The Lens Is Standard, the Photos Anything But
Jerome Delay has been on a quest for simplicity while covering some of the most important stories in Africa for The Associated Press. For the last year he has relied almost exclusively on one camera, and one lens, a 50-millimeter F1.4.
posted by ColdChef
on Sep 19, 2013 -
The Absurd Quest for Euro Crisis Images: The Greeks aren't the only ones sick of the euro crisis. Photographers are reaching the end of their tether too, struggling to shoot images of euro coins in various states of distress to illustrate the story. Though some of the photos are absurd, they still get published -- because news outlets are equally desperate. Gallery
posted by daniel_charms
on Oct 17, 2012 -
10b Photography has established itself as one of the world’s leading digital darkrooms, handling post-production for scores of award-winning photojournalists who trust that the company knows where to draw the line between processing and manipulation. [...] 10b is quick to point out that it is not a retouching firm. The term is often associated with Photoshop experts, who are hired to alter the look and shape of fashion icons, for example. So when it comes to defining Palmisano's role, it can get tricky. Post-processing in the digital age.
posted by shakespeherian
on Dec 21, 2011 -
Photojournalism in Libya from "a towering perspective": Bryan’s height — somewhere north of 6 feet 6 inches, closer to 7 feet with helmet and boots — is both a perennial joke and a source of wonder among those who cover war and know him. Why would anyone so damn tall take on a line of work where, on many days, you want to be small? Let’s be clear. Bryan is a big target. Correction: he is a very big target. He looks like a walking sheet of plywood out there.
posted by oxford blue
on Jun 1, 2011 -
is the new photojournalism blog of The New York Times, presenting visual and multimedia reporting — photographs, videos and slide shows. A showcase for Times photographers, it will draw on The Times' own pictorial archive, numbering in the millions of images and going back to the early 20th century. Features in their first week include: Essay: Slow Photography in an Instantaneous Age
, about what it means to shoot on large-format film in the digital age; Showcase: A Prom Divided
, a multimedia feature about a segregated prom in 2009 south-central Georgia.
posted by netbros
on May 22, 2009 -
The Carolina Photojournalism Workshop was founded in 2004. Each year a small group of UNC multimedia students travel to a different part of the state to produce a web documentary. 2008
: Cape Fear to Down Here, 2007
: Smoky Mountain Stories, 2006
: Stories from the Crystal Coast, 2005
: Highlands, NC, 2004
: Changing Wetlands Changing Ways.
posted by netbros
on May 8, 2009 -
is a bi-annual online photo magazine presenting new work of photographers from around the world. Lunatic offers the opportunity to photographers to promote original stories, images, and photojournalism. (Issue1
posted by netbros
on Jan 28, 2009 -
Image of the Year.
From the article: "If you want to go shallow for an Image of the Year, you can't do better than Paris Hilton
, seen through the window of a Los Angeles sheriff's car, weeping as she's being hauled back to prison to complete a probation-violation sentence. But when you first notice the credit on that now infamous picture, there's a double take. The image came from the camera of Nick Ut
, whose picture of a little girl burned by napalm, naked and running directly toward the camera and into the conscience of the American people
, became perhaps the most powerful and influential vision of the Vietnam War. Not only was the Paris Hilton image taken by one of this country's most celebrated war photographers, it was taken June 8, 35 years to the day after the devastating image of 9-year-old Kim Phuc fleeing her bombed-out village. Let's put these two pictures up on the wall together for one last, end-of-the-year look, and see if something emerges."
posted by kittens for breakfast
on Dec 30, 2007 -
Charlotte Observer photographer Patrick Schneider has been fired.
After a 2003 incident
in which the North Carolina Press Association stripped him of his awards for three pictures (before and after can be seen here
) the Observer has fired Schneider over the alteration of this
image. The question remains among photojournalists: is it unethical
to alter a photo in such a way that it more closely resembles what the eye saw and the camera is unable to capture, or is this a deceptive practice that damages the public's trust?
posted by TheGoldenOne
on Jul 28, 2006 -
Wrestling with Diane Arbus
"She set up no lights, just pulled out her Rolleiflex, which was half as big as she was, checked the aperture and the exposure, and tested the flash. Then she asked me to lie on the bed, flat on my back on the shabby counterpane.
I did as I was told. Clutching the camera she climbed on to the bed and straddled me, moving up until she was kneeling with a knee on both sides of my chest. She held the Rolleiflex at waist height with the lens right in my face. She bent her head to look through the viewfinder on top of the camera, and waited".
posted by matteo
on Oct 8, 2005 -
Could any of us really score a photo scoop? Scoopt
is an on-line photo agency that purports to help us amateur photographers sell photos to news outlets
. You join for free, but they take a 50% cut of the profit. Is it worth that to have an on-call agent? Just in case I happen across a major news event some day? On the other hand, I like being a part of the Creative Commons world of Flickr
, where my "artsy" shots are available for further artistic use.
posted by mmahaffie
on Aug 12, 2005 -
a photo journalist blogs on the conditions in Haiti. No photos yet.
The place is awash with drug money, probably on both sides - Philippe is the former police chief of a town where i've heard reports of people walking down the streets with suitcases full of money, probably not sourced from shaking down shoe cleaners. The chimeres that searched us on the way down from Saint Marc a few days ago were clearly high on some upper, i'd guess coke, amphetamines or both, or maybe crack.
posted by Tryptophan-5ht
on Feb 27, 2004 -
2002: The Year in Pictures - as collected by Reuters
, Yahoo [Flash]
, MSNBC [Flash]
, Time Asia
, BET [Flash]
, BBC UK
, BBC World
, Guardian UK
, Corbis News
, Corbis Features
, Corbis Entertainment
, and Corbis sports
. You didn't have anything else to do today, now did you?
posted by kokogiak
on Dec 23, 2002 -
Life Is A Magazine, Chum...
Come to the Magazine! A lot of us grew up with Life Magazine
and there's a certain nostalgic/narcissistic pleasure in looking at the cover of the week
you (if you're over 30, that is) or your parents were born in. Their wacky
covers are also worth checking out, even though there are some inevitable repeats. Oh - and never forgetting their astonishing classic photographs
, of course.
posted by MiguelCardoso
on Aug 9, 2002 -
is an "experiment in randomized photojournalism." Unfortunately, it doesn't have the bombardment value that My Left Asscheek
(hee!) did, which strangely enough, they bought. Or, maybe
, it just made for a great "press release" title.
posted by Su
on Jun 20, 2002 -
A Picture is worth a thousand words
Jonathan Jones says America turns to Rockwell's idyllic images in times of trouble.
Remember This Guy
from Tiananmen Square, June 5, 1989? A powerful image that seems to be linked to bravery and freedom in most stories I remember.
Now what about This Guy
, A Palestinian boy throwing stones at an Israeli tank.
I'm not sure where the connection is here, but the tank images struck me as somewhat similiar to each other, yet, I imagine the two images will mean different things to different people.
I'm not sure what either tank image has to do with Rockwell, that's just the story that got me thinking.
posted by Blake
on Feb 19, 2002 -
is a 48-page zine (available for download in pdf format) chronicling the experiences of folks who protested in Quebec. Illustrated with powerful black and white photos, the narratives personalize the events like no journalism could hope to.
posted by sudama
on Apr 29, 2001 -
"I got to do nearly everything I wanted, up to the very end." Today, the Florida Times-Union
published the last entry in the cancer journal of Tara McParland
, a news photographer who died Nov. 21 at age 33.
posted by rcade
on Dec 5, 2000 -