The Reel History of Britain, a BFI/BBC co-production, brings archive film into the nation’s living rooms. The footage shown in the series has been selected from the hundreds of thousands of films and programmes preserved in Britain’s film and television archives. We are complementing the series by making many of the films featured in The Reel History of Britain available online in their entirety, alongside expert commentary from the nation’s archive curators.
Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
Though it is by far Peter Greenaway’s most well known film and, for all of the visceral and intellectual challenges it proposes, probably his most approachable, The Cook, the Thief, His Wife & Her Lover remains a difficult film to apprehend. (the beginning and the end, both NSFW)
Over Your Cities Grass Will Grow bears witness to German artist Anselm Kiefer’s alchemical creative processes and renders as a film journey the personal universe he has built at his hill studio estate in the South of France. [more inside]