On June 7th, the Disney XD channel will premiere a new, 10-part miniseries:
Tron Uprising. The series, which will feature the voices of Elijah Wood, Lance Henriksen, Bruce Boxleitner (reprising his role as 'Tron',) Mandy Moore and Paul Reubens, will combine 2D and CGI animation styles, and is set between the events of the first and second Tron movies. Trailers:
1,
2. 2011 ComicCon
Preview. Disney released a full-length "prelude episode" yesterday evening (US Only):
Beck's Beginning. (
Via)
[more inside]
posted by zarq
on May 13, 2012 -
38 comments
In 1982 the manga, Akira (
previously) , began its run. It would ultimately spawn a film that would lead the way for the growth of the anime medium outside of Japan. An attempted Americanized remake (
previouslyer) was in production before being ultimately
canceled.
The manga’s creator, Katsuhiro Otomo, in the meantime, had taken a 20 year break from long-form manga. It was recently announced that this break was coming to an end and that Otomo would be working on a
new long-form shonen series.
posted by sendai sleep master
on Mar 29, 2012 -
30 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
posted by Trurl
on Jul 2, 2011 -
7 comments
It was bound to happen eventually. After
a quarter-century,
26 Academy Awards, and an unparalleled streak of
eleven artistic and commercial triumphs, Pixar's latest project,
Cars 2, is
Certified Rotten. Critics have
assailed the film as a slick but hollow vehicle for Disney's
$10 billion-dollar Cars merchandising industry "lifestyle brand," replacing the original's serviceable tale of small-town redemption with
zany spy games,
hyperactive chase sequences, and even more
lowbrow aww-shucks potty humor from
Larry the Cable Guy. But it's not all bad news! Along with
a fun new Toy Story 3 short, preceding today's (3-D) premiere showings is a first look at next year's
Brave --
a darkly magical original story set in ancient Scotland featuring the studio's first female lead (and
director).
Evocative high-res concept art [mirror] is available at the official website, and
character sketches have leaked to the web, with the apparently striking teaser trailer sure to follow. Also, be sure not to miss the sneak peak of
Brave's associated short,
"La Luna"!
posted by Rhaomi
on Jun 24, 2011 -
263 comments
"In Japan, animation is not seen as the exclusive realm of children's and family films, but is often used for adult, science fiction and action stories, where it allows a kind of freedom impossible in real life. Some Hollywood films strain so desperately against the constraints of the possible that you wish they'd just caved in and gone with animation." --
Roger Ebert on anime, with this excerpt being related to
Tokyo Godfathers. Ebert has been a fan of anime for a while, especially the works of
Hayao Miyazaki. Ebert has reviewed 6 of the 18
Studio Ghibli films released to date, and
even interviewed Miyazaki with a bit of fanboy glee.
More reviews and videos inside. [more inside]
posted by filthy light thief
on Aug 30, 2010 -
92 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
[more inside]
posted by Rhaomi
on Jun 18, 2010 -
227 comments
Coloring the Kingdom: the story of the all-female “finishing school” of hand-drawn animation that worked behind the scenes to create the first animated full-length Disney feature, Snow White. (
via.)
posted by 1f2frfbf
on Feb 5, 2010 -
8 comments
Sometimes movies don't finish
the way we'd like. Short, off-beat, animated re-imaginings of selected movie endings, in torrent and .wmv format. The
archives are yet young, but might be worth keeping an eye on for future chuckles.
posted by Gator
on Jan 25, 2006 -
11 comments
Since 1994 Claymovie has been producing clay animation movies with kids, adults, teachers, and professionals.
Here are some random clips of some of the funnier, unpredictable, unexpected and outrageous moments.
Watch the videos and see...you have to click [download movies], then go nuts. The really outrageous ones are at the bottom...try
Something in the Taters.
posted by chinese_fashion
on Oct 12, 2004 -
4 comments
Oh My Stars-N-Garters! In addition to the Aardman Animations
Wallace and Gromit films online
here (previously MeFi-ed
here), you can also view the Oscar and Academy Award winner
Creature Comforts online! One of my all-time fave films. Joy!
posted by Shane
on Sep 30, 2004 -
12 comments
Pixar Dumps Disney: "It is impossible to know how bad this is for Disney." On the other hand:
Disney can begin creating sequels to all of Pixar's films, something it could not do under its current arrangement and is almost certain to exploit. On the third hand:
One film executive suggested that Mr. Jobs could now be considered a candidate to run Disney if indeed Mr. Eisner ever left.
posted by alms
on Jan 29, 2004 -
26 comments
What is the AniMatrix? A direct-to-video release of 9 animated shorts (comic book style, pure CGI, etc) by 7 directors looks at possible visions of the world pre-Matrix. Looks like it could be an interesting collection.
posted by mathowie
on Sep 5, 2002 -
27 comments
It's the plot, stupid.
USA Today runs their usual insightful commentary about the upcoming release of Lilo and Stitch. It obsesses over the absence of CGI graphics pointing to
Atlantis as evidence for the failure of traditional animation to draw box office. Funny me, I thought that
Atlantis bombed because of a plot better left in 50s serial format, a cast of sterotypes rather than characters, and no sense of humor beyind dirty French jokes repeated over and over again. And is huge success of
Pixar due to their pioneering animation, or their brilliant comic talent?
What causes FX myopia anyway? Granted I can understand why fanboys obsess over the wrong things in a movie. Do the studios set it up by trying to hype each new summer release as the next big technical development (while the artistic development gets trumped by
Waking Life and
Insomnia?)
posted by KirkJobSluder
on Jun 18, 2002 -
7 comments
Rustboy , a short film about a Pinocchio/Frankenstein-esque robot child almost a year in the making thus far, has up until recently been illustrator Brian Taylor's personal side project. He's been keeping a diary of the process on his site and posting movie clips, storyboard sketches, and descriptions of how he achieves various effects the whole time. Followers of the site recently got the good news that Taylor has received funding to work on Rustboy full-time beginning in April. I've bookmarked it so I can check in every so often and say, "MAN, I wish I could do that!"
posted by apollonia6
on Mar 24, 2002 -
22 comments
Voices In My Head... Call me crazy, but I think casting "celebrity voices" in animated flix is counter-intuitive. Think back to the classic Disney movies - "Pinocchio" and "101 Dalmations" come to mind - and the fact that they regularly used professional voice-actors, not a cast of celebrities-du-jour. With the new trend in animated movies, I find myself picturing the celebrity doing the voice, not the animated character of the story. Quick - what's the first thing that comes to mind when you think of the movie "Aladdin?" Robin Williams as the Genie, I'd wager. Your thoughts on this weighty matter?
posted by davidmsc
on May 18, 2001 -
36 comments
Great article on "Shrek" & computer animation by Stephanie Zacharek at Salon.com. I don't deny that the form has possibilities, but I've been getting really impatient waiting for the day the guys at the Pixar/Dreamworks sweatshops realize that the really exciting moments in art only come when you leave some gaps for the viewers to close themselves.
posted by misterzoo
on May 18, 2001 -
15 comments
