It is doubtless tempting to exclaim against the ignorant bourgeois; yet it should not be forgotten, it is he who is to pay us, and that (surely on the face of it) for services that he shall desire to have performed. Here also, if properly considered, there is a question of transcendental honesty. To give the public what they do not want, and yet expect to be supported: we have there a strange pretension, and yet not uncommon, above all with painters. The first duty in this world is for a man to pay his way; when that is quite accomplished, he may plunge into what eccentricity he likes; but emphatically not till then. Till then, he must pay assiduous court to the bourgeois who carries the purse. Robert Louis Stevenson on art as a career.
Looking for a great read by a UK / Commonwealth writer? A slate of 13 novels were just announced for this year's Man Booker Prize longlist. [more inside]
Alexander Trocchi—A Life in Pieces is a short biographical film about the once notorious Scottish writer, provocateur and ‘ungentlemanly junkie,’ including reminiscences from William S. Burroughs and Leonard Cohen. [more inside]
By Heart is a series on The Atlantic's website where writers speak about their favorite passages, each illustrated by Doug McLean. Here are a few of the entries so far: Stephen King on two opening lines, Hanan Al-Shaykh on One Thousand and One Nights, Susan Choi on The Great Gatsby, Jessica Francis Kane on Marcus Aurelius, Fay Weldon on The Myth of Sisyphus, Adam Mansbach on Montaigne, Ayana Mathis on Osip Mandelstam, Anthony Marra on Jesus' Son, and Mohsin Hamid on Haruki Murakami.
Give The Anarchist A Cigarette: Counterculture legend Mick Farren dies with his boots on Mick Farren, rabble rouser, musician, and writer, collapsed last night on stage at the The Borderline, in London. He died soon after. Hmm, sorry, I seem to be crap at this. Here's some more links to the story: From Uncut: Mick Farren 1943 - 2013, From Vintage Vinyl News: Passings: Mick Farren of the Deviants (1943 - 2013), and from Ultimate Calssic Rock: Mick Farren Dies After Collapsing On Stage In London That last has a pretty good version of "Let's Loot The Super Market".
Teju Cole (previously) live-tweeted on Friday his trip across the Slave Coast from Lagos, Nigeria to Ouidah, Benin.
Mary Butts (1890-1937) was a British modernist novelist whose frequently overlooked writing has had a cult following largely composed of fellow writers such as Robin Blaser and Robert Duncan. [more inside]
Symposium Magazine bills itself as "where academia meets public life". Its promotes long-form, accessible articles about a variety of topics.
So you see, I am not making a brief against reading the classics of Western literature. Far from it. I am against taking these startling epiphanies of the irrational, unspoken, unthought-of side of human life into the college classroom and turning them into the bland exercises in competition, hierarchy and information-accumulation that are these works' mortal enemies. An essay by Lee Siegel (SLWSJ)
The pseudonymous author behind the critically-acclaimed mystery novel The Cuckoo's Calling has been outed. And it's J. K. Rowling.
New technology has changed scholarship. Whereas previous generations of experts have sought to reconcile the differences between quarto and Folio, current thinking highlights the difficult relationship between the various incarnations of Shakespeare's texts, something made easier by the availability of rare Shakespeare quartos in digital databases such as Early English Books Online. The scholar Eleanor Prosser thus detects "considerable evidence" for the elimination of metrical and stylistic "irregularities" in the Folio: short lines are lengthened to 10 syllables, verbs agreed with subjects, double negatives resolved. In addition, a range of unusual words are added to the text, words not used elsewhere by Shakespeare. Prosser concludes: "somewhere behind the Folio … lies a conscientious and exacting editor with literary pretensions", albeit one "more experienced in the transcription of literary than of theatrical works". But who was it?—Who edited Shakespeare? by Saul Frampton. [more inside]
"During his days as Harvard’s influential president, Dr. Charles W. Eliot made a frequent assertion: If you were to spend just 15 minutes a day reading the right books, a quantity that could fit on a five-foot shelf, you could give yourself a proper liberal education. Publisher P. F. Collier and Son loved the idea and asked Eliot to compile and edit the right collection of works. The result: a 51-volume series of classic works from world literature published in 1909 called Dr. Eliot’s Five Foot Shelf, which would later be called The Harvard Classics." (Via) [more inside]
What makes you put down a book? A Goodreads infographic on the what, when, and why of abandoning a book, and what keeps people reading.
I came to Twitter because I had a book to sell, and my misgivings about the whole enterprise meant that I would never be any good at it. A phrase comes to mind: I was “pissing into the void.” For 1 year, 4 months and 22 days—or 508 days total—Twitter became part of my daily thinking ritual. Writer Benjamin Anastas says Goodbye to Twitter Village. VQR editor Jane Friedman comments.
Adam Thirlwell has written five essays in as many years for The New Republic. They all concern themselves with literature, especially French, though the first one was about Charles Dickens and how he was the most avant-garde writer of the 19th Century. The second was about Roland Barthes' plans to write a novel which came to nothing when he died. In Visionary Materialism, Thirlwell explores Rimbaud's Illuminations from several angles. Genocide and the Fine Arts is about Claude Lanzmann, the director of Shoah, and his complicated relationship with his famous work. The latest one, Baudelaire's Humiliation as a Way of Life, is about Baudelaire's place at the crux of the 19th Century revolution in letters.
"Imagine a female pov character is going along about her protagonist adventure, seeing things from her perspective of the world as written in third person. She hears, sees, considers, and makes decisions and reacts based on her view of the world and what she is aware of and encounters. Abruptly, a description is dropped into the text of her secondary sexual characteristics usually in the form of soft-focus Playboy-Magazine-style sexualized kitten-bunny-I-would-fuck-her-in-a-heartbeat lustrous-eyes-and-nipples phrases. Her breasts have just become omniscient breasts." -- Kate Elliott on the male (and female) gaze in literature.
Poets appeared in Russia in the eighteenth century. They wore officers’ uniforms and mostly wrote odes for the accession of German empresses onto the Russian throne. In a country where life was lived according to the wartime principle of unity of command, everyone including poets served the government, which was personified by the autocracy. But everything changed with Pushkin. Born in a country where serfdom was only the formal expression of a deep internal psychological slavery, he achieved the most important Russian coup, the greatest Russian revolution: in opposition to the pyramid of power, at the head of which the Czar administers the fates of individuals and nations, he created an alternative pyramid, at the head of which stood the poet. The juxtaposition of the czar and the holy fool—the old divided paradigm of authority—was exchanged for the juxtaposition of the czar and the poet.— Poets and Czars — From Pushkin to Putin: the sad tale of democracy in Russia by Russian novelist Mikhail Shishkin, who caused a stir earlier this year when he withdrew from participation in literary events sponsored by the Russian state with a strongly-worded letter. His action was equally strongly criticized by the state and several Russian writers. Shishkin spoke to The American Reader about recent events. He currently lives in Switzerland and recently wrote an essay about being separated from his native language community.
Alice Munro Puts Down Her Pen to Let the World In: Accepting a literary prize in Toronto last month, Alice Munro, the acclaimed short-story writer — “our Chekhov,” as Cynthia Ozick has called her — winner of the Man Booker International Prize and just about every important North American literary award for which she is eligible, told a newspaper interviewer, “I’m probably not going to write anymore.”
"If Shirley Jackson’s intent was to symbolize into complete mystification, and at the same time be gratuitously disagreeable, she certainly succeeded" - The New Yorker takes a look at the over 300 letters in reaction to The Lottery
“Fifteen years of diary entries. From 1817 to 1832. Some just a couple of lines. Some maybe a thousand words. At a rhythm ranging from two or three a day to one a month, or even less frequent. Suddenly, translating Giacomo Leopardi’s Zibaldone it occurs to me that if it were written today, it would most likely be a blog.”—Tim Parks writes of the challenges of translating from this “collection of personal impressions, aphorisms, profound philosophical observations, philological analyses, literary criticism and notes” written by “the finest Italian poet after Dante.” Meanwhile, a team based at the University of Birmingham have prepared the first-ever complete translation of the Zibaldone into English, which is due for publication next month. [more inside]
Sparky Sweets, PHD drops some of da illest classical literature summary and analysis that yo ass ever heard on The Great Gatsby, Crime and Punishment and To Kill a Mockingbird.
Lately, I've had some doubts about the level of discourse here on Metafilter. To remedy the situation, here is that great American essayist and thinker, Mr. Edgar Allan Poe, on diddling. [more inside]
"Great war novels inevitably follow great wars, and in literary circles following World War II, everyone was wondering what would be the successors to A Farewell to Arms and All Quiet on the Western Front — and who would write them. But when John Horne Burns, age 29, in his small dormitory suite at the Loomis School in Windsor, Conn., on the night of April 23, 1946 (Shakespeare’s birthday, at that), finished The Gallery — 'I fell across my Underwood and wept my heart out,' he later recalled — he was convinced he had done just that, and more. ‘The Gallery, I fear, is one of the masterpieces of the 20th century,' he wrote a friend." (SLNYT) (via) [more inside]
Your parent dies. You hurt. You weep. You mourn. You do and say the necessary things even as your daemon’s disciplined askesis has you (against your will) coldly taking notes on what the emotion feels like, how others around you react to the death, what the corpse of your parent looks like, how you feel while looking down at it, what voids there are in that feeling, what pretenses, what posturings. It's all part of finding your daemon that dwells perpetually in the Condition of Fire. Other entries in Dan Simmons' series On Writing Well.
Jonah Lehrer has reportedly sold a book proposal to Simon and Schuster. In Slate, Daniel Engber examines the book proposal for possible plagiarism and comments: Having read through this proposal, I’ll propose a different lesson: If your underwear is full of grit, it might be time to change.
"I wondered why someone who hates words would take the trouble to arrange so many of them in a row." The Millions reviews Tao Lin's new novelty.
Orson Scott Card's Unaccompanied Sonata [Google Books], which he has called one of his favorite short stories, is an darkly enchanting tale about a boy who, at a young age, is taken from his family and brought to a house deep in the forest...
Christopher Pound combines and weights lists and ratings from Project Gutenberg, Goodreads, and elsewhere to produce novel sortings of familiar data—Shakespeare's plays by popularity, for example. The most successful fiction writers at Gutenberg, and the top thousand most popular works of fiction found there. The most highly rated films of 2012 and 2011. The most popular Sci-fi and fantasy sub-genres at Goodreads. [more inside]
The Essayification of Everything (SLNYT)
The 2013 Man Booker International Prize went to Lydia Davis, best known as a short story writer—some just a single sentence long—but also a novelist and translator. There is a wealth of material by and about her online, and here are few favorites: Video of Davis reading some very short stories, PennSound MP3 collection of readings, talks and interviews, writer James Salter reads and discusses Davis' story Break It Down, interview by Francine Prose, Frieze Talks reading and interview, video of reading followed by Q&A, "A Position at the University" and a a discussion about the story, and finally, a number of links to her short stories: 1, 2, 3, 4, 5, 6. [Lydia Davis previously on MeFi]
The Library of Babel is online! Recently digitized classics include Rtvcdg Lxcxahssds Qgflvab mge Bjbpd Orrq, Dgqqjv Iqfold xpx Ljg vjd Vapdophr, and Vmcyogxmvyrnle Lgjmyqsh Hfmni Lyvvdahec Bajvp Hlibiov, which appears by the gracious permission of Lbtddnbdqh Pjnghbdtvmi. [more inside]
Next to a beautiful, elegant woman, between the silky spirals of her train, on the back of a chair, in a dark angle in the background, he accurately painted, although almost invisible, the animal that recalled the face of the protagonist. He thus had a series of ladies and gentlemen from the squirrel, from the lizard, from the sea horse, etc.From "The Real Face," by Guido Gozzano, "first and finest representative of the Crepuscolari, the poets of the Twilight." [more inside]
The New Yorker is publishing excerpts from Italo Calvino: Letters, 1941-1985, translated by Martin McLaughlin, on its book blog. (via) [more inside]
Finnegans Wake, Joyce's famously unreadable masterpiece (read it online here), was considerably more readable in one of its earlier drafts. Watch Joyce cross out decipherable words and replace them with less decipherable ones! Watch him end, not with a whimper, but with a slightly less impressive whimper! Sadly, Shem's schoolbook, which in the finished version is a House of Leaves-esque compendium of side columns and footnotes, was not written until much later (according to the footnotes of that section). The introduction to this draft by David Hayman, who assembled it, is worth a read.
Daniel Handler, best known for A Series of Unfortunate Events and his accordion work with Stephin Merritt and The Magnetic Fields, reads a chapter from his novel Adverbs, which made Dave Eggers describe Handler as "something like an American Nabakov". An excerpt from another chapter, Immediately, is available courtesy of the New York Times. Handler's first adult novel, the nightmarishly satirical The Basic Eight (think the movie Heathers with a less reliable a narrator), is also well worth a read (excerpt from Google Books).
First editions, second thoughts. [The Guardian] "Interactive: From Amsterdam to Wolf Hall, Booker winners and bestsellers – authors annotate their own first editions.
Literature and Form is a series of four lectures by Oxford literature academic Dr. Catherine Brown. The lectures are on the themes of unreliable narrators, chapters, multiple plotting and what comparative literature is. You can listen to it as a podcast or through iTunes U. In this lecture series Brown primarily looks at some central structures of the novel as well as examining what the study of literature entails. Brown weaves in examples from world literature, especially English and Russian literature of the 18th, 19th and 20th Centuries.
In celebration of the 100th anniversary of the publication of Swann's Way, the New York Times is publishing a series of blog posts on In Search of Lost Time. (via) [more inside]
Claire Messud: “A woman’s rant” [National Post] "Over the last week, discussion surrounding Claire Messud’s new novel, The Woman Upstairs, has shifted from the book to an interview its author recently gave to Publishers Weekly, in which Messud took issue with the following question: “I wouldn’t want to be friends with Nora, would you? Her outlook is almost unbearably grim.” [more inside]
Comics made out of covers for books in the Oxford World's Classics series. For earlier editions, see here, here, here, here, and here.
My Psychic Garburator by Margaret Atwood [The New York Review of Books]
"Most dreams of writers aren’t about dead people or writing, and—like everyone else’s dreams—they aren’t very memorable. They just seem to be the products of a psychic garburator chewing through the potato peels and coffee grounds of the day and burping them up to you as mush."[more inside]
Great artists rise early, stay up late, float themselves in coffee, flirt with amphetamines, drink carefully, eat if necessary, take morning walks followed by afternoon naps, procrastinate, amuse themselves, avoid their friends, hold down jobs, indulge their oddities, and work — work like draft horses. [more inside]
The Pickwick Papers, one of the most honored first novels of all time, was conceived as a showcase for the comic etchings of the celebrated illustrator Robert Seymour. His publishers tapped a 24 year old journalist named Charles Dickens (their third choice) to provide the humorous "commentary" linking the pictures, which were to depict the hunting mishaps of a club of cockney sportsmen. Dickens, who knew nothing about hunting, ignored the prospectus and wrote his own way forward. As it became clear that Seymour was ill-equipped to depict the darker turns of Dickens' imagination, illustrator and writer fell into a conflict which ended in horror. [more inside]
Shortly thereafter, one of the nuns died. La Maupin disinterred the body of the deceased nun and, placing it in the bed of her beloved, set the room afire so that the two could flee in the ensuing confusion. Julie d’Aubigny a.k.a. La Maupin or Mademoiselle Maupin was a 17th century fencer and opera singer of the Paris Opera. In detail. [more inside]
Guantánamo prison library for detainees. [tumblr] New York Times reporter Charlie Savage set up a Tumblr dedicated to cataloging some of the books available in the Guantánamo prison library for detainees.
What Is the Business of Literature?
Publishing is a word that, like the book, is almost but not quite a proxy for the “business of literature.” Current accounts of publishing have the industry about as imperiled as the book, and the presumption is that if we lose publishing, we lose good books. Yet what we have right now is a system that produces great literature in spite of itself. We have come to believe that the taste-making, genius-discerning editorial activity attached to the selection, packaging, printing, and distribution of books to retailers is central to the value of literature. We believe it protects us from the shameful indulgence of too many books by insisting on a rigorous, abstemious diet. Critiques of publishing often focus on its corporate or capitalist nature, arguing that the profit motive retards decisions that would otherwise be based on pure literary merit. But capitalism per se and the market forces that both animate and pre-suppose it aren’t the problem. They are, in fact, what brought literature and the author into being.[more inside]