"Piss" Sometimes a girl just wants to get peed on. Filmmaker Bette Bentley has written, produced, starred in and co-directed a funny and very sweet short film on the bedroom negotiations of piss play.
[NSFW - also possible trigger]
posted by stray
on Jan 31, 2012 -
88 comments
ALIEN age 11 - an adaptation created by an underage artist based on the Alan Dean Foster novelization and a few stills, without having seen the actual film.
posted by Artw
on Jan 30, 2012 -
19 comments
A decade on, the Coen brothers' woefully underrated
O Brother, Where Art Thou? [alt] is remembered for
a lot of things: its sun-drenched, sepia-rich
cinematography (a pioneer of
digital color grading), its
whimsical humor,
fluid vernacular, and
many subtle references to Homer's
Odyssey. But one part of its legacy truly stands out:
the music.
Assembled by
T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from
cheery ballads and
angelic hymns to
wistful blues and
chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a
heartfelt, homespun feel that echoed its cultural heritage,
a paean and uchronia of the Old South.
Though the multiplatinum album was recently
reissued, the movie's medley is best heard via famed documentarian
D. A. Pennebaker's
Down from the Mountain, an
extraordinary yet
intimate concert film focused on a night of live music by the soundtrack's stars (among them
Gillian Welch,
Emmylou Harris,
Chris Thomas King, bluegrass legend
Dr. Ralph Stanley) and wryly hosted by
John Hartford, an accomplished
fiddler,
riverboat captain, and
raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on
Hulu and
YouTube -- click inside for individual clips, song links, and breakdowns of
the set list's fascinating history.
[more inside]
posted by Rhaomi
on Dec 22, 2011 -
107 comments
As the
trailer for Peter Jackson's film adaptation of
The Hobbit premieres online, it's worth remembering that this isn't the first take on the journey of one Bilbo Baggins.
There was the 1977 animated version as well.
Here's some screencaps and a
trailer. Of course, if that's not enough for you, you could just watch it on Youtube (
1,
2,
3,
4,
5,
6). And before it was a film, it was something called...
a book?
Here's pictures of the cover of this 'book' thing from all over the world.
posted by Effigy2000
on Dec 20, 2011 -
126 comments
When they were making The Karate Kid, they decided to shoot each scene's rehearsal with budget cameras so the actors could watch themselves back afterwards. Now it's been edited together so that it forms a version of the movie that looks like it was shot and made by eight graders in their basement, including loads of unseen scenes (SLYT)-
The Karate Kid Rehearsal Movie.
posted by rudhraigh
on Nov 24, 2011 -
28 comments
"But when a saga popular with pre-adolescent girls peaks romantically on a night that leaves the heroine to wake up covered with bruises in the shape of her husband's hands — and when that heroine then spends the morning explaining to her husband that she's incredibly happy even though he injured her, and that it's not his fault because she understands he couldn't help it in light of the depth of his passion — that's profoundly irresponsible."
MetaFilter's own Linda Holmes on the "psychosexual horror-show" that is
The Twilight Saga: Breaking Dawn Part 1.
[more inside]
posted by davidjmcgee
on Nov 18, 2011 -
274 comments
Gullah—the African-influenced dialect of Georgia’s Sea Islands—has undergone few changes since the first slave ships landed 300 years ago, and provides a clear window into the shaping of African-American English.
This classic PBS program traces that story from the west coast of Africa through the American South, then to large northern cities in the 1920s. Studying the origins of West African pidgin English and creole speech—along with the tendency of 19th-century white Southerners to pick up speech habits from their black nursemaids—the program highlights the impact of WWI-era industrialization and the migration of jazz musicians to New York and Chicago.
posted by cthuljew
on Nov 15, 2011 -
12 comments
In Southern California in the 1980s, KROQ had this weird un-DJ-like guy named (seriously)
Rodney Bingenheimer, who came on late at night on Sundays and played punk records and new bands like Blondie, The Ramones, X, Joan Jett, Devo and Cheap Trick. Did this weirdo really have some influence? A 90-minute 2004 documentary now on YouTube,
Mayor of the Sunset Strip (Part 1) tells his story, and it's weirder than you may have imagined.
[more inside]
posted by planetkyoto
on Nov 14, 2011 -
24 comments
With all due respect, today (11/11/11) is not just for Veterans or those remembering the end of World War I. It is also...
Nigel Tufnel Day (
facebook group) (
RL event)
"It goes to eleven." Whatever you do loud, today do it one louder.
Eleventh Doctor Day "GERONIMO!!!" Wear a bow tie, fez and/or stetson because they're cool.
Pocky Day for the snacks shaped like, well, 1's.
Corduroy Appreciation Day for the material that... oh, if you don't know, don't bother. BTW, what are Christopher Guest's and Matt Smith's pants made of?
But the less said about
the movie the better.
11+11+11=33%? Close.
Also, it's 1 year 1 month and 11 days until the end of the Aztec Calendar. Which makes a few too many 1's, so sit back and watch
this clock turn to 11:11:11.
posted by oneswellfoop
on Nov 11, 2011 -
120 comments
In October 1963, the Brazilian movie writer, director, and actor José Mojica Marins was having trouble with a movie he was working on, and fell asleep at the dinner table.
He dreamed of being dragged to a cemetery by a creature in black, who showed Marins his own tomb stone, with the dates of his birth and death (YT: 9 min). That dream lead to the creation of
Zé do Caixão (anglicized as
Coffin Joe), the main character in Brazil's first horror movie, and Marins' first big movie success:
À Meia-Noite Levarei Sua Alma (YT: 1hr 22min w/English subs) (
At Midnight I'll Take Your Soul). This was one of the up-ticks in a life of
some ups and lots of downs for the South American Roger Corman or Ed Wood (NYT), and the birth of a character who would become Marins public persona.
[more inside]
posted by filthy light thief
on Oct 28, 2011 -
11 comments
The Reel History of Britain, a BFI/BBC co-production, brings archive film into the nation’s living rooms. The footage shown in the series has been selected from the hundreds of thousands of films and programmes preserved in Britain’s film and television archives. We are complementing the series by making many of the films featured in The Reel History of Britain available online in their entirety, alongside expert commentary from the nation’s archive curators.
posted by Trurl
on Oct 17, 2011 -
4 comments
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again
The Lion King is
at the top of the box office. It's a good chance to revisit what made the original the capstone of the
Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of
an unofficial bootleg.
Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's
haunting,
pulse-pounding,
joyful tracks
alongside the original video (
part 2,
3,
4), revealing the subtle leitmotifs and careful matching of music and action.
In addition, South African collaborator
Lebo M wove traditional Zulu chorals into the score, providing
veiled commentary on
scenes like this; his work was later
expanded into
a full album,
the Broadway stage show, and
projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with
The Lion King: Full Circle (
download guide), a fan-made, three-hour supercut of the original film and its two follow-ups.
Want more? Look...
harder... [more inside]
posted by Rhaomi
on Oct 1, 2011 -
22 comments
Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
posted by Trurl
on Sep 29, 2011 -
67 comments
"
'Postcards to Alphaville' is a project dedicated to film characters featured in guest-made illustrations. Everyone participating in this adventure has to watch a film and make postcard portraying specific character from it. It is love-letter to films and those characters that brings us, the viewers, moments of joy, sorrow and revelation and sometimes seems more real than the neighbor next-door."
via
posted by Sticherbeast
on Sep 28, 2011 -
7 comments
From the Salon review: "There [is] all kinds of pop culture iconography floating around in Walter Hill's "Streets of Fire": rock stars; outlaw biker gangs; neon marquees; Dick Tracy-style police cars; diners that serve up coffee in Syracuse china; silent, tough-guy heroes; bars that are rowdy dives and bars meant for quiet, solitary drinking; leather; a battered wallet photo of someone's sweetheart; lovers' reunions; lovers' breakups; dusters; convertibles; pompadours; guns. "Streets of Fire" is nothing but iconography, an attempt to boil down 30 years of pop to its familiar essence and then contain the whole thing in a comic-strip B movie... If chrome could bleed, it would look like the colors that run together in the streets of this movie." [more inside]
posted by I_Love_Bananas
on Sep 7, 2011 -
62 comments
blind is a short film (5:17 - in Japanese w/ English subtitles) set in post-nuclear Tokyo. The film may be viewed at the
blind website, at
Vimeo or at
YouTube.
Parents please be advised: although the film features a young child, viewing by young children is not especially recommended, as they may be frightened.
posted by flapjax at midnite
on Sep 6, 2011 -
29 comments
