Five years after Radiohead's last album, myriad hints from the band marked May 1st -- Dawn Chorus Day -- as the date something big was gonna happen. The band ateased the web with rumours_of songs new and old, cryptic artwork, ominous mailers. But after years of waiting, nothing came... literally. Optimistic fans trying to pick up every last crumb_were left climbing up the walls_as they were shown how to disappear completely, with the band's official site and social media fading out
again, slowly dissolving little by little, one by one, before their very eyes.
It all came back Tuesday, as mysterious chirps and inkblots ushered in the sinister claymation music video for long-awaited track "Burn the Witch" [prev.], followed days later by an arresting P.T. Anderson-directed film for the somber elegy "Daydreaming."
While Radiohead's ninth album is not here now physically till June, it's available for download come 8th May_(today!) at 2 PM EDT on Radiohead.com.
It's gonna be a glorious day. [more inside]
After the triumph of OK Computer, Radiohead fell into a creative tailspin -- and frontman Thom Yorke into a nervous breakdown. Exhausted from touring, hounded by press, and jaded by copycats, he escaped into the electronica scene pioneered by Kraftwerk and Warp Records -- fertile ground, the band discovered. Trading spacey rock for apocalyptic brooding, they teased their new sound not with singles or music videos but with innovative web streaming and cryptic, dreamlike "blips" -- winterlands, flocks of cubes, eyeballs, bears. After nearly breaking up over tracklist angst, they cut the kid in half. Thus fifteen years ago today, Kid A and (later) Amnesiac debuted, a confounding mix of electronic fugue, whalesong, pulsing IDM, drunken piano, and epic jazz funeral whose insights into anxiety, political dysfunction, and climate crisis would make it one of the most revered albums of the twenty-first century. See the documentary Reflections on Kid A for interviews and live cuts, or look inside for much more. [more inside]
When Maurice Martenot met Lev Sergeivich Termen in the early 1920's and heard his revolutionary new musical instrument the Theremin, he was inspired to create his own electroacoustic instrument , which he christened Ondes Martenot. Next year will mark the 80th anniversary of the first performance of this remarkable hybrid keyboard which, aside from its lovely and ethereal sound, is also aesthetically pleasing visually, with its handsome collection of multiple speakers. See and hear the instrument being played and explained in this video interview and demonstration by Jean Laurendeau, which closes with a lovely rendition of the theme from Star Trek. And, here's the instrument in use, live, alongside who else? Radiohead. [more inside]