The 50 Best Animated Films of the 21st Century Thus Far from The Film Stage is the kind of list that will raise discussions about whether certain films deserved to be at the top of the list and whether some near the bottom deserved to be on the list at all, but it shows the impressive diversity of quality recent animation: 2D, 3D, stop-motion, and even rotoscopes and supermarianation, from American studios other than Pixar, Japanese studios other than Ghibli, other countries entirely, animation auteurs and filmmakers best known for NOT animation. Argue away about specifics, but just see how cool it is that at least 50 great animated films have just gotten made in the last 15 years. [more inside]
Lilo & Stitch is an odd movie to come from Disney for a number of reasons: a rare work based on an original story, set in a realistic version of the "island paradise" of Hawaii, focusing on strong female characters who have a realistic/varied bodyshapes. For more insight into the making of the "affordable" Disney film, here's Lilo & Stitch revisited, Part I, interviewing the creators Chris Sanders and Dean DeBlois, and Part II, featuring master animator Andreas Deja. For a taste of the animation, here are four teaser clips of Stitch invading other Disney films, the official full version of the Lion King interrupted trailer, and making of Lilo & Stitch short docu-clip.
It's the plot, stupid. USA Today runs their usual insightful commentary about the upcoming release of Lilo and Stitch. It obsesses over the absence of CGI graphics pointing to Atlantis as evidence for the failure of traditional animation to draw box office. Funny me, I thought that Atlantis bombed because of a plot better left in 50s serial format, a cast of sterotypes rather than characters, and no sense of humor beyind dirty French jokes repeated over and over again. And is huge success of Pixar due to their pioneering animation, or their brilliant comic talent? What causes FX myopia anyway? Granted I can understand why fanboys obsess over the wrong things in a movie. Do the studios set it up by trying to hype each new summer release as the next big technical development (while the artistic development gets trumped by Waking Life and Insomnia?)