According to the Daptone Gold compilation liner notes (auto-playing music, click on "Biography"to read the notes), written by Pitchfork contributor Douglas Wolk, "the world capital of soul" has moved from the US ("between Memphis and Detroit, with occasional stopovers in New Orleans, Cincinnati and elsewhere") in the 1960, to Lagos in the 1970s, then it went into hiding, finally reappearing in Brooklyn, with Daptone Records. Let's go back - why Lagos in the 1970s? [more inside]
HELLO TO ALL YOU SATURNIANS, THIS CHANNEL IS DEDICATED TO JAZZ, TO SUN RA AND HIS JAZZ SPACE MUSIC. SPREAD THE WORD, PLEASE, BECAUSE THE SATURNIAN CULTURE ALWAYS HAS TO REMAINS ALIVE INSIDE US, SHARE MY VIDEOS, VOTE AND COMMENT. I HOPE YOU'LL ENJOY IT ALL.It's Ascension Day in the Netherlands and what better way to celebrate a four day weekend than by watching a great slab of Afrofuturist jazz extravaganza, courtesy of Youtube channel Sun Ra Soul: the complete 1974 Sun Ra movie Space is the Place?
Andrea Benini is a musician, music producer and composer from Cesena, Italy, and is more commonly known as Mop Mop, or at least the head of a changing group of musicians who use that name. In 2005, collective Mop Mop released an album of cool vibes, spare paino lines, tight grooves (5 sample tracks, streaming on Grooveshark). The group has changed over the years, releasing a total of four albums, with the most recent, Isle of Magic, containing 13 tracks of pure voodoo jazz, Caribbean flavors, Afro-funk, exotic rhythms and soul music. [more inside]
GRiZ - Mad Liberation. Take a 21 year old bedroom producer from Michigan, raise them on the the internet with a near complete access to the history of modern music with a focus on electronic/dance and apparently you get this incredibly humanistic and cross-cultural album that's both homage, monument and appropriation of hundreds of influences in modern music in an incredibly dubby dubstep framework. (Free album download here.)
In the wake of their grunge-y breakout hit "Creep" and the success of sophomore record The Bends, Thom Yorke and the rest of Radiohead were under pressure to deliver once more. So they shut themselves away inside the echoing halls of a secluded 16th century manor and got to work. What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored the "fridge buzz" of modernity -- alienation, social disconnection, existential dread, the impersonal hum of technology -- through a mosaic of challenging, innovative, eerily beautiful music unlike anything else at the time. Tentatively called Ones and Zeroes, then Your Home May Be at Risk If You Do Not Keep Up Payments, the band finally settled on OK Computer, an appropriately enigmatic title for this acclaimed harbinger of millennial angst. For more, you can watch the retrospective OK Computer: A Classic Album Under Review for a track-by-track rundown, or the unsettling documentary Meeting People is Easy for a look at how the album's whirlwind tour nearly gave Yorke a nervous breakdown. Or look inside for more details and cool interpretations of all the tracks -- including an upcoming MeFi Music Challenge! [more inside]
New Year's Eve is fast approaching, and for lots of folks that means... drinking. Plenty of drinking. And since there's no shortage of singers and songwriters who've had a little something to say about that particular topic, maybe some of the following tunes can serve as an appropriate soundtrack to your own joyous (or not?) imbibing of spirits. For example, there's... Jimmy Liggins with his succinct rendition of Drunk, and there's... [more inside]
Harlem Yodel. The Dandridge Sisters and the Cats and the Fiddle teach us how the yodel is done above 110th Street. [more inside]
"...A Fourth of July picnic, a Sunday Best church revival, an urban rock concert and a rural civil rights rally"
There was a historic music festival in the summer of 1969. But it's not the one that took place in Bethel, NY. The Harlem Cultural Festival ran from June 29 to August 24 that summer, presenting a concert every Sunday afternoon in Mount Morris Park (known today as Marcus Garvey Park). Three hundred thousand people turned out for the six free concerts, hearing acts like Nina Simone , Sly & the Family Stone (the only act to play both Woodstock and the "black Woodstock"), Stevie Wonder, Mahalia Jackson, The 5th Dimension, Moms Mabley and. Speakers included Jesse Jackson and "blue-eyed soul brother" Mayor John Lindsay. Security was courtesy of the Black Panthers, since the NYC police refused to provide it. Filmmaker Hal Tulchin recorded over 50 hours of concert footage, which has remained unreleased. Historic Films seems to hold the footage; it was supposed to be made into a movie to premiere at Sundance 2007, but its release seems to be continually delayed for reasons unclear. [more inside]
Soul! New York City PBS affiliate WNET have digitized 9 episodes of Soul!, a early 1970's live music program, providing a groovy video interface with chapters to break down each hour long episode. [more inside]
"A wildly flamboyant funk diva with few equals even three decades after her debut, Betty Davis combined the gritty emotional realism of Tina Turner, the futurist fashion sense of David Bowie, and the trendsetting flair of Miles Davis, her husband for a year. ... she turned Miles on to Jimi Hendrix and Sly Stone (providing the spark that led to his musical reinvention on In a Silent Way and Bitches Brew), then proved her own talents with a trio of sizzling mid-'70s solo LPs." - All Music Guide (many links nsfw-ish)
September 14, 1998 "the Tan Canary" passes away. He started out as a gospel singer but went on to perform blues, soul, county, and jazz. In 1968 he covered the country standard "Release Me" and it became a hit. His audience grew, but stardom outside of his home in New Orleans was not to be his. [more inside]
Regarding the 'Creole Beethoven' Wardell Quezergue, composer, arranger, big band leader, master of Second Line funk, who brought us Earl King's Trick Bag, the Dixie Cups' Iko Iko and Chapel of Love, King FLoyd's Groove Me, Baby, Jean Knight's Mr. Big Stuff to name but a few--not to mention A Creole Mass--and who, later in life, survived Katrina, to become, among other things of late, according to Home of the Groove's Quezergue Onstage and Behind The Scenes, a street performer in the French Quarter. His is a name that ought not be forgotten. [more inside]
"If the truth was really known about the origins of Jazz, it would certainly never be mentioned in polite society." The expression arose sometime during the later nineteenth century in the better brothels of New Orleans, which provided music and dancing as well as sex. Jazz has been around for more than a hundred years now. It is not the result of choosing a tune, but an ideal that is created first in the mind, and willed in the music, inspired by A Passion for Jazz.
Arif Mardin passed away Sunday. Yes, the first is a NYTimes link, but here's an obit from the Independent newspaper, and here's a BBC obit as well. It would be unseemly not to note the passing of the arranger or producer (or both, or co- ) behind the Art Farmer Quartet's Live at the Half-Note, Sonny Stitt's Stitt Plays Bird, Max Roach's Drums Unlimited, the Rascals' "Good Lovin'" and "Groovin'," Aretha Franklin's I Never Loved a Man the Way I Love You and Aretha Now, Dusty Springfield's Dusty in Memphis, Donny Hathaway's Extension of a Man, the Stones' Black and Blue, Chaka Khan's first several solo albums, and hundreds of others all the way down to Norah Jones ... a list almost too long to compile. NPR interview here, lengthier article from Sound on Sound here, his discogs.com list here.