Manfeels Park is an exercise in flogging a pun for all it’s worth.
The male dialogue in this webcomic is all taken word for word or adapted only slightly from web commentary by hurt and confused men with Very Important Things To Explain, usually to women. Artistic license is exercised in editing commentary for brevity, spelling and grammar, but the spirit of the original comment is always faithfully observed. Witty rejoinders are also ‘found dialogue’ where possible. [more inside]
posted by Lexica
on Jul 1, 2014 -
The enigma of Mona Lisa's smile? Who cares? The mystery of Dido Belle is much more intriguing. The double portrait Dido Elizabeth Belle and Lady Elizabeth Murray, once attributed to Johann Zoffany and now hanging in Scone Palace in Perth, depicts two elegant 18th-century women in silks and pearls at Kenwood House in London. Beyond them, you can just glimpse St Paul's and the rest of the Georgian cityscape. Nothing unusual about any of that, but for one detail – Dido is mixed race.
Belle is about slavery and follows on the heels of Steve McQueen's Oscar-winning 12 Years a Slave. An impossible act to follow, you might suppose. Yet the two films could hardly be more different. "I wouldn't want audiences to come to Belle and think they were about to see '12 Years a Slave Mark 2'," Asante says. Based in Britain and rooted in fact, Belle is an extraordinary story, she tells me: Dido Elizabeth Belle (1761-1804) was the daughter of John Lindsay, a British admiral, and an African slave. She grew up in Kenwood House, Hampstead, under the guardianship of Lord Chief Justice Mansfield.
One delicately speculative Guardian article about a painting and its context leads to a fascinating portait of a Ghanaian/British filmmaker and the circumstances that formed her. Asante has always had an "extra eye" and sees herself as an insider and outsider (all directors, she believes, need to be emotionally ambidextrous).
posted by glasseyes
on May 28, 2014 -
On May 24th, 1813, Jane Austen visited a blockbuster art exhibition--the first major retrospective of Sir Joshua Reynolds
, the premier English portraitist of the 18th century. Debuting 200 years to the day later, What Jane Saw
is a room-by-room virtual recreation of the exhibition, based on the original catalog of the paintings and contemporary depictions of the building where it was held.
posted by Horace Rumpole
on May 27, 2013 -
Post & Prejudice: [guardian.co.uk]
"The Royal Mail is joining in the celebrations to mark the 200th anniversary of Pride and Prejudice with the release of a series of stamps featuring all six of Jane Austen's novels. Royal Mail commissioned the artwork by Angela Barrett." [Slideshow]
posted by Fizz
on Feb 24, 2013 -
Jane Austen 'died from arsenic poisoning'. [The Guardian]
Crime writer Lindsay Ashford bases claim on reading of author's letters and claims murder cannot be ruled out. Almost 200 years after she died, Jane Austen's early death at the age of just 41 has been attributed to many things, from cancer to Addison's disease. Now sleuthing from a crime novelist has uncovered a new possibility: arsenic poisoning.
posted by Fizz
on Nov 15, 2011 -
"It seems like a really original and interesting read."
It is a truth universally acknowledged that the first line of Jane Austen's "Pride and Prejudice" is one of literature's most famous, wittily kicking off one of the most beloved of all classics. And yet, 17 British publishers failed to recognize it and rejected the manuscript when Jane's name and the title were changed. What happens when the gatekeepers of literature are illiterate?
posted by CunningLinguist
on Jul 19, 2007 -