Between Peter Jackson’s penchant for cartoonish unserious gore and Bob McCarron’s off-screen makeup effects manipulations, Braindead
achieves something that approaches inspired genius in the heretofore unknown artform of human carnage. The film is filled with moments of joyous slapstick tableaux... And then there is that moment where Braindead
finally breaks through to achieve a transcendentally surreal glory of excess where Tim Balme wades into battle against the zombies armed with a lawnmower, drenching an entire room in showers of blood. (Braindead
holds the record for the greatest amount of artificial blood ever used in a film). The film is a work of perverse genius. -
Richard Scheib
posted by Egg Shen
on Dec 8, 2012 -
41 comments
Adam Sandler's House of Cruelty Now in his forties, Sandler is still remaking the same undemanding goofball comedies he's been churning out since he was in his twenties, about crude, infantile characters who behave like crude, infantile characters who are much younger -- which is the essence of the have-it-both-ways regression that has been his career hallmark.
posted by Christ, what an asshole
on Jun 19, 2012 -
179 comments
What you see here is a prime example of what happens to film that is neglected and improperly stored.
This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact,
Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
posted by Trurl
on Apr 27, 2012 -
37 comments
The concept of Used Cars originated with writer-director-producer John Milius, who pitched the idea to scribes Zemeckis and Gale while they were still hard at work on what would become 1941.
... Zemeckis shot Cars
in a breakneck 28 days at a Chrysler-Plymouth dealership in Mesa, Ariz. ... Despite its low profile, the film received a great deal of critical acclaim, including the notoriously finicky Pauline Kael…who described Cars as “a classic screwball fantasy — a neglected modern comedy that’s like a more restless and visually high-spirited version of the W.C. Fields pictures.”* [more inside]
posted by Trurl
on Dec 21, 2011 -
36 comments
Two and a half years ago, we explored
the early history of Cartoon Network... but it wasn't the only player in the youth television game.
As a matter of fact,
Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's
truly venerable forerunner:
Nickelodeon.
Founded as Pinwheel, a six-hour block on Warner Cable's innovative
QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire.
Much has changed since then, from the mascots and game shows to
the versatile orange "splat." But starting tonight in response to popular demand, the network is
looking back with
a summer programming block dedicated to the greatest hits of the 1990s, including
Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and
All That.
To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon.
(warning: monster post inside) [more inside]
posted by Rhaomi
on Jul 25, 2011 -
116 comments
"Beat the Devil" went straight from box office flop to cult classic and has been called the first camp movie, although Bogart, who sank his own money into it, said, "Only phonies like it." It's a movie that was made up on the spot; Huston tore up the original screenplay on the first day of filming, flew the young Truman Capote to Ravallo, Italy, to crank out new scenes against a daily deadline and allowed his supporting stars, especially Robert Morley and Peter Lorre, to create dialogue for their own characters. (Capote spoke daily by telephone with his pet raven, and one day when the raven refused to answer he flew to Rome to console it, further delaying the production.) -
Roger Ebert's Great Movies
posted by Trurl
on May 22, 2011 -
21 comments
“There is one line in ‘Zero Hour!’ where a stewardess says, completely seriously, ‘The life of everyone on board depends upon just one thing: finding someone back there who can not only fly this plane, but who didn’t have fish for dinner,’ ” Mr. Abrahams said. “That was the essence of the movie. We just repeated the line. We didn’t have to change a thing.”
Airplane! (known in Australia as
Flying High!)
turns 30 [more inside]
posted by crossoverman
on Jun 28, 2010 -
186 comments
You might have thought
The Phantom Menace was the worst movie ever made, but no - it's Attack of the Clones. And RedLetterMedia is here to tell you
exactly why.
Parts
one,
two,
three,
four,
five,
six,
seven,
eight, and
nine.
posted by flatluigi
on Apr 4, 2010 -
310 comments
Mediocre Films consists of films which are... mediocre, hence the name.
Night of the Zombie.
Batty Bat-Bat.
Gorgeous Tiny Chicken Machine Show. Granted, it's not
LG15 but I think that's what I like about it most. These short subject films are made by some guy named Greg, with help from other people whom you
may have never heard of before. Occasionally they also feature a guy named
Adam whom you might recognize but you may not be able to recall from where. It's funny. Well. I liked it. My girlfriend didn't. She said they were mediocre; to which I said,
"exactly!" Sheesh. Women.
posted by ZachsMind
on Mar 10, 2007 -
10 comments
Sometimes movies don't finish
the way we'd like. Short, off-beat, animated re-imaginings of selected movie endings, in torrent and .wmv format. The
archives are yet young, but might be worth keeping an eye on for future chuckles.
posted by Gator
on Jan 25, 2006 -
11 comments
Mike Meyers deserves a medal for having the guts to admit that the character he created for a five-minute sketch wasn't going to carry a full-length movie. He gave up a 20-million-dollar payday and saved us all from another "SNL spin-off" movie.
posted by wendell
on Jun 19, 2000 -
10 comments
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