Senses of Cinema on two Jean-Pierre Melville classics: Temenuga Trifonova on Le Samouraï and Brian L. Frye on Bob le flambeur
Although Moby-Dick is regarded as a pinnacle of American Romanticism, its themes of destiny and defiance transcend national borders. Over the decades, the Library of Congress has procured editions translated into Spanish, German, Russian, Japanese, Korean and Lithuanian. But the latest translation eschews the written word altogether, telling the story through emoji icons—the pictograms seen in text messages and e-mails. It’s the most ambitious (and playful) effort to explore whether emoji itself is becoming a free-standing language.
A captain ready to drive himself and all around him to ruin in the hunt for a white whale. It’s a well-known story, and over the years, mad Ahab in Herman Melville’s most famous novel, Moby-Dick, has been used as an exemplar of unhinged American power, most recently of George W. Bush’s disastrous invasion of Iraq. But what’s really frightening isn’t our Ahabs, the hawks who periodically want to bomb some poor country, be it Vietnam or Afghanistan, back to the Stone Age. The respectable types are the true “terror of our age,” as Noam Chomsky called them collectively nearly 50 years ago. The really scary characters are our soberest politicians, scholars, journalists, professionals and managers, men and women (though mostly men) who imagine themselves as morally serious...An essay by Greg Grandin on Melville's novella Benito Cereno (based on the sailing memoirs of Amasa Delano Chapter XVIII) the differences in the political economy and whaling vs. sealing, and the origins of the American empire.
The Writer As Reader: Melville and his Marginalia In the General Rare Books Collection at Princeton University Library sits a stunning two-volume edition of John Milton that once belonged to Herman Melville. Melville's tremendous debt to Milton — and to Homer, Virgil, the Bible, and Shakespeare — might be evident to anyone who has wrestled with the moral and intellectual complexity that lends Moby Dick its immortal heft, but to see Melville's marginalia in his 1836 Poetical Works of John Milton is to understand just how intimately the author of the great American novel engaged with the author of the greatest poem in English. Checkmarks, underscores, annotations, and Xs reveal the passages in Paradise Lost and other poems that would have such a determining effect on Melville's own work.
Smithsonian.com lists the top 10 books lost to time.
Nantucket Sleighride takes its title from 19th century whaling slang. The song is dedicated to the memory of Owen Coffin, ship's mate aboard the Whaleship Essex. [more inside]
The Online Annotated Power Moby-Dick explains the more obscure seafaring and whaling terms, 19th Century slang and topical jokes in Melville's epic. Hey, didja know there's a fart joke right there in Chapter 1? [more inside]
900 caricatures of noted Victorian and Edwardian personages from British society magazine Vanity Fair which ran from 1868 to 1914. Among those pictured are Oscar Wilde, Benjamin Disraeli, Herman Melville, Alfred Dreyfus, Teddy Roosevelt, Gustave Eiffel and Charles Boycott (from whose name comes the word). A couple are mildly not safe for work, a few quite racist, as was the prevalent attitude of the time, and at least one is both.
Melville's Marginalia Online. The study of Herman Melville's creative process has long been hampered by a lack of primary sources. Melville's long lost annotations (they were written in pencil and subsequently erased) to the 1839 book The Natural History of the Sperm Whale have been restored through high-tech innovations such as squinting and digital photography. The results are available here in a PDF file. [more inside]