The Archive of Recorded Poetry and Literature at the Library of Congress dates back to 1943, when Allen Tate was Consultant in Poetry. It contains nearly two thousand recordings—of poets and prose writers participating in literary events at the Library’s Capitol Hill campus as well as sessions at the Library’s Recording Laboratory. Highlights from the collection include: Kurt Vonnegut, Margaret Atwood, Ray Bradbury, Adrienne Rich, Audre Lorde, Mario Vargas Llosa, Rita Dove, Elizabeth Bishop, Gwendolyn Brooks, W.S. Merwin, Sandra Cisneros, Amy Clampitt, Robert Pinsky , and Miłosz, Czesław, among many others. [more inside]
Falling short: seven writers reflect on failure is a collection of seven short essays on failure by writers Diana Athill, Margaret Atwood, Julian Barnes, Anne Enright, Howard Jacobson, Will Self and Lionel Shriver. These range from the meditative to the funny. Essays reflecting on literary failure are legion, but let me point you towards a couple more, the brief Failure Is Our Muse by Stephen Marche and the longer Fail Better by Zadie Smith.
Does The Handmaid's Tale hold up? , Adi Robertson for The Verge:
"A few weeks ago, I mentioned to a friend that I was in the middle of Margaret Atwood's The Handmaid's Tale. 'It’s like 1984 for feminists, right?' he asked. Sort of, I said. But it's a lot scarier. It's about how you'll lose every right you have, and none of the men you know will care. Then I said he would probably betray me if they froze all women's bank accounts. That was the peak of my paranoia, but it held on for several more days, as I read on the subway while half-consciously figuring out how I might theoretically escape to Canada. 1984 was for lightweights."[more inside]
A manifesto for the new man: how the Great White Male can stay relevant The days of the Great White Male are numbered. So how should men live now? Stephen Fry, Mary Beard, Andrew Marr, Margaret Atwood and others offer their survival tips.
Atwood has just been named as the first contributor to an astonishing new public artwork. The Future Library project, conceived by the award-winning young Scottish artist Katie Paterson, began, quietly, this summer, with the planting of a forest of 1,000 trees in Nordmarka, just outside Oslo. It will slowly unfold over the next century. Every year until 2114, one writer will be invited to contribute a new text to the collection, and in 2114, the trees will be cut down to provide the paper for the texts to be printed – and, finally, read.Margaret Atwood's next novel won't be published until 2114. (Katie Paterson, the Future Library, Katie Paterson previously))
You invest so much in it, don't you? It's what elevates you above the beasts of the field, it's what makes you special. Homo sapiens, you call yourself. Wise Man. Do you even know what it is, this consciousness you cite in your own exaltation? Do you even know what it's for?Dr. Peter Watts is no stranger to MetaFilter. But look past his sardonic nuptials, heartbreaking eulogies, and agonizing run-ins with fascists (and fasciitis) and you'll find one of the most brilliant, compelling, and disquieting science fiction authors at work today. A marine biologist skilled at deep background research, his acclaimed 2006 novel Blindsight [full text] -- a cerebral "first contact" tale led by a diverse crew of bleeding-edge post-humans -- is diamond-hard and deeply horrifying, wringing profound existential dread from such abstruse concepts as the Chinese Room, the Philosophical Zombie, Chernoff faces, and the myriad quirks and blind spots that haunt the human mind. But Blindsight's last, shattering insight is not the end of the story -- along with crew/ship/"Firefall" notes, a blackly funny in-universe lecture on resurrecting sociopathic vampirism (PDF - prev.), and a rigorously-cited (and spoiler-laden) reference section, tomorrow will see the release of
Darren Aronofsky is developing Margaret Atwood's MaddAddam trilogy (Oryx and Crake, Year of the Flood, and MaddAddam) as an HBO series. Atwood says on Twitter that she's "met+ brainstormed with the Team and they're terrific!" Aronofsky had signed on with HBO in January.
My Psychic Garburator by Margaret Atwood [The New York Review of Books]
"Most dreams of writers aren’t about dead people or writing, and—like everyone else’s dreams—they aren’t very memorable. They just seem to be the products of a psychic garburator chewing through the potato peels and coffee grounds of the day and burping them up to you as mush."[more inside]
"The other fork of the road — the one less traveled by — offers our last, our only chance to reach a destination that assures the preservation of the earth." ~ Rachel Carson
Rachel Carson's Silent Spring: "Widely considered the most important environmental book of the 20th century, Rachel Carson's Silent Spring has been reissued after 50 years. Margaret Atwood considers its impact and legacy."
Wattpad, started in 2006, is a free social writing site where people can publish their own work, read others' writing, and provide feedback. It can be accessed on a computer, tablet, or smartphone, with an app for Android or iOS. Wattpad enthusiast Margaret Atwood is currently collaborating with British author Naomi Alderman on a serial comic/horror story; you can read the chapters of The Happy Zombie Sunrise Home as they are added. [more inside]
Ken and Robin Talk About Stuff, a podcast in which writer and game designer Robin D. Laws (Hamlet's Hitpoints, The GUMSHOE system) and game designer and writer Kenneth Hite (Tour De Lovecraft, GURPS Horror) (previously) talk about stuff. Stuffs include: Why vampires are assholes and the Hermetic Order of the Golden Dawn, stopping WWI and Beasts of the Southern Wild, Margaret Atwood and the difference between a mystic and an occultist, why no invented setting is as interesting as the real world and Woodrow Wilson, Gencon and sundry RPGs, Neil Armstrong, HP Blavatsky and theosophy, the ebook prcing settlement, what big publishing could learn from RPG publishers, and the many crazy fictional possibilities of Charles Lindbergh and his UFO investigating chums, and Dungeons and Dragons edition wars and Aliester Crowley.
"Would you let a skull pick you up at a bus stop? Definitely not. But on Twitter you find yourself doing all sorts of things you wouldn't otherwise do. And once you've entered the Enchanted E-Forest, lured in there by cute bunnies and playful kittens, you can find yourself wandering around in it for quite some time. You might even find yourself climbing the odd tree—the very odd tree—or taking refuge in the odd hollow log—the very odd hollow log—because cute bunnies and playful kittens are not the only things alive in the mirkwoods of the Web. Or the webs of the mirkwoods. Paths can get tangled there. Plots can get thickened. Games are afoot."
This year the CBC Massey Lectures celebrates fifty years with bestselling author, essayist, cultural observer, and famed New Yorker contributor Adam Gopnik. His subject is winter - the season, the space, the cycle. Gopnik takes us on an intimate tour of the artists, poets, composers, writers, explorers, scientists, and thinkers, who helped shape a new and modern idea of winter. Listen to Winter: Five Windows on the Season Streaming files for this years lecture will be available until Friday, November 18. [more inside]
Margaret Atwood defines science fiction "Is [the term science fiction] a corral with real fences that separate what is clearly 'science ﬁction' from what is not, or is it merely a shelving aid, there to help workers in bookstores place the book in a semi-accurate or at least lucrative way? If you put skin-tight black or silver clothing on a book cover along with some jetlike ﬂames and/or colourful planets, does that make the work 'science ﬁction'? What about dragons and manticores, or backgrounds that contain volcanoes or atomic clouds, or plants with tentacles, or landscapes reminiscent of Hieronymus Bosch? Does there have to be any actual science in such a book, or is the skin-tight clothing enough? These seemed to me to be open questions."
The anchovies are restless. Margaret Atwood, grand dame of Canadian letters, addresses the future of publishing. [more inside]
With her writing career clearly going nowhere, Margaret Atwood has turned to a new vocation: costume design.
In How to Write a Great Novel authors such as Edwidge Danticat, Hilary Mantel, Orhan Pamuk, Junot Díaz and Margaret Atwood speak about their writing process. If you want your thoughts on writing in a longer format, you could do a lot worse than The New York Times' Writers on Writing series, which features short essays by, for example, Kurt Vonnegut, Saul Bellow, Louise Erdrich and Annie Proulx. Should you thirst for meditations longer yet, Barbara Demarco-Barrett has on her Writers on Writing radio show interviewed a boatload of authors and it is available as a podcast [iTunes link]
New Scientist kicks off it's science fiction special by asking "Is science fiction dying?", with answers by Margaret Atwood, William Gibson and Ursula K Le Guin amongst others. Meanwhile on the Nebula Awards site Geoff Ryman talks about Mundane SF, and how it was a reaction to a phenomenon he noticed in new SF coming through the Clarion workshop: A lot of it doesn't have much science fiction in it.