"The owners of the 37-story tower known as the Walkie Talkie in the City of London financial district are investigating a light beam cast by the building that’s so intense it melted parked cars." Jaguar owner Martin Lindsay was none too pleased by this evidence of the laws of physics. And architect Rafael Vinolyapparently hasn't learned from his previous hair-scorching design error in Las Vegas.
The Hoxton Window Project: “I had no plan, I had no thought, I had a pen and decided to take it for a walk. My brain is a mess, my mind a ball of spaghetti charged with tiny electrical pulses being generated by a team of termites on a treadmill. I put it all up against the glass, I hope it will delight and intrigue and not leave anyone aghast” says window artist Jon Burgerman. Frame features the work of digital creative company Unit 9 at a square in central London.
Meet Wenlock and Mandeville - the official London 2012 Olympic and Paralympic mascots... the press are talking them up... but there are some objectors Previous design work for 2012 has not gone down well. Past Olympic mascots.
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
Eiichi’s self-confessed shock is now hopefully more understandable – he was not simply being asked to rework an old typeface, he was being asked to touch up an acknowledged “Old Master.” Johnstone Sans - A Typeface for the Underground. [more inside]
Tart cards [NSFW] are the means by which many London prostitutes advertise their services. Step into almost any central London phone box and you can contemplate up to 80 cards inviting you to be tied, teased, spanked or massaged.... [Wallpaper Magazine] asked designers – from students to superstars – to find the tart hiding in every typeface and create their own graphic numbers.... all 450 cards can be viewed here. [NSFW] [more inside]
London's iconic transportation symbol, the roundel, is 100 years old this year and a new online exhibit at the London Transport Museum features some amazing galleries of architecture, promotional material, livery and a great illustrated history of the mark.
The London Transport Museum's Poster Collection is now online. 5,000 posters and 700 original poster artworks, ranging from No need to ask a p'liceman!, the 1908 poster introducing the new underground map, to a stunning image by Man Ray, via Hans Unger's simple, beautiful Country Churches: How To Get There.
The British Olympic Committee unveiled the logo and branding for London 2012 today, at a cost of £400,000 (USD796,000). Reaction has been swift - a petition to change the logo or go back to the old one has already reached 10,000 signatures.
Harry Beck's famous map [current 287K .gif version] of the London Underground has a long history and is often praised as a definitive example of excellent information design. Many consider it unimprovable, but that doesn't stop many others trying. The latest variant is a project by Oskar Karlin, redesigning the map to illustrate journey time [warning: large, slow loading .pdf]. [partly via]