This weekend is the Glastonbury Festival of Contemporary Performing Arts for 2014. Amongst a diverse range of musical and artistic acts the Saturday headline, a surprising choice to many, was Metallica. They came, they wandered around a bit beforehand, they did their greatest hits, they were LOUD. [more inside]
Aria was an art movie/promotional stunt put out by Virgin Media in 1987 with famous directors providing a music-video take on various opera pieces. ( A full review by That Opera Chick). Of particular note is Julien Temple's (Of Earth Girls Are Easy fame) adaptation of Verdi's Rigoletto as a zany, cartoonish, ecstasy-fueled and very 80s farce set at the infamous Madonna Inn. Watch the whole delirious sequence here.
Oil City Confidential is a new film from director Julien Temple, previously responsible for The Filth and the Fury, about the Sex Pistols, and Joe Strummer: The Future Is Unwritten, focusing on Strummer and The Clash. This time round, in a kind of prequel to both those films, he tackles the life and turbulent times of Dr. Feelgood. Finding fame on the same Pub rock circuit (as remembered by writer and Kursaal Flyers drummer Will Birch) that also supported Ian Dury's Kilburn and the High Roads (not to mention Eddie and the Hot Rods and Joe Strummer's pre-Clash band The 101ers), Dr. Feelgood played stripped-down, taut and aggressive R&B. Hailing from the wildlands of Essex's Canvey Island – the "Oil City" of the film's title – Dr Feelgood were punk before punk really hit, a whirlwind of raucous energy, with a fierce work ethic. In Wilko Johnson, they had a guitarist with a scorching, slash and burn technique, while their singer, Lee Brilleaux (1989 interview), who died of cancer in 1994, aged just 41, oozed cheap-suited menace, and, into the bargain, helped found Stiff Records. [more inside]
Filmmaker Julien Temple chronicles the life of Joe Strummer in his new film titled The Future Is Unwritten.