The Archive of Recorded Poetry and Literature at the Library of Congress dates back to 1943, when Allen Tate was Consultant in Poetry. It contains nearly two thousand recordings—of poets and prose writers participating in literary events at the Library’s Capitol Hill campus as well as sessions at the Library’s Recording Laboratory. Highlights from the collection include: Kurt Vonnegut, Margaret Atwood, Ray Bradbury, Adrienne Rich, Audre Lorde, Mario Vargas Llosa, Rita Dove, Elizabeth Bishop, Gwendolyn Brooks, W.S. Merwin, Sandra Cisneros, Amy Clampitt, Robert Pinsky , and Miłosz, Czesław, among many others. [more inside]
The Lesbrary - "The humble quest to read everything lesbian: a lesbian book blog." Also see sidebar for links to other lesbian book blogs, websites, and online resources. [more inside]
Does The Handmaid's Tale hold up? , Adi Robertson for The Verge:
"A few weeks ago, I mentioned to a friend that I was in the middle of Margaret Atwood's The Handmaid's Tale. 'It’s like 1984 for feminists, right?' he asked. Sort of, I said. But it's a lot scarier. It's about how you'll lose every right you have, and none of the men you know will care. Then I said he would probably betray me if they froze all women's bank accounts. That was the peak of my paranoia, but it held on for several more days, as I read on the subway while half-consciously figuring out how I might theoretically escape to Canada. 1984 was for lightweights."[more inside]
"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
17 Brilliant Short Novels You Can Read in a Sitting by Lincoln Michel at Electric Literature:
This week author Ian McEwan expressed his love of short novels, saying “very few [long] novels earn their length.” Certainly it seems like a novel has to be a minimum of 500 pages to win a major literary award these days, and many genre novels have ballooned to absurd sizes.[more inside]
I love a good tome, but like McEwan many of my favorite novels are sharpened little gems. It’s immensely satisfying to finish a book in a single day, so in the spirit of celebrating quick reads here are some of my favorite short novels. I’ve tried to avoid the most obvious titles that are regularly assigned in school (The Stranger, Heart of Darkness, Mrs Dalloway, Of Mice and Men, Frankenstein, The Crying of Lot 49, etc.). Hopefully you’ll find some titles here you haven’t read before.
"Longings and Desires", a Slate.com book review by Amanda Katz:
[Sarah] Waters, who was born in Wales in 1966, has carved out an unusual spot in fiction. Her six novels, beginning with Tipping the Velvet in 1998, could be called historical fiction, but that doesn’t begin to capture their appeal. It is closer to say that she is creating pitch-perfect popular fiction of an earlier time, but swapping out its original moral engine for a sensibility that is distinctly queer and contemporary, as if retrofitting a classic car.[more inside]
Her books offer something like an alternate reality—a literary one, if not a historical one. There may have been lesbian male impersonators working the London music halls in the 1890s, as in Tipping the Velvet, but there were certainly not mainstream novels devoted to their inner lives and sexual exploits. Waters gives such characters their say in books that imitate earlier crowd-pleasers in their structure, slang, and atmosphere, but that are powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex. (An exception is her last novel, The Little Stranger.) The most masterful of these books so far is Fingersmith, a Wilkie Collins-esque tale full of genuinely shocking twists (thieves, double-crossing, asylums, mistaken identity, just go read it). The saddest is The Night Watch, a tale told in reverse of a group of entwined characters during and after World War II. But among many readers she is still most beloved for Tipping the Velvet, a deliriously paced coming-of-age story that is impossible to read in public without blushing.
Things That Don't Suck, Some Notes on The Stand
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
I recently reread The Stand for no particular reason other than I felt like it. I'm honestly not sure how many time[s] I've read it at this point, more than three, less than a half dozen (though I can clearly remember my first visit to that horrifyingly stripped bare world as I can remember the first reading of all the truly great King stories). It's not my favorite of King's work, but it is arguably his most richly and completely imagined. It truly is the American Lord of The Rings, with the concerns of England (Pastorialism vs. Industrialism, Germany's tendency to try and blow it up every thirty years or so) replaced by those of America (Religion, the omnipresent struggle between our liberal and libertarian ideals, our fear of and dependence on the military, racial and gender tension) and given harrowing size.
I'm happy to say that The Stand holds up well past the bounds of nostalgia and revisiting the world and these characters was as pleasurable as ever. But you can't step in the same river twice, even when you're revisiting a favorite book. Even if the river hasn't changed you have. This isn't meant as any kind of comprehensive essay on The Stand. Just a couple of things I noticed upon dipping my toes in the river this time.
[Spoiler alert: assume everything, from the link above to those below, contains SPOILERS.] [more inside]
Trans women writers Jeanne Thornton, Imogen Binnie, Red Durkin and Casey Plett read from their recent works for Talks at Google. [more inside]
The Dead Authors Podcast: Legendary time-traveling writer H.G. Wells (Paul F. Tompkins) welcomes literary giants to The Upright Citizens Brigade Theatre in Los Angeles for a lively discussion in front of a live audience. Unscripted, barely researched, all fun! [more inside]
Greenville, Mississippi lies in the heart of the Delta and claims a number of writers from its neck of the woods, including Walker Percy and Shelby Foote. What is it about Greenville that would produce such talent? Is there something in the water? Some people think so.
A wonderful, generous and free selection of authors, collections and books online at Lit2Go for awake times or drowsy ones. The Count of Monte Cristo from the Adventure collection | or perhaps a Just So Story from the Fantasy collection | Beowolf from the Here Be Dragons! collection | Aladdin from Andrew Lang's Fairy Books of Many Colors or The Heart of Happy Hollow from the African American collection. Also practical for children. Previously. [more inside]
Cult writer Renata Adler, whose novel Speedboat has been reissued by NYRB Classics, sits down for an interview with The Believer. [more inside]
The Biographical Dictionary of Literary Failure: poignant tales of the justly obscure. The entry on Hans Kafka is a good starting point.
The Top Ten: Writers Pick Their Favorite Books catalogs the top ten favorite books of over 140 major authors and growing, including Louis D. Rubin, Jim Harrison, David Foster Wallace, David Leavitt, Paul Auster, Michael Chabon, and many more. Here's the list of books rank-ordered by frequency and here are other lists compiled from the statistics.
In 1929, John Galsworthy won a Guardian poll as the novelist most likely to still be read in 2029. Three years later, he won the Nobel Prize, and the prices of his first editions skyrocketed. His reputation has since been on a 80-year wane that shows no signs of abating. The New Yorker asks Why is Literary Fame So Unpredictable? And who will they be teaching in literature class a century from now?
"The bed has become a place of luxury to me! I would not exchange it for all the thrones in the world."
Literary Style: 15 Writers' Bedrooms: Truman Capote, Virginia Woolf, Ernest Hemingway, Flannery O'Connor, Alexander Masters, William S. Burroughs, Slyvia Plath, Henry David Thoreau, Victor Hugo, Emily Dickinson, Miranda Seymour, Mary Roach, Marcel Proust, Michael Morpurgo, William Faulkner.
"Bringing up the women’s question — I mean the women’s fiction question — is not unlike mentioning the national debt at a dinner party."
If “The Marriage Plot,” by Jeffrey Eugenides, had been written by a woman yet still had the same title and wedding ring on its cover, would it have received a great deal of serious literary attention? Or would this novel (which I loved) have been relegated to “Women’s Fiction,” that close-quartered lower shelf where books emphasizing relationships and the interior lives of women are often relegated? Certainly “The Marriage Plot,” Eugenides’s first novel since his Pulitzer Prize-winning “Middlesex,” was poised to receive tremendous literary interest regardless of subject matter, but the presence of a female protagonist, the gracefulness, the sometimes nostalgic tone and the relationship-heavy nature of the book only highlight the fact that many first-rate books by women and about women’s lives never find a way to escape “Women’s Fiction” and make the leap onto the upper shelf where certain books, most of them written by men (and, yes, some women — more about them later), are prominently displayed and admired.So begins The Second Shelf: On the Rules of Literary Fiction for Men and Women, an essay in the New York Times by novelist Meg Wolitzer. She was interviewed about her essay in the NYT Book Review podcast (mp3 link, interview starts at about 18:30). Wolitzer references the classic 1998 essay by Francine Prose, Scent of a woman's ink: Are women writers really inferior?, and further back in time you find Virginia Woolf's A Room of One's Own, which, as literary critic Ruth Franklin notes, still sounds fresh today.
Barney Rosset, former owner of the influential Grove Press and Evergreen Review, boundary-shattering publisher of Tropic of Cancer, Waiting for Godot, and Naked Lunch, and U.S. distributor of I Am Curious (Yellow), died yesterday at the age of 90.
Matthew Kirschenbaum, an English professor at the University of Maryland, is exploring the literary history of word processing. In a lecture at the New York Public Library entitled Stephen King's Wang, Kirschenbaum asks "When did literary writers begin using word processors? Who were the early adopters? How did the technology change their relation to their craft? Was the computer just a better typewriter, or was it something more?"
Was your favorite childhood book written by a radical lefty? Scholars reveal the socialist history of 20th century American children's literature. Discover the myriad connections between midcentury American socialism and Crockett Johnson (Harold and the Purple Crayon), Syd Hoff (Danny and the Dinosaur), and the authors of many of the Little Golden Books and I Can Read Books.
They think of me as a scholar, an intellectual, a pen-pusher. And I am none of them. When I write, my fingers get covered not in ink but in blood. I think I am nothing more than this: an undaunted soul. [more inside]
Reader's Almanac is a new blog devoted to the authors published in the Library of America. Posts so far have featured film shot by Zora Neale Hurston, audio recordings of William Faulkner, and Walt Whitman's astronomical inspiration.
Henry Miller had always loved art. He first began painting after seeing some Turner prints in a Brooklyn department-store window. There was only one minor drawback: he couldn’t draw. But his best friend, Emil Schnellock, could, and Miller became his disciple. It wasn’t long before he realized that what he lacked in draftsmanship, he made up for in color and composition sense. (previously)
Dalkey Archive conversations with William Burroughs, Angela Carter, Robert Creeley, William Gaddis, William H. Gass, Danilo Kis, Harry Mathews, Richard Powers, Raymond Queneau, Hubert Selby, William T. Vollman, David Foster Wallace, and many other writers.
Pictures of writers in a thread on I Love Music. Lots and lots of pictures of lots of writers. Another thread from the same board with more pictures (some duplicates). Author photos are most often seen on dust jackets or in the back of books, a practice Frances Wilson wishes to see abolished. One famous connoisseur of pictures of writers is Javier Marías who wrote a whole book on the subject, Written Lives. Here are a few excerpts from the book: William Faulkner, Isak Dinesen (pen name of Karen Blixen) and an edited extract covering a whole lot of authors. [more inside]
The Page 69 Test --inspired by Marshall McLuhan's suggestion to readers for choosing a novel, a new blog, inviting authors to describe what's on page 69. One says: Not the best, but not the worst. If my pages were presidents, I’d put page 69 somewhere in the James K. Polk range.
B. Traven, A Mystery Solved [Flash video, 1hr] Excellent documentary on the astounding life and mysterious identity of the author of Treasure of the Sierra Madre [Flash video, 50mins] and The Death Ship.
The Nobel Prize in Literature 2004: Elfriede Jelinek, probably best known for the story behind Michael Haneke's La Pianiste.
The Quest announced by LitKicks marries sudden fiction (and poetry, and nonfiction) workshop dynamics to a survivor-like competitive format, starting October 1, with six winners to be published in a book featuring the best work from the Quest. It's open to all, costs $20 to enter, and requires a free membership in the LitKicks site, which is a thriving online literary community as it is. More info in the FAQ. I think this may work better for me than NaNoWriMo would.
Don Swaim has posted numerous unedited interviews recorded in the 1980's with famous authors, including Anthony Burgess (who has some troubles recalling "The Love Song of J. Alfred Prufrock"), Douglas Adams, William S. Burroughs, and many more... even Richard Nixon. (RealAudio)
After 'The Bell Jar,' Life Went On. Sylvia Plath immortalized the guest editor program at Mademoiselle Magazine in her famed book, "The Bell Jar." A photo of the 20 young guest editors was taken back in 1953, and they were all lined up in a star -- with Plath, unsurprisingly, at the top. Plath killed herself in 1971, but the other women in her program reunited recently, to discuss their experiences, how they've changed, and their famous classmate. A fascinating read for anyone who's read "The Bell Jar." (NY Times reg required)
Is It Fiction If It Says "Fiction" On The Cover? Jorge Luis Borges brilliantly obscured fact and fiction presenting fiction as fact. Things seem to have swung round 180º and fact is now increasingly being sold as fiction. This certainly seems to be the case with Siri Hustvedt's What I Loved. She's Paul Auster's second wife and... Well... now even critics, like The New York Observer's Joe Hagan have joined the fun, as Slate's Katie Roiphe duly noted. Fact is now presented as fiction, without the traditional disguise of the roman à clef. I think it's sad. In fact, it's an attempt on the life of imagination itself. Perhaps these authors who write memoirs masquerading as novels could be sued under the Trade Description Act? [With thanks to the always excellent Literary Salon weblog. Thanks to ColdChef for pointing it out to me.]
An Exercise in Identity A group of writers seeks to collaborate under a single pseudonym, not for fear of scorn or ridicule, but presumably because they think it makes for better business. Do readers have a right to know who a work's author really is, or can identity just be another aspect of the fictional work? (via Kuro5hin queue)
'Literature of fact' The high wall which seperates fact and fiction has a small door in it through which people can step. A piece which discusses how someone writing a supposed eyewitness account of an event always tends to fictionalise, even unconciously, in order to make the subject interesting, the idea being that just because a book is in that section, it might not actually be completely non-fiction.
A Year Of Days In Poetry: Today is the day Chaucer died. James Beattie, Macaulay and John Berryman were born on this same day. This is just one of the ways of entering Ian Lancashire's magnificent, monumental Representative Poetry Online. The timeline, the glossary of poetical terms and the fascinating collection of poets' writings on poetry are equally rich and generous. In a word, bliss.
Chaim Potok dead at 73 Author of The Chosen, The Promise, My Name Is Asher Lev, and and many others has died of Brain Cancer. Here is a link to a biography and selections of his work for anyone who may be unfamiliar with his life and work.
Tom Perrotta may be one of the best novelists working today, yet not that many folks know his name. His books and short stories portray prosaic suburbia accurately and without condescension, and he has uncanny insight into the mind of the terminally adolescent. Not to mention an uproarious sense of humor. If the films of Kevin Smith and Richard Linklater, the music of Weezer, or Pete Bagge's comics resonate with you, you may want to check out their literary equivalent. As an added treat, here's an audio link of Perrota reading his work. For my money, this guy is one of our best American writers right now, although you wouldn't know it.
Finally the Nobel Prize For Literature Gets It Right Jorge Luis Borges didn't get it. Neither did Marcel Proust. But today V.S.Naipaul, arguably the best writer in the English language since Samuel Beckett died, was awarded the Nobel Prize. Doesn't this just show it helps not to be English(e.g. Irish, American, Indian or Trinidadian)to be able to write dry and timeless prose such as Sir Vidia's?
The literary voice of our generation...err...of his generation...umm...of your generation?