I kept going out with the rescue workers and one day we came upon this scene that was so sad that the rescue workers gave me a vest to cross the police line. I shot the scene a bunch of different ways, but the way that worked best was just showing it from the front. These people were killed by one single bullet. The woman is far into her pregnancy. The hit man came in from the left-hand side of the car and fired a bullet into the man’s head when they were embracing and killed both of them.
The violence is really hard to show in a way that is humane. It is almost impossible to give any kind of dignity to the people that have died, because of how horribly they have been maimed. Taking pictures of those things, you feel like you are supporting what the narcos are doing because you are spreading out their message of horror. So I really became obsessed with making a picture that was intimate – while still showing violence – and encompassed humanity and dignity. I wanted to give these people a story.
posted by barnacles
on Mar 25, 2012 -
7 comments
Wijnanda Deroo: Inside New York Eateries "Continuing her long-term exploration of the architectural interior as a genre of photographic investigation, artist Wijnanda Deroo has scoured New York's five boroughs documenting the full spectrum of the city's culinary institutions. From Café des Artistes to Papaya Dog, the Russian Tea Room to Yonah Schimmel's Knishes, Deroo's viewfinder alights on diverse sites (and sights) where we New Yorkers sit (or stand) to consume our daily bread." More interiors at the artist's website --
Indonesia ::
Curacao ::
Mexico ::
Berlin
posted by puny human
on Mar 20, 2011 -
5 comments
Enrique Metinides:
In the Place of Coincidence "On Feburary 2011, Enrique Metinides will turn seventy-seven. Fifty of those years have been dedicated to what is called in Mexico “red note” photography. Sensational images of the tabloid press, images of accidents, deaths, disasters.
Metinides’ images capture exquisite and compelling moments from such tragic events. His photographs a complex dynamic which both attract and repel; photographs which become engraved in our imagination through the power of the aesthetic experience." [graphic content]
posted by puny human
on Mar 11, 2011 -
4 comments
Slaves of the moment: "The Mexican
Agustín Víctor Casasola, with the intermittent help of his brother Miguel, began to set up around 1900 one of the most important
photographic archives for the
history of a country. However, the international recognition of these almost 500,000
photos has not matched its importance. Born in 1874 and raised in the years of the Porfirio Díaz government, Agustín Casasola was a direct
witness to all the adversities that led to modern Mexico, and breathed as nobody else the air of a country and a city that developed during the first third of the 20th century at a runaway pace."
posted by puny human
on Nov 11, 2010 -
8 comments
