It's debatable whether the troubled World War Z signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's bleak, artful cult horror-drama 28 Days Later, which saw its US premiere ten years ago this weekend. From its iconic opening shots of an eerily abandoned London (set to Godspeed You! Black Emperor's brooding post-rock epic "East Hastings") to the frenzied chaos of its climax, Boyle's film -- a dark yet humanist tale of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count). And while sequel 28 Weeks Later with its heavyhanded Iraq War allusions failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences in modern horror), and 28 Months looks increasingly unlikely, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
"This video has been dramatically enhanced in quality, using modern video editing tools. The film has been motion stabilized and the speed has been slowed down to correct speed (from 18 fps to 24 fps) using special frame interpolation software that re-creates missing frames." Watch corrected and cleaned footage of circa 1900s London and Cork (5 min 35 sec). (via)
BBC documentary from 1973 on the London Chapter of the Hell's Angels (SLYT 24:37)
A woman has been arrested after a swearing, racist rant (YouTube) on a tram in Croydon, London trended on Twitter. Daily Mail reports with comments switched off, far right EDL member declares her a patriot to be proud of. Satire site The Daily Mash weighs in sardonically.
From 1999 to 2003, the largely-female UK comedy trope Smack The Pony had a series of short skits based on video dating ads. Youtube user myLastTears has edited them together into a supercut: 1 - 2 - 3 - 4 [more inside]
Cabaret's Don't Tell Momma performed by a young Judi Dench, or by Molly Ringwald, or Chris Moore, but what would she want with me?
Corey Arcangel is perhaps the internet's most infamous hack, masher-upper, digi/net artist. His work stands for a growing culture of artists who run wildly through animated GIF landscapes populated with corrupted data-compressed bunny rabbits and tinny, MIDI renditions of Savage Garden ballads. As the Lisson Gallery, London, opens its archives to Arcangel's curatorial eye, could digi/net art be set to infect the real, fleshy world, like a rampant Conficker Worm? Has YouTube become the truest reflection of our anthropological selves? Are we destined to roam the int3erw£bs like the mythic beasts of yore, hoping, in time, that digi art can free us from the confines of this fleshy void? [...previously]
The Open Road London pioneering colour footage from 1927 (SLYT)
Mick Jagger joins his little brother Chris onstage in a pub. It's safe to say the 40-odd people in attendance at the The Bull's Head pub in southwest London were more than a little surprised to see the pair performing "Dead Flowers."
Youtube user davebones goes to London demos, protests and gatherings. His videos demonstrate the complexity of issues, calling into question the credibility of television news which tends to portray the same events in black and white terms. While his blog sets a clear agenda, his commentary-free videos are accessible to people regardless of their viewpoint.