The banjo's great great grandaddy.

So, you hollow out piece of wood into an oblong bowl shape, and you attach a dowel to it. Stretch a dried animal skin over that, and put some strings on it. Instruments of this general construction and in a range of sizes can be found from Morrocco to Nigeria and everywhere in between. It goes by any number of local names: Malian masters like Bassekou Kouyaté and Cheick Hamala Diabaté call it ngoni. Senegalese Wolof griots like Samba Aliou Guissé call it xalam. And Morroccan gnawa musicians like Hassan Hakmoun and Hamid El Kasri get way funky on the larger version that they call the gimbri or sentir. [not: see hoverovers for link descriptions] [more inside]
posted by flapjax at midnite on Mar 9, 2008 - 13 comments