Parisians claim that in Paris, one is never more than 400 yards away from a Metro station. In Los Angeles, I am equally certain that one is always within 400 yards of a palm tree.
Scores of streets are lined with them; they are ubiquitous in domestic and public gardens; they rise from hilltops; they tower above cemeteries; they front museums, movie studios, hotels, hospitals, municipal buildings, modest apartments, and lavish villas; they are clustered around swimming pools; they dominate the skyline — they are everywhere, and have never been more popular. The city’s 200-year love affair with palms has never ceased, and rather than waning, the affair is waxing. From the first palms planted by Spanish padres to the city of Beverly Hills, which recently, in an act of cosmetic alteration, created a palm-lined, palm-bisected thoroughfare on upscale Rodeo Drive, the palm has been the tree of choice for Angelenos. [more inside]
posted by whyareyouatriangle
on Jul 28, 2014 -
The post-war boom gave rise to new concepts of modernity in domestic architecture
and, of course, massive suburban development. One such concept was the California ranch-style home, pioneered by Cliff May
(1909-1989). Another contemporary architect, Joseph Eichler
(1900-1974), had his own vision of modernity in America's new suburbs, but both styles used similar language. At the time, these new designs for living were seen as modern and at the cutting edge of sophistication, but sophistication within reach of the average professional, middle-class family. They were designed to have a practical as well as an aesthetic value. Welcome to mid-century modern. [more inside]
posted by joseph conrad is fully awesome
on Jul 4, 2014 -
[SLYT] is a 1973 documentary film about the 1972 Wattstax music festival, held at the Los Angeles Memorial Coliseum to commemorate the seventh anniversary of the Watts riots. Featuring performances by Isaac Hayes, Albert King, Rufus and Carla Thomas, The Staple Singers, The Emotions, The Bar-Kays, and other greats of soul, R&B, and gospel, Wattstax
also incorporates relatively unknown comic Richard Pryor's musings on life for black Americans in 1972, "man-and-woman-on-the-street" interviews, and audience footage. [NSFW] [more inside]
posted by Room 641-A
on Jul 3, 2014 -
Vin Scully: voice of the Dodgers for 64 years "My idea is that I'm sitting next to the listener in the ballpark, and we're just watching the game," Scully says. "Sometimes, our conversation leaves the game. It might be a little bit about the weather we're enduring or enjoying. It might be personal relationships, which would involve a player. The game is just one long conversation and I'm anticipating that, and I will say things like ‘Did you know that?' or ‘You're probably wondering why.' I'm really just conversing rather than just doing play-by-play. I never thought of myself as having a style. I don't use key words. And the best thing I do? I shut up."
posted by mandymanwasregistered
on Jun 6, 2014 -
Five years ago, Alfred Weisberg-Roberts, aka Alfred Darlington (more widely known as Daedelus
) finally released an album with his wife, Laura Darlington
, under the group name The Long Lost
. And it's beautiful, light and airy orchestral pop that owes a greater debt to Caetano Veloso than Coldcut
, the style of music that might not out of place being played live in a knitting shop
, which could seem a bit strange for a group releasing their music on Ninja Tune
. For further fond words, The Gaslamp Killer considered their album one of his top picks for 2009
, and here's a nice interview with Alfred and Laura
. But we're really here for the music, so here's their self-titled album, streaming on Grooveshark
. [more inside]
posted by filthy light thief
on Apr 11, 2014 -
What we talk about when we talk about gangs
"Gangs (and their many incarnations) are complex social networks whose roots are deeply intertwined with those of the communities and socio-economic environments they call home.
Not unlike the military, they offer youth a surrogate family, something to belong to, someone to watch their back, and something to fight for.
But they also offer so much more – the promise of a social circle, the possibility of controlling what would otherwise control them, an outlet for frustration or revenge, and a name, status, and “juice” (respect). Respect, in particular, is a highly coveted commodity for kids that feel beat down or oppressed by circumstance. If they can prove themselves worthy of being feared, people will be less likely to mess with them just for the hell of it." [more inside]
posted by mandymanwasregistered
on Mar 22, 2014 -
On Friday, a Starbucks opened in Los Feliz, Los Angeles
. There is something a bit "weirdly off-kilter"
about this location according to one customer. In particular, everything there, including the store name
has the word "dumb" in front. The store is claiming parody-based fair use exemptions to intellectual property law, and so far, the (non-dumb) Starbucks appears not to have responded. In case you want to pick what you want before hand, their menu of dumb drinks is posted on Twitter
posted by saeculorum
on Feb 9, 2014 -
After Michael Mann set out to direct Collateral, the story’s setting moved from New York to Los Angeles. This decision was in part motivated by the unique visual presence of the city — especially the way it looked at night. Mann shot a majority of the film in HD (this was 2004), feeling the format better captured the city’s night lighting. Even the film’s protagonist taxi needed a custom coat to pick up different sheens depending on the type of artificial lighting the cab passed beneath. That city, at least as it appears in Collateral and countless other films, will never be the same again. L.A. has made a vast change-over to LED street lights, with New York City not far behind. Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
posted by timshel
on Feb 3, 2014 -
What Neil deGrasse Tyson is to astrophysics, Lucy Jones
is to seismology.
"The last time there was a large seismic event on the fault that can do us the most harm, the San Andreas, in 1857
, Los Angeles had about 4,000 residents. “We really weren’t worried about keeping a complex social structure in place,” Jones said. But as we get bigger and more complex, we increase our vulnerability."
Jones presented her talk, “Imagine America Without Los Angeles”
to the American Geophysical Union Conference in San Francisco in 2013.
is the 20th anniversary
of the Northridge quake
, we still haven't quite figured out what to do to mitigate the effects of the BIG ONE to come. [more inside]
posted by Sophie1
on Jan 17, 2014 -
His is a career that feels both forgotten and deeply embedded in modern pop. He sang standards and rock and jazz and winding conceptual songs and tiny little kids' tunes and commercial jingles. He wrote, voiced, and spearheaded an animated film starring Dustin Hoffman. He played Dracula in a movie. He soundtracked a sitcom and nearly fought Jackie Gleason in a nightclub. He was "the Beatle across the water." He tore up London bars with Ringo Starr and Keith Moon. He invented the remix album. He also invented the mash-up. He dropped acid with Timothy Leary. He sang of moonbeams and fire and coconuts and puppies. He was a prodigious songwriter whose two biggest hits were covers. He performed live in concert in his prime exactly zero times. He wrote a musical about the Wright brothers. He had no. 1 albums and pop smashes and disastrous failures. He won Grammys. He was hilarious, and such a sad man.
The Legacy of Harry Nilsson
posted by Horace Rumpole
on Aug 7, 2013 -
There have been days,
since her son Ezekiel was born 11 months ago, that Los Angeles mom Beth Capper has gone without food to keep up her supply. One friend was arrested for stealing some. It's not drugs or alcohol or even baby formula that has put her in such a bind. It's diapers.
posted by the young rope-rider
on Jul 30, 2013 -
"In his 2003 memoir Where The Money Is: True Tales from the Bank Robbery Capital of the World
, co-authored with Gordon Dillow, retired Special Agent William J. Rehder briefly suggests that the design of a city itself leads to and even instigates certain crimes—in Los Angeles’s case, bank robberies. Rehder points out that this sprawling metropolis of freeways and its innumerable nondescript banks is, in a sense, a bank robber’s paradise. Crime, we could say, is just another way to use the city."
posted by homunculus
on Jul 13, 2013 -
Yo Dodger Blue (L.A. Loves You) (SLYT)
"It's no surprise [Harry] Nilsson
was a Dodger fan. They were both Brooklyn born, and both eventually relocated to Los Angeles. In the late 80s and early 90s, when Harry was doing little in terms of his "career," he was still actively writing songs and still coming up with ideas like this to amuse his creativity. These unreleased recordings probably come from 1990. The first version is a studio recording (musicians unknown) while the second version comes from KABC in Los Angeles, where Harry personally showed up to premiere the sing along. It's a catchy, rousing stadium chant that coulda/shoulda worked, though it was never officially adopted by the team." Links to both downloadable versions can be found at the blog For The Love of Harry Nillson
) [more inside]
posted by Room 641-A
on Jun 11, 2013 -
Keepintime started as a simple idea
, to bring some of the most revered and notable L.A. session drummers together for a photo shoot, then have them talk about the recordings that were famous to hip-hop DJs and producers, with some top LA beat jugglers. From that effort in 2002 came the short film, Keepintime
: Talking Drums and Whispering Vinyl
(2 parts on YouTube). The short documentary toured around, and in 2002, along with the screening, some of the drummers and DJs put on a live improvised show in Los Angeles. From that 2 hour show, a 45 minute film was made: Keepintime - A Live Recording
. Later that year, after screening the short film in England, the Keepintime crew were invited to Brasil
, to team up with Brasilian percussionists of renown, and make a beat record. They also put on an epic live show. That whole enterprise was made into an almost two-hour long documentary, Brasilintime
. More information on the artists inside. [more inside]
posted by filthy light thief
on Apr 20, 2013 -
is the photography Tumblr of Richard Auxilio, a Los Angeles-based photog whose current project is symmetrical double exposures.
posted by klangklangston
on Feb 4, 2013 -