153 posts tagged with Literature and writing.
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“We are thrilled when fragments of reality become utterable.”

The Mysterious, Anonymous Author Elena Ferrante on the Conclusion of Her Neapolitan Novels [Vanity Fair]
Passions run high when you’re talking about Elena Ferrante and her work, particularly her sensational, highly addictive Neapolitan novels, which paint a portrait of a consuming female friendship against the backdrop of social and political upheaval in Italy from the 1950s to the present day. My Brilliant Friend,The Story of a New Name, and Those Who Leave and Those Who Stay have made Ferrante, an enigmatic figure who writes under a pseudonym, and is widely regarded as the best contemporary novelist you’ve never heard of, a worldwide sensation.
[more inside] posted by Fizz on Sep 3, 2015 - 17 comments

A Critical Library

What books should a critic own? "Each week, the National Book Critics Circle will post a list of five books a critic believes reviewers should have in their libraries." Here are all the lists, from 2007-2011. [more inside]
posted by thetortoise on Aug 29, 2015 - 14 comments

Frankenstein’s Mother

"Since I was a little girl I’ve been afraid of monsters. I’d put garlic on my window ledge to ward off vampires and sage in the corners to protect me from zombies. Even as a young adult I lay on my ratty futon surrounded by library books terrified someone or something would break into my apartment. After my daughter was born, my fear escalated. I’d check the front door several times a day to make sure the deadbolt was secure and the chain latched. At night I lay in the dark, my mind sending out waves of panic."
posted by ellieBOA on Aug 24, 2015 - 7 comments

Gatsby to The Shining

William S. Burroughs Teaches a Free Course on Creative Reading and Writing
posted by fearfulsymmetry on Aug 13, 2015 - 10 comments

Shirley Jackson on writing

The New Yorker has recently put online three short essays on writing by novelist and short story writer Shirley Jackson, author of The Lottery and The Haunting of Hill House. They are Memory and Delusion, On Fans and Fan Mail and Garlic in Fiction, where she sets out her methodology of writing fiction. You can read one of Jackson's short stories on The New Yorker's website, Paranoia, and an interview she did with her son.
posted by Kattullus on Aug 4, 2015 - 12 comments

"working with words is a kind of love, it's like being in love"

Words (part 2) is a performance by Scottish novelist and stand-up comic A. L. Kennedy about working with words. Kennedy has reflected quite a bit about the craft and practice of writing, including a blog called On Writing that ran in The Guardian from 2009-2013, and was collected into a book of the same name.
posted by Kattullus on Aug 3, 2015 - 2 comments

“Writing is healing. Writing is art. Writing is learning.”

The Role of Writers in a STEM Obsessed Society
“As writers, it’s easy to think of how we matter to literature classrooms, but what the appointment of writers-in-residence in hospitals, history classrooms, foreign language learning spaces, and cooking schools reminds us is that we are relevant wherever there is humanity—which is to say, wherever humans are with their stories. Writing is healing. Writing is art. Writing is learning. As such, writing across the disciplines matters. Many models of artist residencies depend upon the retreat model, wherein the artist sequesters herself away with a small community of other artists. While these models have value, especially when considering how solitude relates to the creative process, it’s heartening to me to see more models catch on that value the place of the writer in society, rather than hidden away from it.”
posted by Fizz on Jul 30, 2015 - 44 comments

“always surprised people are surprised that people haven’t read things.”

From Steinbeck to Cervantes: Confessing Our Literary Gaps by Sarah Galo, Elon Green [Hazlitt] Authors, journalists, and assorted literary stalwarts tell us why they’ve missed the famous books they’ve missed. [more inside]
posted by Fizz on Jul 22, 2015 - 78 comments

Saga of the Sagas

This years proposed Worldcon rule changes included one introducing a new Hugo Award, for Best Saga:

A work of science fiction or fantasy appearing in multiple volumes and consisting of at least 400,000 words of which the latest part was published in the previous calendar year.

Initially the new award was coupled with the removal of an old one: Best Novellete. This raised some objections and that part of the proposal was removed. What would the winners of Best Saga Award look like? Brandon Kempner tries modeling it based on The Locus Awards and Goodreads.
posted by Artw on Jun 24, 2015 - 93 comments

"Why do you have to talk about that stuff?"

David Sedaris talks about surviving the suicide of his sister Tiffany
posted by a lungful of dragon on Jun 2, 2015 - 78 comments

The Empathetic Camera

Frank Norris and the Invention of Film Editing: "At the heart of American author Frank Norris’ gritty turn-of-the-century fiction lies an essential engagement with the everyday shock and violence of modernity. Henry Giardina explores how this focus, combined with his unique approach to storytelling, helped to pave the way for a truly filmic style."
posted by Rumple on May 20, 2015 - 2 comments

"The knives of jealousy are honed on details."

Ruth Rendell, crime writer, dies aged 85. [The Guardian]
Ruth Rendell, one of Britain’s best-loved authors, who delighted fans for decades with her dark, intricately plotted crime novels, has died at the age of 85, her publisher has announced.
[more inside] posted by Fizz on May 4, 2015 - 24 comments

"Failure is what writers do."

Falling short: seven writers reflect on failure is a collection of seven short essays on failure by writers Diana Athill, Margaret Atwood, Julian Barnes, Anne Enright, Howard Jacobson, Will Self and Lionel Shriver. These range from the meditative to the funny. Essays reflecting on literary failure are legion, but let me point you towards a couple more, the brief Failure Is Our Muse by Stephen Marche and the longer Fail Better by Zadie Smith.
posted by Kattullus on Apr 9, 2015 - 15 comments

"a tomb in miniature for our souls”

The death of writing – if James Joyce were alive today he’d be working for Google: [Guardian Books]
There’s hardly an instant of our lives that isn’t electronically documented. These days, it is software that maps our new experiences, our values and beliefs. How should a writer respond? Tom McCarthy on fiction in the age of data saturation.
posted by Fizz on Mar 7, 2015 - 11 comments

Either I'm a sexual deviant, or they're wrong

Did Amazon Sink the Queen of Online Erotica? - Phoebe Reilly, Vulture
"Engler is an underappreciated pioneer, a self-proclaimed feminist in furry-cat slippers. To put her crowning achievement demurely, she challenged the book-publishing industry's denial of women's appetite for sexually explicit books. She wrote tawdry, lowbrow novels, and published hundreds of others, that freed romance from its lame euphemisms well before Fifty Shades of Grey, and she did so in a digital format long before the Kindle and the iPad allowed e-books to flourish.

"To put it less demurely: There were readers out there, lots of them, who didn't want to read about thick manroots. They wanted hard cocks. So that's what Ellora's Cave gave them. Easily and often."
posted by joseph conrad is fully awesome on Mar 2, 2015 - 52 comments

An Answer to the Novel’s Detractors

"The world exists. Why recreate it?" Adelle Waldman explains why.
posted by shivohum on Feb 21, 2015 - 28 comments

The making of "Pilgrim at Tinker Creek"

When Annie Dillard wrote Pilgrim at Tinker Creek, she didn't think anyone would want to read a memoir by a "Virginia housewife". So she left her domestic life out of the book - and turned her surroundings into a wilderness. The Thoreau of the Suburbs.
posted by paleyellowwithorange on Feb 5, 2015 - 21 comments

Writing as the pursuit of enigmas

Andre Aciman, professor of comparative literature at CUNY, on writing, his work, and inspirations (SLYT).
posted by shivohum on Jan 4, 2015 - 4 comments

Happiness is harder to put into words.

Leviathan - a short story by David Sedaris
posted by a lungful of dragon on Jan 2, 2015 - 11 comments

Nobel lecture by Patrick Modiano

Writing is a strange and solitary activity. There are dispiriting times when you start working on the first few pages of a novel. Every day, you have the feeling you are on the wrong track. This creates a strong urge to go back and follow a different path. It is important not to give in to this urge, but to keep going. It is a little like driving a car at night, in winter, on ice, with zero visibility. You have no choice, you cannot go into reverse, you must keep going forward while telling yourself that all will be well when the road becomes more stable and the fog lifts.
—From Patrick Modiano's lecture when receiving the Nobel Prize in Literature [Original French, Swedish and video] which is about cities, old telephone directories but mostly about writing, how to do it and what it's like.
posted by Kattullus on Dec 13, 2014 - 27 comments

Truth is harder to tell than a lie

The habitual liar may be a very honest fellow, and live truly with his wife and friends; while another man who never told a formal falsehood in his life may yet be himself one lie-heart and face, from top to bottom. This is the kind of lie which poisons intimacy. And, vice versa, veracity to sentiment, truth in a relation, truth to your own heart and your friends, never to feign or falsify emotion—that is the truth which makes love possible and mankind happy. Robert Louis Stevenson on truth and writing.
posted by shivohum on Nov 30, 2014 - 5 comments

Thomas King wins Governor-General’s Award for fiction.

Thomas King wins Governor-General’s Award for fiction In February, King won the British Columbia’s National Award for Canadian Non-Fiction for The Inconvenient Indian: A Curious Account of Native People in North America. On Tuesday, he won the Governor-General’s Literary Award for Fiction for The Back of the Turtle, his first novel in 15 years. [more inside]
posted by Nevin on Nov 27, 2014 - 8 comments

You must know thrilling things before you can write about them

I never correct anything and I never go back to what I have written, except to the foot of the last page to see where I have got to. If you once look back, you are lost. How could you have written this drivel? How could you have used "terrible" six times on one page? And so forth. If you interrupt the writing of fast narrative with too much introspection and self-criticism, you will be lucky if you write 500 words a day and you will be disgusted with them into the bargain. A year before his death, James Bond author Ian Fleming explained how to write a thriller.
posted by shivohum on Nov 26, 2014 - 25 comments

“I wanted this to be the saddest thing I’d ever written,”

Closing a Chapter of a Literary Life [New York Times] Ahead of the American publication of his latest work, “The Book of Strange New Things,” Michel Faber discusses it and why it will be his last novel.
posted by Fizz on Oct 26, 2014 - 10 comments

When Science Fiction Grew Up

How renegade sci-fi writers of the 1960s paved the way for today's blending of literary and genre fiction [more inside]
posted by the man of twists and turns on Oct 15, 2014 - 34 comments

I spent 10 years doing New York all wrong

Adelle Waldman, author of The Love Affairs of Nathaniel P., was a lonely aspiring writer in New York, generally unhappy. Then she moved to Brooklyn and found that community made all the difference.
posted by shivohum on Oct 13, 2014 - 16 comments

“There is such a thing as the courage in remaining baffled.”

Donald Antrim and the Art of Anxiety by John Jeremiah Sullivan [New York Times]
posted by Fizz on Oct 1, 2014 - 10 comments

"'The family division is rooted in the same ground as fiction..."

Ian McEwan: the law versus religious belief. [The Guardian]
The conjoined twins who would die without medical intervention, a boy who refused blood transfusions on religious grounds…Ian McEwan on the stories from the family courts that inspired his latest novel.
[more inside] posted by Fizz on Sep 13, 2014 - 10 comments

The Sexual Outlaw At 83

83 year old Chicano author John Rechy (City Of Night, The Sexual Outlaw, Rushes) talks to Lambda Literary about gay assimilation, being mistaken for white, melding truth and fiction, the post-Stonewall peroid, and hating the word 'queer.'
posted by The Whelk on Sep 10, 2014 - 20 comments

Lev Grossman on finding his true genre

You have demons in your subconscious? In a fantasy world those demons can get out, where you can grapple with them face to face. The story I was telling was impossible, and I believed in it more than I believed in the 10,000 entirely reasonable, plausible things I’d written before. Lev Grossman, author of the Magicians series of books, on how he found his voice as a fantasy novelist.
posted by shivohum on Aug 19, 2014 - 66 comments

On the visual imagination of the literary character

If I said to you, “Describe Anna Karenina,” perhaps you’d mention her beauty. If you were reading closely you’d mention her “thick lashes,” her weight, or maybe even her little downy mustache (yes—it’s there). Matthew Arnold remarks upon “Anna’s shoulders, and masses of hair, and half-shut eyes … ” But what does Anna Karenina look like? What do we see when we read?
posted by shivohum on Aug 14, 2014 - 24 comments

Trans Women's Lit

Trans women writers Jeanne Thornton, Imogen Binnie, Red Durkin and Casey Plett read from their recent works for Talks at Google. [more inside]
posted by emmtee on Jul 6, 2014 - 11 comments

"Don’t Forget to Be Awesome"

The Teen Whisperer by Margaret Talbot [New Yorker] How the author [John Green] of “The Fault in Our Stars” built an ardent army of fans.
posted by Fizz on Jun 3, 2014 - 24 comments

A literary trick

From what I saw the plurality of students and faculty had been educated exclusively in the tradition of writers like William Gaddis, Francine Prose, or Alice Munro—and not at all in the traditions of Toni Morrison, Cherrie Moraga, Maxine Hong-Kingston, Arundhati Roy, Edwidge Danticat, Alice Walker, or Jamaica Kincaid. In my workshop the default subject position of reading and writing—of Literature with a capital L—was white, straight and male. This white straight male default was of course not biased in any way by its white straight maleness—no way! Race was the unfortunate condition of nonwhite people that had nothing to do with white people and as such was not a natural part of the Universal of Literature, and anyone that tried to introduce racial consciousness to the Great (White) Universal of Literature would be seen as politicizing the Pure Art and betraying the (White) Universal (no race) ideal of True Literature.
In the New Yorker Junot Diaz talks about MFA vs POC. [more inside]
posted by MartinWisse on May 24, 2014 - 114 comments

The Game of (a Writer's) Life

Aspiring writers often ask established authors, "How did you do it?" The truth is that there is no single path to literary success. We sent a nonscientific survey to writers participating in the Los Angeles Times Festival of Books: Did they keep a diary as a child? Did they ever have a book rejected? Did they earn a living from writing? We tabulated more than 200 responses to make the board game below. Roll a die and see where the writing life takes you.
posted by shivohum on Apr 11, 2014 - 28 comments

A tiny cog in the great wheel of imaginative literature

The drama issues from the assailability of vital, tenacious men with their share of peculiarities who are neither mired in weakness nor made of stone and who, almost inevitably, are bowed by blurred moral vision, real and imaginary culpability, conflicting allegiances, urgent desires, uncontrollable longings, unworkable love, the culprit passion, the erotic trance, rage, self-division, betrayal, drastic loss, vestiges of innocence, fits of bitterness, lunatic entanglements, consequential misjudgment, understanding overwhelmed, protracted pain, false accusation, unremitting strife, illness, exhaustion, estrangement, derangement, aging, dying and, repeatedly, inescapable harm, the rude touch of the terrible surprise — unshrinking men stunned by the life one is defenseless against, including especially history: the unforeseen that is constantly recurring as the current moment.
Philip Roth on his life as a writer.
posted by shivohum on Mar 4, 2014 - 16 comments

"Fuck the prose, no one's going to read your book for the writing..."

Creative writing professor Hanif Kureishi says such courses are 'a waste of time' [The Guardian] Buddha of Suburbia author, who teaches subject at Kingston University, added that many of his students could 'write sentences' but not tell stories.
posted by Fizz on Mar 4, 2014 - 123 comments

on literature and elitism

These days, the idea of being a “good reader” or a “good critic” is very much out of fashion — not because we believe that such creatures do not exist, but because we all identify as both. The machine of consumerism is designed to encourage us all to believe that our preferences are significant and self-revealing; that a taste for Coke over Pepsi, or for KFC over McDonald’s, means something about us; that our tastes comprise, in sum, a kind of aggregate expression of our unique selfhood. We are led to believe that our brand loyalties are the result of a deep, essential affinity between the consumer and product — this soap is “you”; this bank is “yours” — and social networking affords us countless opportunities to publicise and justify these brand loyalties as partial explanations of “who we are”.
posted by latkes on Feb 12, 2014 - 68 comments

The New York Review of Books turns 50

In February 1963, a new publication took advantage of the New York City printers strike and launched with a daring editorial: It does not, however, seek merely to fill the gap created by the printers’ strike in New York City but to take the opportunity which the strike has presented to publish the sort of literary journal which the editors and contributors feel is needed in America. The New York Review of Books is now 50. [more inside]
posted by mattbucher on Oct 21, 2013 - 7 comments

How to Write

Writing advice from Oates, Wolfe, Levine, Pynchon, Stein, Welty, DeLillo, Chekhov, Gallant, and Elkin; Baldwin, Miller, Morrison, Vonnegut, Atwood, Nabokov, and Stein again; Maugham, Hughes, Duras, Orwell, Ashbery, Sontag, Creeley, and Steinbeck; O'Connor, Baxter, Didion, Yeats, Hejinian, Cocteau, du Plessix Gray, and Bolaño; Waldrop, Cary, Pessoa, Amis, Carroll, Atwood, and Le Guin; Vinge, Williams, Crane, Creeley once more, Gallant, Vargas Llosa, Mathews, and Wolfe again. [more inside]
posted by Iridic on Sep 18, 2013 - 33 comments

A Los Angeles Review of Books essay on Melville by William Giraldi

The Writer As Reader: Melville and his Marginalia In the General Rare Books Collection at Princeton University Library sits a stunning two-volume edition of John Milton that once belonged to Herman Melville. Melville's tremendous debt to Milton — and to Homer, Virgil, the Bible, and Shakespeare — might be evident to anyone who has wrestled with the moral and intellectual complexity that lends Moby Dick its immortal heft, but to see Melville's marginalia in his 1836 Poetical Works of John Milton is to understand just how intimately the author of the great American novel engaged with the author of the greatest poem in English. Checkmarks, underscores, annotations, and Xs reveal the passages in Paradise Lost and other poems that would have such a determining effect on Melville's own work.
posted by jason's_planet on Sep 1, 2013 - 11 comments

The view from here

This is my window. Or my windows—the view from my living room, where I sit and write. Might not seem very inspiring. I wish I could offer green mossy lava, roaring waves, a glacier mountain top. I do have other spaces—in an abandoned powerstation, a favorite fisherman’s cafe by the harbor, a summer house on the arctic circle—but this is my honest view, what I really see most of the days. This house was built in the 1960s when people were fed up with lava and mountains; they were migrating to the growing suburbs to create a new view for themselves. The young couple who dug the foundation with their own hands dreamed of a proper garden on this barren, rocky strip of land. They dreamed of trees, flowers, shelter from the cold northern breeze. What is special depends on where you are, and here, the trees are actually special. They were planted fifty years ago like summer flowers, not expected to live or grow more than a meter. The rhododendron was considered a miracle, not something that could survive a winter. It looks tropical, with Hawaiian-looking pink flowers; Skúli, the man who built the house and sold it to me half a century later, took special pride in it. I am not a great gardener. We are thinking of buying an apple tree, though they don’t really thrive in this climate. I would plant it like a flower, not really expect it to grow, and hope for a miracle. —Andri Snær Magnason [more inside]
posted by whyareyouatriangle on Aug 9, 2013 - 3 comments

No other business offers a man his daily bread upon such joyful terms.

It is doubtless tempting to exclaim against the ignorant bourgeois; yet it should not be forgotten, it is he who is to pay us, and that (surely on the face of it) for services that he shall desire to have performed. Here also, if properly considered, there is a question of transcendental honesty. To give the public what they do not want, and yet expect to be supported: we have there a strange pretension, and yet not uncommon, above all with painters. The first duty in this world is for a man to pay his way; when that is quite accomplished, he may plunge into what eccentricity he likes; but emphatically not till then. Till then, he must pay assiduous court to the bourgeois who carries the purse. Robert Louis Stevenson on art as a career.
posted by shivohum on Aug 1, 2013 - 20 comments

Underlined and triple-starred

By Heart is a series on The Atlantic's website where writers speak about their favorite passages, each illustrated by Doug McLean. Here are a few of the entries so far: Stephen King on two opening lines, Hanan Al-Shaykh on One Thousand and One Nights, Susan Choi on The Great Gatsby, Jessica Francis Kane on Marcus Aurelius, Fay Weldon on The Myth of Sisyphus, Adam Mansbach on Montaigne, Ayana Mathis on Osip Mandelstam, Anthony Marra on Jesus' Son, and Mohsin Hamid on Haruki Murakami.
posted by Kattullus on Jul 29, 2013 - 7 comments

Omniscient spung

"Imagine a female pov character is going along about her protagonist adventure, seeing things from her perspective of the world as written in third person. She hears, sees, considers, and makes decisions and reacts based on her view of the world and what she is aware of and encounters. Abruptly, a description is dropped into the text of her secondary sexual characteristics usually in the form of soft-focus Playboy-Magazine-style sexualized kitten-bunny-I-would-fuck-her-in-a-heartbeat lustrous-eyes-and-nipples phrases. Her breasts have just become omniscient breasts." -- Kate Elliott on the male (and female) gaze in literature.
posted by MartinWisse on Jul 5, 2013 - 132 comments

Bewilderment, speculation and plain old fashioned abuse

"If Shirley Jackson’s intent was to symbolize into complete mystification, and at the same time be gratuitously disagreeable, she certainly succeeded" - The New Yorker takes a look at the over 300 letters in reaction to The Lottery
posted by Artw on Jun 27, 2013 - 44 comments

Once you have found her, never let her go.

Your parent dies. You hurt. You weep. You mourn. You do and say the necessary things even as your daemon’s disciplined askesis has you (against your will) coldly taking notes on what the emotion feels like, how others around you react to the death, what the corpse of your parent looks like, how you feel while looking down at it, what voids there are in that feeling, what pretenses, what posturings. It's all part of finding your daemon that dwells perpetually in the Condition of Fire. Other entries in Dan Simmons' series On Writing Well.
posted by shivohum on Jun 11, 2013 - 29 comments

from "proteaform" mass of modern learning to "faustian fustian" of words

Finnegans Wake, Joyce's famously unreadable masterpiece (read it online here), was considerably more readable in one of its earlier drafts. Watch Joyce cross out decipherable words and replace them with less decipherable ones! Watch him end, not with a whimper, but with a slightly less impressive whimper! Sadly, Shem's schoolbook, which in the finished version is a House of Leaves-esque compendium of side columns and footnotes, was not written until much later (according to the footnotes of that section). The introduction to this draft by David Hayman, who assembled it, is worth a read.
posted by Rory Marinich on May 20, 2013 - 54 comments

"Learn as much by writing as by reading."

First editions, second thoughts. [The Guardian] "Interactive: From Amsterdam to Wolf Hall, Booker winners and bestsellers – authors annotate their own first editions.
posted by Fizz on May 18, 2013 - 2 comments

“Don’t go around asking the question, ‘Is this character likeable?’

Claire Messud: “A woman’s rant” [National Post] "Over the last week, discussion surrounding Claire Messud’s new novel, The Woman Upstairs, has shifted from the book to an interview its author recently gave to Publishers Weekly, in which Messud took issue with the following question: “I wouldn’t want to be friends with Nora, would you? Her outlook is almost unbearably grim.” [more inside]
posted by Fizz on May 10, 2013 - 23 comments

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