One hundred years ago today in 1913, an art exhibition opened in New York City that shocked the country, changed our perception of beauty and had a profound effect on artists and collectors. The International Exhibition of Modern Art — which came to be known, simply, as the Armory Show — marked the dawn of Modernism in America.
Minotaure published only 12 issues between 1933 and 1939. The covers were by some of the leading artists of the
day century. (via)
Public sound sculptures can be beautiful ways of drawing passersby into creating music. Whether they're melodic chimes in subway stations, theremins in public parks, or the sounds of rivers and clocks in a art museum, all of them can add a little bit of magic to the everyday world. Paul Matisse is an artist who has created multiple public sound sculptures across the Boston Area. He built three sound sculptures in the Kendall Square subway station in Boston, and another in Charlestown, called the Charlestown Bells. [more inside]
How I Met And Dated Miss Emily Dickinson: Have you ever wondered what a favourite writer really looked like? Is there any relationship between an artist's face and their art? Hemingway looks like his prose; Ezra Pound like his poetry; Picasso is a dead ringer for his paintings but, say, John Updike doesn't resemble his fiction; T.S.Eliot looks like a bank clerk and Matisse was nothing like his works. How superficial can you get? [Via Arts and Letters Daily.]
Matisse|Picasso, head to head. Pablo just couldn't be sure he's number one as long as Henri was alive and working. And he's right to look over his shoulder. I admire Pablo, and even like some of his canvases, but for my money Henri is the greatest painter since the renaissance, with Vincent at no. two and Pablo in third. It's nice to see some other folks starting to give Henri his props. (P.S. here's the introduction to the show. Here's the slide show. Here's a review from slate with another slide show with a somewhat different and larger selection of the images.)