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A literary trick

From what I saw the plurality of students and faculty had been educated exclusively in the tradition of writers like William Gaddis, Francine Prose, or Alice Munro—and not at all in the traditions of Toni Morrison, Cherrie Moraga, Maxine Hong-Kingston, Arundhati Roy, Edwidge Danticat, Alice Walker, or Jamaica Kincaid. In my workshop the default subject position of reading and writing—of Literature with a capital L—was white, straight and male. This white straight male default was of course not biased in any way by its white straight maleness—no way! Race was the unfortunate condition of nonwhite people that had nothing to do with white people and as such was not a natural part of the Universal of Literature, and anyone that tried to introduce racial consciousness to the Great (White) Universal of Literature would be seen as politicizing the Pure Art and betraying the (White) Universal (no race) ideal of True Literature.
In the New Yorker Junot Diaz talks about MFA vs POC. [more inside]
posted by MartinWisse on May 24, 2014 - 114 comments

The Game of (a Writer's) Life

Aspiring writers often ask established authors, "How did you do it?" The truth is that there is no single path to literary success. We sent a nonscientific survey to writers participating in the Los Angeles Times Festival of Books: Did they keep a diary as a child? Did they ever have a book rejected? Did they earn a living from writing? We tabulated more than 200 responses to make the board game below. Roll a die and see where the writing life takes you.
posted by shivohum on Apr 11, 2014 - 28 comments

How Iowa Flattened Literature

How Iowa Flattened Literature
The Iowa Writers’ Workshop emerged in the 1930s and powerfully influenced the creative-writing programs that followed. More than half of the second-wave programs, about 50 of which appeared by 1970, were founded by Iowa graduates. Third- and fourth- and fifth-wave programs, also Iowa scions, have kept coming ever since. So the conventional wisdom that Iowa kicked off the boom in M.F.A. programs is true enough. [...] Over the past 40 years, creative writing’s small-is-beautiful approach has served it well, as measured by the discipline’s explosive growth while most of its humanities counterparts shrink and cower. The reasons for this could fill many essays. For one thing, creative writing has successfully embedded itself in the university by imitating other disciplines without treading on their ground. A pyramid resembles a pedagogy—it’s fungible, and easy to draw on the board. Introductory math and physics professors like to draw diagrams too, a welcome analogy for a discipline wishing both to establish itself as teachable and to lengthen its reach into the undergraduate curriculum, where a claim of pure writerly exceptionalism won’t cut it.

posted by deathpanels on Feb 10, 2014 - 35 comments

We Expect Art To Suck

Artist Zak Smith addresses the problem of Big Art made by assistants for artists who don't claim to use assistants. good bit starts at 3:40
posted by The Whelk on Nov 28, 2012 - 40 comments

Art of the Japanese Postcard

View examples of the Art of the Japanese Postcard (1, 2, 3) or browse the Leonard A. Lauder collection of them at Boston's Museum of Fine Arts website.
posted by Brandon Blatcher on May 7, 2010 - 3 comments

Renewing the economics of theatre

The recession has hit the theatre world (and the arts scene in general) very hard - but some argue that theatre practitioners aren't doing themselves any favours when seeking funding. The main question insufficiently addressed is "who is the funding for?" - hint: it's not about you. Approaching theatre as a product isn't working, not when MFA acting programs don't often allow its graduates to earn enough to earn back their debt. So now the question is: how can the economics of theatre be changed?
posted by divabat on Mar 29, 2009 - 60 comments

Upon First Meeting

Upon First Meeting : RISD MFA student Jeff Barnett-Winsby takes photos of strangers who answered an ad on Craigslist.
posted by grapefruitmoon on Jun 29, 2006 - 46 comments

Gimme a G.......gimme an W.....gimme a break!

Corollaries to famous quotes pt 1: "Poetry is a mirror which makes beautiful that which is distorted." - Shelley.
posted by lalochezia on Dec 5, 2005 - 7 comments

Short shorts

Who Wears Short Shorts? Micro Stories and MFA Disgust Being a writer in today's lovely world of fiction and creative nonfiction is like reliving 70's TV hell, where that Nair commercial jingle has been conveniently rewritten into "Who writes short shorts?" Poetic vision rarely shows up. After all, how can you express vision in 100 words? As for plot and character development, give those antiquated goods to Goodwill. All that matters with short shorts is a competent writing style and a desire for lots of publication credits.
posted by ColdChef on Nov 22, 2004 - 33 comments

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