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A different sort of hell

"Technically it’s not a book at all: The Great War is actually one continuous drawing, a 24ft-long panorama narrating the British forces’ experience of 1 July 1916, spatially and chronologically, from orderly morning approach to chaotic battlefield engagement to grim aftermath. There are no boxes of text or speech bubbles, no individuated characters, instead Sacco portrays a mass event in painstaking, monochrome, almost technical detail. It’s like a cross between Hergé and the Chapman brothers; the Bayeux Tapestry as a silent movie." -- Cartoonist Joe Sacco's latest project, The Great War is about one particular day in the War: 1 July, the start of the Battle of the Somme. [more inside]
posted by MartinWisse on Oct 18, 2013 - 20 comments

Presumably The Hernandez Brothers Were Unavailable

For three days in May of 2012, seventeen cartoonists gathered at the University of Chicago to discuss the philosophy and practice of comics. [more inside]
posted by Alvy Ampersand on May 28, 2013 - 2 comments

Fodder for your Amazon wishlist

Windsor McCay was one of the first superstars of the American comics strip, a pioneer in both cartooning and animation, massively prolific. All of his work is in the public domain, but where to start? Over at Robot 6, Chris Mautner provides the lowdown in the first installment of a new series of Comics College, "a monthly feature where we provide an introductory guide to some of the medium’s most important auteurs and offer our best educated suggestions on how to become familiar with their body of work". [more inside]
posted by MartinWisse on Mar 6, 2013 - 26 comments

"resistance and fighting for life is meaningful"

Chris Hedges interviewed by Bill Moyers is profound, insightful and inspiring. In one of the most pointed, sweeping and personal public conversations about Chris Hedges' life and work yet, Bill Moyers speaks with the journalist after the release of "Days of Destruction, Days of Revolt," the book Hedges co-authored with fellow reporter and artist Joe Sacco. The 50-minute conversation is followed by a segment on Sacco, who talks about the thinking and experiences that moved him to become a "comics journalist." Previously and previously.
posted by nickyskye on Sep 2, 2012 - 20 comments

This Tide is not for Turning

Illegal immigration is not just a US problem.
Joe Sacco: Not in my country, A tale of unwanted immigrants.
The Big Picture (Joe Sacco previously 1; 2 ).
posted by adamvasco on Jul 18, 2010 - 41 comments

Draw it as you see it.

Joe Sacco is a political journalist. His medium is the comic. He gave a talk last march at the Walker Art Centre where he also answers questions. Talk starts 07.50 after introductions. (wiki previous 1, II ) [more inside]
posted by adamvasco on Nov 23, 2009 - 13 comments

Four Colour Funnies in the Old Grey Lady

Daniel Clowes, creator of the seminal and controversial comic series Eightball, is currently producing the serial Mister Wonderful for the New York Times Magazine's The Funny Pages. The NYT also presents a slideshow exploring the medium of graphic novelscomics featuring Art Spiegelman, Joe Sacco, Chester Brown, and previous Funny Pages contributors Seth and Chris Ware. [more inside]
posted by Alvy Ampersand on Sep 27, 2007 - 27 comments

The Case for Comics Journalism

The Case for Comics Journalism
posted by njm on Mar 11, 2005 - 18 comments

David Hadju discusses Joe Sacco's and Palestine and Safe Area Gorzade and Daniel Clowes' Ghost World

Comics for Grown-Ups
David Hadju discusses Joe Sacco's Palestine and Safe Area Gorazde and Daniel Clowes' Ghost World. I wanted to link the Ghost World movie site but it's currently down. Whether this is permanently or not, I know not. I'll be sad if it's gone--it was so darn cool and so elegantly done.
posted by y2karl on Jul 26, 2003 - 43 comments

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