Walsh agreed to pay Boltanski for the right to film his studio, outside Paris, twenty-four hours a day, and to transmit the images live to Walsh, in Tasmania. But the payment was turned into a macabre bet: the agreed fee was to be divided by eight years, and Boltanski was to be paid a monthly stipend, calculated as a proportion of that period, until his death. Should Boltanski, who was sixty-five years old, live longer than eight years, Walsh will end up paying more than the work is worth, and will have lost the bet. But if Boltanski dies within eight years the gambler will have purchased the work at less than its agreed-upon value, and won. "He has assured me that I will die before the eight years is up, because he never loses. He’s probably right," Boltanski told Agence France-Presse in 2009. "I don’t look after myself very well. But I’m going to try to survive." He added, "Anyone who never loses or thinks he never loses must be the Devil."—Tasmanian Devil is the story of David Walsh and his Museum of Old and New Art in Hobart, Tasmania, as told by recent Man Booker winner Richard Flanagan.
It started in 1956 and led in 1969 to Quicksilver Messenger Service recording the song as an entire side on the Happy Trails album. This song was later to be covered by The Doors (1970); The Band + Ronnie Hawkins (1976); George Thorogood (1978) among many. The second side also featured a composition by the same writer; performing here with Tom Petty. Hey Bo Diddley
Mona Lisa's voice finally heard. Even if you can't read Japanese, you can still click the buttons underneath each portrait to get playback. Works with Internet Explorer. Suzuki — a co-winner of the Ig Nobel Peace Prize in 2002 for promoting harmony between species by inventing the Bow-Lingual, a dog-to-human interpretation device — undertook the project as part of activities promoting the Japan release of the movie "The Da Vinci Code."
Ever hear about the time Picasso and Guillaume Apollinaire were taken in by the police under suspicion of stealing the Mona Lisa?