Perhaps the most dangerous effect of the Big Crunch mentality has been to make television creators think of themselves as auteurs, to convince them that in spite of the massive interference with their work, they can somehow create a work of aesthetic integrity and sociological insight even if they don’t know where it’s going. Well, sometimes you get lucky, but more often, the result is disaster, and the effort spent toward that failure is redirected from where it would be better put: creating great trash. An essay on the challenges and pitfalls of writing serialized TV plots
from The American Reader. [more inside]
posted by chavenet
on Jun 23, 2013 -
In Defense of Betty.
"I’ve always thought that the whole point is that Betty is a victim of her time and circumstances, of the very narrow, constricted gender roles (remember the ill-fitting dress she’s holding up against herself as she contemplates being a political wife) that she and women like her were forced — expected, if that seems less loaded — to assume. Those roles were deforming, and, sure enough, they’ve deformed Betty." [more inside]
posted by sweetkid
on May 6, 2013 -
"First of all, we almost had no battle at all. For budgetary reasons we came very, very close to having all the action take place off-screen, the way plays have handled battle scenes for a few thousand years."
- How the epic battle at the heart of the latest episode of Game of Thrones, Blackwater
, written by George R. R. Martin and directed by Neil Marshall
, came to be. Mentor relationships in Game of Thrones (and Mad Men)
. The National's Lannister song
. And, perhaps sriking closest of all to the central themes of the show, Jezebel plays Game of Thrones: Marry, Fuck, Kill
posted by Artw
on May 31, 2012 -