The Erasure of Islam from the Poetry of Rumi Rozina Ali revisits the cultural legacy of Rumi in the West: 'The erasure of Islam from Rumi’s poetry started long before Coldplay got involved. Omid Safi, a professor of Middle Eastern and Islamic studies at Duke University, says that it was in the Victorian period that readers in the West began to uncouple mystical poetry from its Islamic roots. Translators and theologians of the time could not reconcile their ideas about a “desert religion,” with its unusual moral and legal codes, and the work of poets like Rumi and Hafez. The explanation they settled on, Safi told me, was “that these people are mystical not because of Islam but in spite of it.” This was a time when Muslims were singled out for legal discrimination—a law from 1790 curtailed the number of Muslims who could come into the United States, and a century later the U.S. Supreme Court described the “intense hostility of the people of Moslem faith to all other sects, and particularly to Christians.” In 1898, in the introduction to his translation of the “Masnavi,” Sir James Redhouse wrote, “The Masnavi addresses those who leave the world, try to know and be with God, efface their selves and devote themselves to spiritual contemplation.” For those in the West, Rumi and Islam were separated.' [Rumi previously]
Pardon Edward Snowden is not about Edward Snowden. A short story by Joseph O’Neill, in this week's New Yorker [more inside]
A letter of thanks for an unusual gift, a poem about a dying queen (with audio of the poet reading it), and a short story about a devoted couple with a shocking secret (with an introduction by Edith Pearlman): all are from the pen of the English novelist, short-story writer, poet, musicologist, translator & biographer; feminist, lesbian & communist Sylvia Townsend Warner (1893-1978). [more inside]
How are we to understand the last line of James Wright's famous "Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota?" [more inside]
Lytton Strachey, in a sympathetic overview of his life and work, called him the Last Elizabethan. He was morbid, eccentric, and homosexual. His idiosyncratic and macabre style lives somewhere between Shakespeare and Lovecraft. In his short life he composed two complete blank-verse dramas (The Brides' Tragedy and Death's Jest-Book), dozens of shorter fragments, and scores of poems. Today, Thomas Lovell Beddoes (1803-1849) is almost completely forgotten.
Poly-Olbion is a cycle of 30 poems describing England and Wales, county by county, composed by Michael Drayton in the late 16th and early 17th Centuries. It was published in two parts, 1612 and 1622, along with sumptuous black and white maps engraved by William Hole meant to be colored in by its buyers. Now Poly-Olbion will be republished as a coloring book entitled Albions Glorious Ile. The Poly-Olbion Project website is worth exploring, as well as its blog and tumblr.
Jennifer Tamayo describes the cost of confronting white supremacy in the U.S. poetry communities, pointing to the emotional, economic, and temporal wages it exacts: "The handling of this poison — the labour to spot and deconstruct instances of capitalist white supremacist cis-hetero-patriarchy at work — is particularly venomous because it performs both personally and systemically." [more inside]
“To Become Louder, Even Still”: Responses to Sexual Violence in Literary Spaces Apogee Journal has collected fourteen responses from writers to sexual violence perpetrated in the literary community. [more inside]
Encrypted is an essay by New Yorker critic Alex Ross about French 19th Century poet Stéphane Mallarmé, and the difficulties he poses for translators and scholars. Notoriously the most bourgeois of avant-garde poets, his life has proved difficult to write about. So perhaps it's best to just go straight for the poetry. The Electronic Poetry Center has a nice page on his late masterpiece, Un Coup de Dés Jamais N'Abolira Le Hasard, with the original and several translations.
Songs of the Victorians is a website about four songs composed in Victorian England. The history behind them reveals forgotten details of the era: Juanita was composed by Caroline Norton, a pioneering feminist; The Lost Chord was a poem by Adelaide Anne Procter first published in a feminist journal, then set to music by (yes that) Arthur Sullivan; a part of Alfred Lord Tennyson's poem Maud, which employs the cryptographical language of flowers, is set to music by Michael William Balfe and Sir Arthur Somervell, the former allowing performers to disguise or emphasize the disturbed emotions of the original, the latter makes the mental distress plain. The website was designed by digital humanities blogger and professor Joanna Swafford as a prototype for Augmented Notes, a system for highlighting sheet music visually while playing a sound file.
No trolls allowed: Seattle advertises a writing residency … in a bridge. by Marta Bausells [The Guardian] The US city’s transport department offers $10,000 for a ‘unique’ residency in a bridge tower – in return for ‘an in-depth exploration’ of the space.
“The Seattle Office of Arts & Culture (ARTS), in partnership with Seattle Department of Transportation (SDOT) seeks a practicing, published poet, fiction, or creative non-fiction writer for a unique project-based artist residency in the northwest tower of the Fremont Bridge. The selected writer will undertake an in-depth exploration of the bridge and write a piece in response to the experience.”[more inside]
Chad W. Post at Three Percent recently linked to World Literature Today's 75 Notable Translations of 2015 and went on a list-making tear to provide more structure and commentary: 7 books by women, 6 water-cooler fiction books, 6 university press books, 3 'funny' books, 4 books from underrepresented countries, and the best poetry I should read. The commentary often leads to further matters of interest, e.g. the Women in Translation Tumblr or Marianne Fritz and the translation challenges (scroll down) in her work.
the short answer is: every poet. but here’s a brief (ok, that’s a lie. this is really long) list i typed up during accounting instead of learning about accounting for inter-corporate investments
The challenge: if people would only know, hear, and see what poets did, then at least some of them would realize too how cool literature can actually be. - Three projects which engage in popularizing, mediating, and digitally archiving contemporary Hungarian poetry. [more inside]
I Sing for You an Apple is an account by writer and translator Eric Wilson of "escorting a Faroese poet-hero around the USA" in 1978. The poet-hero from the Faroe Islands was Steinbjørn Berghamar Jacobsen, who wrote fiction, poetry, plays and children's books in the language of his North-Atlantic archipelago. His works have not been translated into English, but they have been set to music. On Tinna og Tám he reads his own poems, accompanied by Kristian Blak and Heðin Ziska Davidsen (YouTube: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18 ). And after his passing in 2012, two of his children, Kári and Eyð Jacobsen, made an album, Tungl, where they turned his poems into indie songs (YouTube: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10).
The Most Misread Poem in America by David Orr [The Paris Review]
“And almost everyone gets it wrong. This is the most remarkable thing about “The Road Not Taken”—not its immense popularity (which is remarkable enough), but the fact that it is popular for what seem to be the wrong reasons. [...] Frost’s poem turns this expectation on its head. Most readers consider “The Road Not Taken” to be a paean to triumphant self-assertion (“I took the one less traveled by”), but the literal meaning of the poem’s own lines seems completely at odds with this interpretation. The poem’s speaker tells us he “shall be telling,” at some point in the future, of how he took the road less traveled by, yet he has already admitted that the two paths “equally lay / In leaves” and “the passing there / Had worn them really about the same.” So the road he will later call less traveled is actually the road equally traveled. The two roads are interchangeable.”[more inside]
Battle Lines is an essay by academics Robyn Creswell and Bernard Haykel in The New Yorker on the poetry of jihadis, especially those who follow the Islamic State. They argue that the way to understand them is to study their cultural products, especially poetry, which is part of their daily socialization, as discussed in this video. Poetry has a special status in the Arab world. Elisabeth Kendall explores that context in her essay Yemen’s al-Qa'ida and Poetry as a Weapon of Jihad. Jihadi poetry is closely linked to the nasheed tradition of songs which are usually sung a capella. Behnam Said traces their history in the essay Hymns ( Nasheeds): A Contribution to the Study of the Jihadist Culture.
22 Books by Black Authors to Add to Your Beach Bag this Summer In response to recently published summer reading lists from The New York Times and NPR that featured mostly White authors, Blavity shares a list of 22 summer reads from Black authors. [more inside]
Poem of the Week is a series in The Guardian's books section, originally started by Sarah Crown but quickly taken over by poet, playwright and professor Carol Rumens. Every week she selects, introduces and interprets one poem. The archive has about four hundred poems, with only a few repeat poets, so here are a few favorites, ranging from English-language classics (John Donne, John Keats, Emily Dickinson), contemporary poets (Shazea Quraishi, Kei Miller, Katha Pollit) translated classics (Wang Wei, Horace, Rainer Maria Rilke), translated contemporary writers (Tua Forsström, Zeng Di, Aurélia Lassaque) the unfairly neglected (Adelaide Crapsey, Rosemary Tonks, Lady Mary Wortley Montagu), avant-garde (Gertrude Stein, Hugo Ball, John Ashbery) and anonymous (The Lyke-Wake Dirge, The Bridal Morn, This Endris Night). There are hundreds more on all kinds of subjects by all kinds of poets.
Phillip Larkin was one of Britain's most famous twentieth century poets. He's probably most well known for 'This Be The Verse' (nsfw) but another notable poem was 'The Whitsun Weddings' based on a railway journey or journeys he undertook from Hull to London fifty years ago. Fellow poet Ian McMillan revisits that journey.
The Archive of Recorded Poetry and Literature at the Library of Congress dates back to 1943, when Allen Tate was Consultant in Poetry. It contains nearly two thousand recordings—of poets and prose writers participating in literary events at the Library’s Capitol Hill campus as well as sessions at the Library’s Recording Laboratory. Highlights from the collection include: Kurt Vonnegut, Margaret Atwood, Ray Bradbury, Adrienne Rich, Audre Lorde, Mario Vargas Llosa, Rita Dove, Elizabeth Bishop, Gwendolyn Brooks, W.S. Merwin, Sandra Cisneros, Amy Clampitt, Robert Pinsky , and Miłosz, Czesław, among many others. [more inside]
12 short poems is all that remains of the work of Nossis, one of the most beloved of the Ancient Greek poets. Exactly when she lived is uncertain, but it's certain that she was from Locri, which was on the "toe" of Italy. You can read about what archaeologists have found out about the ancient city on the website Locri Epizephyrii, Welcome To Magna Graecia. Scholars have tried to use Nossis' poetry to explain the particulars of life in Locri, looking for support for claims that noble status descended matrilineally. Marilyn B. Skinner looks at the status of women and explores the "unusual aspects of religious practice at Locri" in her essay Nossis and Women's Cult at Locri. You can read different translations of some of Nossis' poems, three by Skinner and two by Diane Rayor.
Variations on the Right to Remain Silent is an essay by poet and classicist Anne Carson about translation, cliché, divine language and the way some words violently resist being explained. She touches on Homer, Sappho, Joan of Arc, Friedrich Hölderlin, and the painter Francis Bacon.
[T.S. Eliot] both recognised and skewered in Four Quartets the routines of "eminent men of letters" who became "chairmen of many committees". As a banker, then as a publisher, he worked at jobs where committees were de rigueur and he accomplished his work with aplomb. Yet part of him always sought an escape hatch, a way to elude his official self. His nephew Graham Bruce Fletcher remembers Uncle Tom taking him as a boy to a London joke shop in the 1960s. They bought stink bombs and let them off at the entrance of the Bedford Hotel, not far from Eliot's workplace in Bloomsbury's Russell Square. With a fit of giggles, Eliot put on a marked turn of speed as, Macavity-like, he and his nephew sped from the scene of the crime, Eliot twirling his walking stick "in the manner of Charlie Chaplin".—TS Eliot: the poet who conquered the world, 50 years on by Robert Crawford, poet and biographer of Eliot. You can listen to a lecture by him entitled T. S. Eliot's daughter on the poem Marina. You can hear it, and other poems, read in between classical music as part of an episode of Words and Music. And if you want to get to know the poet, the T. S. Eliot Society keeps tabs on what works are freely available online.
The great Iraqi poet Badr Shakir al-Sayyab died fifty years ago today, on December 24, 1964. [more inside]
The poetry and brief life of a Foxconn worker: Xu Lizhi (1990-2014) is an article about a 24-year old Chinese assembly line worker and poet who committed suicide last month. He worked for the electronics manufacturer which makes products for a range of companies, including Sony, Apple, Amazon, Microsoft and Nintendo. The post includes Chinese originals and English translations of Xu Lizhi's poems. His death and poetry have garnered much attention, such as these blogposts from The Wall Street Journal and The London Review of Books.
Russell Edson was a prose poet whose poetry had the "the sustained wackiness of old Warner Brothers cartoons." When he passed away this year Charles Simic wrote in appreciation of his work, as did J. Robert Lennon, whose article included two audio clips of Edson reading. In interviews, Edson spoke with the same mix of seriousness and humor as he did in his poetry. Here are two interviews, one with Peter Johnson [pdf] and another with Mark Tursi. But, of course, the important thing is his poetry, so here are a few examples: 1, 2, 3. And finally, here's a video of him reading (starts after the 9th minute). [Edson previously. I especially recommend reading the linked appreciation by Sarah Manguso.]
Mahmoud Darwish once wrote, of Gaza, “We are unfair to her when we search for her poems.” [more inside]
This Weekend, The New York Times went all in for poetry. In addition to six — count ‘em — articles about poetry in the Review, the Times also included an entire panel in its “Room for Debate” section in which the mostly white and mostly male panelists responded to the essentially rhetorical question “Does Poetry Matter?” with some version of the expected answer: yes. [more inside]
Tadeusz Różewicz (1921-2014) was a renowned Polish ‘poet, playwright, screenwriter, novelist, satirist and translator.’ Reckoned by Seamus Heaney as ‘one of the great European poets of the 20th century,’ he died in April at the age of 92: Guardian obituary; NYT obituary. [more inside]
In an essay reflecting on translation, Yoko Tawada reads the poems of Paul Celan as if he had written in Japanese. The essay's translator, Susan Bernofsky, offers context, and in an earlier piece, Rivka Galchen considers "Yoko Tawada's Magnificent Strangeness." More conventional introductions to Celan are available via the Poetry Foundation page on Celan, 14 poems from Breathturn, and a video of Celan reading "Allerseelen" (English sub.; alt. trans.). Tawada's own poetry includes "The Flight of the Moon" (video in Japanese). [more inside]
Trans women writers Jeanne Thornton, Imogen Binnie, Red Durkin and Casey Plett read from their recent works for Talks at Google. [more inside]
The Emily Dickinson Archive is a collection of high resolution digital images of Emily Dickinson's handwritten manuscripts. Here are, for instance, Because I Could Not Stop for Death, Tell the Truth but Tell It Slant, I Dwell in Possibility, They Shut Me Up in Prose and I Heard a Fly Buzz When I Died. The whole collection is fully searchable and the images include the text of the poems as they were written down by Dickinson. The archive is a project of Harvard's Houghton Library but many other institutions provided manuscripts. Perhaps the best place to start is to simply browse the poems by title.
Joyce Carol Oates's new story about an imagined interview with Robert Frost has been called outrageous, even an attack on the poet. [note: story link opens a print dialog]
Poetry International Rotterdam has contemporary poetry in English translation from all over the world, from Afghanistan to Zimbabwe, including countries as different as Argentina, China, Finland, Iran and Romania, in languages as unrelated as French, Malayalam and Zulu, as well as many poems originally in the English language. The poets range in age and stature from those barely over thirty to Nobel prize winners. There are also videos and audio recordings of poets reading, as well as articles about poetry.
House of Leaves of Grass: Mark Z. Danielewski's House of Leaves (previously) remixed with Walt Whitman's Leaves of Grass into a 100-trillion-stanza poem. Artist's statement. Instructions for reading.
A wonderful, generous and free selection of authors, collections and books online at Lit2Go for awake times or drowsy ones. The Count of Monte Cristo from the Adventure collection | or perhaps a Just So Story from the Fantasy collection | Beowolf from the Here Be Dragons! collection | Aladdin from Andrew Lang's Fairy Books of Many Colors or The Heart of Happy Hollow from the African American collection. Also practical for children. Previously. [more inside]
"During his days as Harvard’s influential president, Dr. Charles W. Eliot made a frequent assertion: If you were to spend just 15 minutes a day reading the right books, a quantity that could fit on a five-foot shelf, you could give yourself a proper liberal education. Publisher P. F. Collier and Son loved the idea and asked Eliot to compile and edit the right collection of works. The result: a 51-volume series of classic works from world literature published in 1909 called Dr. Eliot’s Five Foot Shelf, which would later be called The Harvard Classics." (Via) [more inside]
For this year's National Poetry Month, the Poetry Foundation has set up a SoundCloud group called "Record-a-Poem." They're inviting people to record themselves reading their favorite poems. (via) [more inside]
STREET OF THE IRON PO(E)T, A Paris Diary by Henri Cole: "Today I visited the cenotaph to Baudelaire..." Part 2. Part 3. Part 4. Part 5. Part 6.
T.S. Eliot’s cultural clusterfuck and middle finger to the stripped-down simplicity of the Imagists. Let the folks over at rapgenius breakdown The Waste Land for you. [via]
Famous writer Anne Carson on ice bats: "I made up ice bats, there is no such thing." (SLNYT) [more inside]
Today, VIDA (Women in Literary Arts) published their annual VIDA count, breaking down the treatment of women in literature in 2012 and the past three years of trends.
Pablo Neruda (bio, pics, recordings) was a Chilean poet and Nobel Prize winner. His work comprises 48 books* (excluding posthumous publications), the most famous of which remain Twenty Love Poems and a Song of Despair (scribd, alt) (Spanish, alt) and Canto General (Spanish). Documentary. [more inside]