Count Pier Francesco Orsini (Google auto-translate) was a man much given to melancholy. The premature death of his wife, Giulia Farnese, and other troubles contributing to the decay of the once proud Orsini dynasty, darkened his outlook on life. Like the world-hating Jacques in Shakespeare's As You Like It, he seems to have come to regard the world around him with a somewhat self-advertising disgust. Orsini retreated noisily from the world of human affairs into nature, albeit a nature much improved by art (Google books preview). Those improvements came in the form of larger-than-life sculptures, some sculpted in the bedrock, which populated Sacro Bosco ("Sacred Grove"), colloquially called Parco dei Mostri ("Park of the Monsters"). [more inside]
In Scenes from an Overrated Career, film critic Jonathan Rosenbaum writes a rare New York Times op-ed arguing that the work of recently deceased director Ingmar Bergman is overvalued compared to Carl Theodor Dreyer and Robert Bresson. Both Roger Ebert and David Bordwell respond to Rosenbaum's takedown of Bergman, while Rosenbaum writes a brief eulogy blog post on Bergman. Meanwhile, another blogger discusses how Antonioni and Bergman hated each other despite recent obits that have paired them together.