Eric Dolphy [auto-music] was a true original with his own distinctive styles on alto, flute, and bass clarinet. His music fell into the "avant-garde" category yet he did not discard chordal improvisation altogether (although the relationship of his notes to the chords was often pretty abstract). While most of the other "free jazz" players sounded very serious in their playing, Dolphy's solos often came across as ecstatic and exuberant. His improvisations utilized very wide intervals, a variety of nonmusical speechlike sounds, and its own logic. Although the alto was his main axe, Dolphy was the first flutist to move beyond bop (influencing James Newton) and he largely introduced the bass clarinet to jazz as a solo instrument. He was also one of the first (after Coleman Hawkins) to record unaccompanied horn solos, preceding Anthony Braxton by five years. - AllMusic (previously: 1, 2)
No musician of Bud Powell’s era had such capacity for improvisatory excellence and was so ready to unleash it, instantly, in such concentrated form onstage. [more inside]
On Saturday, March 1, 1947, at the Hi-De-Ho nightclub in Los Angeles, in a booth near the bandstand, Dean Benedetti switched on a Wells-Gardner disc cutter - starting what would become the most legendary jazz recordings in history. (400 KB PDF) [more inside]
Marian McPartland's Piano Jazz is the longest-running cultural program on National Public Radio - having been hosted by Ms. McPartland from June 4, 1978 through November 10, 2011. Her guests included Eubie Blake, Carla Bley, JoAnne Brackeen, Ray Charles, Alice Coltrane, Chick Corea, Bill Evans, Herbie Hancock, Andrew Hill, Dick Hyman, Ahmad Jamal, Keith Jarrett, Hank Jones, Oscar Peterson, Michel Petrucciani, Marcus Roberts, and McCoy Tyner.
Using his "file card" technique to create the title piece "Spillane" (whereby musical ideas written on note cards form the basis for discreet sound blocks arranged by way of a unifying theme), John Zorn forges an impressionistic narrative out of stretches of live-music jazz, blues, country, lounge, thrash, etc., and a variety of samples and spoken dialogue inspired by Mickey Spillane's Mike Hammer detective novels (recited by John Lurie). - AllMusic [more inside]
On July 26, 1965, at the Antibes Jazz Festival, the John Coltrane Quartet made its only public performance of A Love Supreme. (previously) [more inside]
"Ornette in '59" - a BBC documentary segment about Ornette Coleman's The Shape of Jazz to Come. [more inside]
MILES BEYOND: the web's premier resource on the influential and inspirational electric music Miles Davis played from 1967 to 1991 [more inside]