On February 19, 1987, it was just another night at the Palomino, with Taj Mahal and The Graffiti Band playing some folk, soul, blues and maybe a bit of jazz. It wasn't unusual for some more major musicians to be in the crowd, but this night George Harrison, Bob Dylan, John Fogerty, and Jesse Ed Davis joined Taj and jammed, with Fogerty playing "Proud Mary" at the prompting of Dylan. But if you want to visit this iconic club today, you'll find yourself in front of Le Monge banquet hall. The Palomino is no more, but you can visit the Valley's legendary honky-tonk with an oral history of The Palomino, and a fan-made VH1 "Behind the Music" style documentary that includes some vintage clips and photos. [more inside]
The Killer at Peace: Jerry Lee Lewis's Golden Years
In the living room, directly above Lewis' chair, is a framed photo from the day in December 1956 when Lewis, Cash, Carl Perkins and Presley – a.k.a. "the Million-Dollar Quartet" – hung out and recorded at Sun. Elvis is at the piano, looking upward, eyes fixed on Lewis. Above the bar is a photo from the sessions for the Class of '55 LP, a 1985 reunion of Lewis, Perkins, Cash and Roy Orbison. "All of them, really good friends," he says quietly. "All gone." Lewis took his survival as a point of pride by naming his 2006 comeback LP Last Man Standing. "A lot of people didn't like it when I said that. But they had to accept it."Jerry Lee Lewis is still alive and rocking, having just released his third album in the 2000s, titled Rock & Roll Time, though his most raucous days are behind him.
Kat Chow, with NPR's Code Switch, put together a short piece on the history and the prevalence of the well-known nine note "stereotypical Asian theme." As described in a 2005 Straight Dope forum question: You know, the one that goes dee dee dee dee duh duh dee dee duh. Featured heavily in braindead Hollywood flicks made by clueless directors who want to give a scene an "oriental" feel. Also a variation of it can be heard in David Bowie's "China Girl." [more inside]
The Music Scene is a television series aired by ABC as part of its Fall 1969 lineup. The show featured performances from the top musicians of the week as compiled by “Billboard Magazine” and had a number of hosts, including David Steinberg and Lily Tomlin. Many huge names of the era, including The Beatles, James Brown, Crosby, Stills, Nash & Young, Three Dog Night, Tom Jones on the initial program and Janis Joplin, Bobby Sherman, The Miracles, Sly & the Family Stone, Isaac Hayes, Stevie Wonder, Bo Diddley and Mama Cass Elliot, (who co-hosted as well as performed) among many others, appearing on subsequent shows. [more inside]
I just moved into my new house today1, moving was hard but I got squared away2. When bells starting rings and chains rattled loud,3 I knew I'd moved in a haunted house4. Still I made up my mind to stay,5 nothing was a-gonna drive me away.6 When I seen something that give me the creeps,7 had one big eye and two big feet.8 [more inside]
A remarkably diverse group of legendary musicians have graced the stage of Tulsa's Cain's Ballroom over the years: Jerry Lee Lewis, Little Richard, the Sex Pistols (one of seven stops on their one and only 1978 U.S. tour…the hole in the drywall left by Sid Vicious’ fist is still backstage), the Ramones, Bob Dylan, Willie Nelson, Blondie, The Talking Heads, U2, Ani DiFranco, Elvis Costello, Snoop Dogg, Morrissey, Beck, Wilco, to name a few. A documentary featuring Costello and several other artists who’ve played there is in the works, with proceeds supporting music education in Oklahoma and the upcoming Cain’s Ballroom Museum. Cain’s was recently named one of the top 10 live music venues in the U.S. From 1935 to 1942, Cain’s was home to Bob Wills and The Texas Playboys, who popularized western swing music with weekly dances and a national radio show.
Me and Bobby McGee This is worth watching if only to observe Jerry's keyboarding starting at 2:26.
"Window in the Sky" is a YouTube style video synch mash-up done on a professional budget with the magic of copyright clearances. "It's a triumph of postmodern reconstruction" says the Washington Post.