The bizarre rise and fall and resurgence of tiki bars and cocktails is an interesting history that starts with two men, Donn Beach and Victor Bergeron, who traveled to the South Pacific and brought back some "island culture" to the United States with them in the 1930s, continuing on with the craze really booming after WWII vets returned from tours overseas. With the ebbs and flows of popularity, the cultural appropriation in "Tiki culture" has often been overlooked, as to the Māori mythology and meaning behind Tiki carvings and imagery and Hawiian culture of leis and luaus. Let's talk Tiki bars: harmless fun or exploitation. [Soundtrack: Les Baxter's Ritual Of The Savage ( 1951) and Martin Denny's Exotica (1957)] [more inside]
It was music to be heard, not listened to. It was the soundtrack to the relaxed, sophisticated, mature vision of the good life. It was music for lovers. It was upbeat, elaborately arranged, chart-toppingly popular, and yet has been almost written out of the popular music history books, dismissed as “elevator music”; soulless, toned-down, pre-chewed, limp cover-versions of popular songs for old people. So sit back, put aside the politics and angst, slip into something comfortable (preferably with someone of similar description), and allow yourself to experience The Joy of Easy Listening [2, 3, 4, 5, 6]
I present to you, Richard Cheese. Perhaps the world's greatest twisted musical genius. Take 1 part Weird Al, add some Frank Sinatra, top with a talented musical ensemble, and bake on low — current recipe makes two albums. Seriously now, anyone with a love of music should really check out Mr. Cheese. His cover songs are solid gold. Notable mentions: "Chop Suey!" (System of a Down), "Crazy" (Britney Spears), and "I Used To Love Her" (Guns 'N Roses). And remember, folks, keep on lounging against the machine.