‘I shot against Daddy, all men, small men, tall men, big men, fat men, men, my brother, society, the church, the convent, school, my family, my mother, all men, daddy, myself, men. I shot because it was fun and made me feel great. I shot because I was fascinated watching the painting bleed and die…’— Niki de Saint Phalle. [more inside]
"Foregrounding the back of Martin Luther King’s head, Selma’s poster is an act of protest in itself. But as a recent book on black movie poster art shows, many past poster designs have obscured, caricatured or edited out black actors altogether." Isabel Stevens writes on black movie poster art at the British Film Institute (BFI).
The movie Logan's Run is available in its entirety on Dailymotion. First half. Second half. Also available are all 14 episodes of the TV show Logan's Run. Logan's Run pilot Part 1 and Part 2. Episode 2 The Collectors. Episode 3 Capture. Episode 4 The Innocent. Episode 5 Man Out of Time. Episode 6 Half Life. Episode 7 The Crypt. Episode 8 Fear Factor. Episode 9 The Judas Goat. Episode 10 Futurepast. Episode 11 Carousel. Episode 12 Night Visitors. Episode 13 Turnabout. Episode 14 Stargate. [more inside]
Consider an arthouse, darker, noir version of Men in Black with secretive alien refugees trapped in Manhattan, tentacle sex and concept art by H. R. Giger. Clair Noto's The Tourist could have been transformed into a great movie in the right hands. Instead, it has languished in permanent development hell since the 1980's. Some call it "the greatest scifi screenplay never produced" (Article, part 1 and 2.) Decide for yourself and read Noto's original screenplay. [more inside]
Richard Linklater's Boyhood casts the same group of actors to shoot a movie over a 12-year period (2002-2014) portraying the coming-of-age of Mason, played by Ellar Coltrane, who speaks about the experience here.
Swinging Sixties Film Posters from Japan - Bootleg Film Posters from Ghana - Retro Film Posters from Thailand
With the TV premiere of Mary Harron's Anna Nicole Smith biopic fast approaching, The Hairpin wonders what other indie/art house filmmakers would do with the same subject.
The Onion AV club looks at 13 movie opening title sequences that are far better than the movies they're attached to.
During the Golden Age of Hollywood and until 1967, mainstream movie studios were banned by the Production Code from depicting taboo topics like drug addiction, explicit murder and venereal disease, or even showing explicit nudity. But in the 1930's and 1940's, films marketed as "educational" could and did fly under the radar, and three of the best known 'educational' propaganda exploitation films are: Sex Madness (1935), Reefer Madness (1936) and The Cocaine Fiends (1938). [more inside]
Like James Bond movies? And box office grosses? And visualized data? Then today is your lucky day.
Long before the David Cronenberg film (NSFW: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10), before even the publication of the novel, Harley Cokeliss directed Crash! (1, 2) - a short film adapted from the story in J.G. Ballard's The Atrocity Exhibition, starring Ballard himself and Gabrielle Drake (sister of Nick Drake). (previously) [more inside]
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
A visually inventive, super-stylized, 27 minute Soviet cartoon telling of The Little Mermaid / Rusalochka from 1968.
In present day, Garfield and Jon have oval shaped eyes, but when drawing this poster I wanted the look from the Garfield of the early 80's, when E.T. was made.
Charles Forsman (previously) has created another Spielberg/funny pages mashup: E.T. + Garfield [more inside]
Finite Films takes your idea for movie constraints and turns the favourites into short films. For example: "One character must use refrigerator poetry magnets to leave a note/message for another character", "One character loves vacuuming naked", or "One used to drive a moped until it was stolen".
Designer and Illustrator - Dr. Monster- shows us how to make a modern movie poster. Maybe you'd like to see one of his posters? Or a happy scooter? Or a motivational poster? Or just a dapper looking Tesla with a Tesla Cannon?
Back in 09', Star Wars Uncut (previously) asked people to recreate 15 second chunks of Star Wars: A New Hope however they wanted, using live action, animation, text adventure screens, SCUMM interfaces, costumed pets, and more. Now they've been edited together to recreate the entire movie as a homemade, constantly shifting media experiment. (Vimeo link)
A decade on, the Coen brothers' woefully underrated O Brother, Where Art Thou? [alt] is remembered for a lot of things: its sun-drenched, sepia-rich cinematography (a pioneer of digital color grading), its whimsical humor, fluid vernacular, and many subtle references to Homer's Odyssey. But one part of its legacy truly stands out: the music. Assembled by T-Bone Burnett, the soundtrack is a cornucopia of American folk music, exhibiting everything from cheery ballads and angelic hymns to wistful blues and chain-gang anthems. Woven into the plot of the film through radio and live performances, the songs lent the story a heartfelt, homespun feel that echoed its cultural heritage, a paean and uchronia of the Old South. Though the multiplatinum album was recently reissued, the movie's medley is best heard via famed documentarian D. A. Pennebaker's Down from the Mountain, an extraordinary yet intimate concert film focused on a night of live music by the soundtrack's stars (among them Gillian Welch, Emmylou Harris, Chris Thomas King, bluegrass legend Dr. Ralph Stanley) and wryly hosted by John Hartford, an accomplished fiddler, riverboat captain, and raconteur whose struggle with terminal cancer made this his last major performance. The film is free in its entirety on Hulu and YouTube -- click inside for individual clips, song links, and breakdowns of the set list's fascinating history. [more inside]
Nants ingonyama bagithi baba! It's been nearly two decades since that glorious savanna sunrise, and once again The Lion King is at the top of the box office. It's a good chance to revisit what made the original the capstone of the Disney Renaissance, starting with the music. Not the gaudy show tunes or the Elton John ballads, but the soaring, elegiac score by Hans Zimmer which, despite winning an Oscar, never saw a full release outside of an unofficial bootleg. Luckily, it's unabridged and high-quality, allowing one to lay Zimmer's haunting, pulse-pounding, joyful tracks alongside the original video (part 2, 3, 4), revealing the subtle leitmotifs and careful matching of music and action. In addition, South African collaborator Lebo M wove traditional Zulu chorals into the score, providing veiled commentary on scenes like this; his work was later expanded into a full album, the Broadway stage show, and projects closer to his heart. Speaking of expanded works, there were inevitable sequels -- all of which you can experience with The Lion King: Full Circle (download guide), a fan-made, three-hour supercut of the original film and its two follow-ups. Want more? Look... harder... [more inside]
Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
"'Postcards to Alphaville' is a project dedicated to film characters featured in guest-made illustrations. Everyone participating in this adventure has to watch a film and make postcard portraying specific character from it. It is love-letter to films and those characters that brings us, the viewers, moments of joy, sorrow and revelation and sometimes seems more real than the neighbor next-door." via
Though it is by far Peter Greenaway’s most well known film and, for all of the visceral and intellectual challenges it proposes, probably his most approachable, The Cook, the Thief, His Wife & Her Lover remains a difficult film to apprehend. (the beginning and the end, both NSFW)
Over Your Cities Grass Will Grow bears witness to German artist Anselm Kiefer’s alchemical creative processes and renders as a film journey the personal universe he has built at his hill studio estate in the South of France. [more inside]
Mr Whaite designs animated neon movie signs for classic films such as The Shining, Jaws, and Beetlejuice. [more inside]
Why watch a movie when you can just watch the titles? Browse title sequences by designer and read interesting backstory and discussion on the art of making a title sequence.
Richard Amsel was a Philadelphian artist who created original and iconic illustrations and paintings found on posters for several popular 1970s and 80s American movies, including Mad Max: Beyond the Thunderdome, The Dark Crystal, Raiders of the Lost Ark, and The Sting. He also created unique artwork for TV Guide covers, as well as album cover art for Bette Midler and others. His Time cover featuring Lily Tomlin was added to the permanent collection of the Smithsonian Institution.
When a movie one sheet not an ad for an upcoming film? Some talented graphic designers have taken to creating one sheets for already released films. These 'unsheets' as screenwriter John August calls them are often clever and subtle pieces that reference iconic scenes of the film such as Die Hard's infamous walk on broken glass scene for example. Previous discussion of re-imagined movie posters. and here.
Shinya Kimura likes motorcycles. (A short film about a custom motorcycle engineer.)
In an exclusive interview with MTV, Ridley Scott releases further details on his latest project: two 3D Alien prequels, which will have a non-Ripley female lead and focus on the story behind the first movie's "Space Jockey." [more inside]
Despite my absolute fidelity to Sade's text, I have however introduced an absolutely new element: the action instead of taking place in eighteenth-century France, takes place practically in our own time, in Salò, around 1944, to be exact. (some links extremely NSFW)
Coloring the Kingdom: the story of the all-female “finishing school” of hand-drawn animation that worked behind the scenes to create the first animated full-length Disney feature, Snow White. (via.)
The City of Absurdity - The Mysterious World of David Lynch
Grzegorz Jonkajtys's short films include Mantis, Legacy, and the Best of Show winner at Siggraph 2007, Ark. (All movies are QuickTime.) More on the making of Ark here. [via]
Apparently whenever US movies were released in Soviet-era Poland, the posters were discarded and replaced by new versions by Polish artists. Alternately disturbing and frickin' awesome, and often containing political comments of varying subtlety. Previously.
Cinematic particles is an online applet that draws watercolor-like visualizations of movie dialogs, from Apocalypse Now to Zabriskie Point. See also: Spinal Rhythms, L-Garden, SpyCamp and other online toys by Austrian artist Eva Schindling.
""My Kid Could Paint That." It has been said before on metafilter about Jackson Pollock,and apparently it is being said about another artist. However, this artist is a kid. Is she a Pre-School Pollock? Or just another kid having fun with art supplies? I guess you'll have to wait for the movie to decide. [previously on mefi]
Nonononono, After You (.mov): A short animated film by Christopher Cordingley, graduate of the Ringling School of Art and Design. The school's computer animation portfolio is worth a browse; there's some real talent being nurtured there. (Last four links are to .avi files.)
The 1 Second Film. 12 giant frames. One giant movie. 90 minutes of credits. All profits to the Global Fund for Women. It's all part of a plan.
Son of Rambo (not to be confused with Rambo IV: Holy War/End of Peace) is a Hammer and Tongs film about two kids in the 80s making a home video sequel to First Blood. No teaser or trailer available as of post time, but there is a showcase of illustrations by hand-picked and contributing artists that claim to cover the era, themes and content of the film.
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