freud had a second fear: a fear of Rome's layers. In formal treatises, he compared the psyche to an ancient city, with many layers of architecture built one on top of another, each replacing the last, but with the old structures still present underneath. In private writings he phrased this more personally, that he was terrified of ever visiting Rome because he was terrified of the idea of all the layers and layers and layers of destroyed structures hidden under the surface, at the same time present and absent, visible and invisible. He was, in a very deep way, absolutely right." [more inside]
Most people know that Venice has long been threatened by chronic flooding, but in recent years the Queen of the Adriatic has faced a rising tide of a different sort: advertising. From the Doge's Palace to St. Mark's Square to the bittersweet Bridge of Sighs -- named for the grief its splendid views once inspired in crossing death row prisoners -- immense billboards lit late into the night now mar the city's most treasured places. Allegedly built to cover the cost of restoration work in the face of government cutbacks, the ads have brought in around $600,000 per year since 2008 -- a fraction of the shortfall -- and show no sign of going away any time soon. Their presence prompted a consortium of the world's leading cultural experts led by the Venice in Peril Fund to air an open letter demanding the city government put a stop to the placards that "hit you in the eye and ruin your experience of one of the most beautiful creations of humankind." Mayor Giorgio Orsoni, for one, was not moved, saying last year "If people want to see the building they should go home and look at a picture of it in a book."
How does Venice work? Short Vimeo documentary on the practicalities of Venice's architecture and civil engineering. More at Venice Backstage.
"A jaw-dropping feat of architecture has risen in the Italian city of Nola, just a stone’s throw away from the cataclysmic Mt. Vesuvius. Designed by Renzo Piano, Vulcano Buono is an epic cone-shaped commercial center crowned with a gorgeous sloping green roof. Piano’s 'good volcano' contributes a vital new space to the southern edge of the Nola commercial district, which is the most most important freight terminal complex in southern and central Italy."
Imago Urbis: Giuseppe Vasi’s Grand Tour of Rome is a rich and innovative geographic database that projects Vasi's 18th century engravings of Roman architecture onto the contemporary map of Giambattista Nolli [previously] with supplementary modern satellite, photographic and mapping overlays together with copious background detail. The work was undertaken by researchers at the University of Oregon (announcement) [via]