Tony Zhou (previously) has created another great video essay on filmmaking techniques: "A brief look at texting and the internet in film" (also previously).
"All studios have their main logo that appears at the beginning of a film, but some occasionally use custom logos that reflect the theme of the movie. When I noticed that Warner Bros. does this a lot I wanted to find out how often this happened and what these logos looked like. I couldn’t find a good overview with all logos gathered in one place, so I started to collect them myself, in 2009. Now, five years later, I think I have enough to paint a picture of Warner Bros logo design evolution. "
"Liquid Sky is one of the most visually ambitious films ever made about fashion, heroin, New Wave clubs, UFO saucers, ordering Chinese food and having them put it on your tab, the Empire State Building, androgyny, neon and tin foil. The 1982 cult classic may be the perfect embodiment of camp. " The Awl talks to the director of the film about his plans for a sequel.
The difference between (Graphical) User Interfaces in movies and in real life is that the former have to convey information to the viewer, not the user. [more inside]
25 (of the) Top Movie Posters of All Time with commentaries from non-movie-poster designers. Ignore or critique the ranking, note any obvious omissions, or just chuckle at the unstated similarity between #13 and #14. Still, a fine showcase of movie - and movie marketing - history.
Every film Pixar has produced has landed in the top fifty highest-grossing animated films of all time. What's their secret? Mathematics. Oh, and 22 Rules of Storytelling. [more inside]
Classic movies in miniature style. It all started 2 years ago with an experiment to blend traditional ‘oriental’ (Ottoman) motifs and contemporary ‘western’ cinema. After a positive response to "Ottoman Star Wars", I decided to take the theme further, and developed more film posters using the same technique.
Beanplating on The Fifth Element from architecture students at the University of Waterloo. [more inside]
You may have heard that they made a movie of the The Hunger Games. While others discuss its dystopian vision of a barbaric future America, we will concern ourselves with something more important: the clothes. [more inside]
Mr Whaite designs animated neon movie signs for classic films such as The Shining, Jaws, and Beetlejuice. [more inside]
Turner Classic Movie's "Summer Under the Stars" website is a load of (heavy-loading) flash goodness, and features pretty great interface design, including video content.
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
Winner of more Academy Awards than any other woman in history, costume designer Edith Head authored a 1967 bestseller titled How to Dress for Success which featured her own illustrations. [more inside]
Crime movie blog Where Danger Lives ranks the 100 greatest film noir posters. (Posts in countdown order inside.) [more inside]
"The first image you have of many of your favourite films is probably a Bill Gold creation." His sparse, iconic poster designs have helped to define movies for over six decades, from Casablanca, Dial M for Murder and My Fair Lady, to A Clockwork Orange, The Exorcist and The Sting. His longest-lasting creative partnership was with Clint Eastwood, spanning every Eastwood movie from 1972’s Dirty Harry to 1993’s Mystic River — not forgetting the unforgettable design for Unforgiven. When Eastwood presented Gold with a Lifetime Key Art Award from the Hollywood Reporter in 1994, he simply called Gold "the greatest." A signed, limited edition collection of his greatest works can be yours for just £400. It's not simply a record of the posters he ended up creating, but a fascinating look into the artistic process, from sketch to billboard. When Lars Trodson asked Gold about his phenomenal career in 2009, he answered with characteristic understatement: "I can hardly believe it."
Reimagined movie posters from Claudia Varosio. (Eg., Fight Club, The Shining, The Man Who Fell to Earth) Also, Ross Berens's nine posters of the planets.
Eric Skillman, art director / designer of many of Criterion's DVD packages, has a design process blog. There, he often discusses his work for the company.
The title screens of hundreds of your favourite movies
The Movie Alphabet Game is harder than it looks. I'm stuck on C, O, U, and X. When you're through with that, try the second one.