What you see here is a prime example of what happens to film that is neglected and improperly stored.
This is an original reel from It's a Mad, Mad, Mad, Mad World that is now untouchable. The film has turned acidic, sporting the strongest and most foul vinegar-like odor I have ever smelled. In fact,
Robert Harris told me a story of how his contact lenses were singed by the fumes the film produced, causing temporary retinal damage to his eye. [more inside]
posted by Trurl
on Apr 27, 2012 -
37 comments
Classic Hollywood Guide on how to react when you screw up a scene. Movie bloopers with Bogie, Bette Davis, Carole Lombard, Claudette Colbert, Errol Flynn, Claude Rains, Kay Francis, Edward G. Robinson, Jane Wyman, George Brent, Merle Oberon, Patricia Neal, Mickey Rooney and more.
posted by Wonton Cruelty
on Mar 16, 2012 -
26 comments
The Seventh Art is an independently produced video magazine about cinema with three sections: a profile on an interesting group/company/organization in the industry, a video essay and a long-form interview with a filmmaker.
posted by You Should See the Other Guy
on Feb 10, 2012 -
1 comment
Yet by 1944 the IRS named Barbara Stanwyck the highest-paid woman in America. From 1930-57, she did a minimum of two pictures a year, sometimes even four or five. Yet it wasn't workaholism, according to the actress: "I was afraid they'd get somebody better, frankly. I never really thought I had any clout. For a lot of years I was free-lancing, by choice, but I think discipline stays with you. It's this fear that maybe somebody can come in and take over. Maybe a Redford or a Streep can take the luxury of a year off, but I never thought I could. Of course, we were more workable in those days. And they make more money now. Anyway, I never had self-assurance about leaving."
posted by Trurl
on Nov 27, 2011 -
41 comments
Leonard Michaels' "The Zipper":
Rita Hayworth is never seen disrobed in the movie, though it is threatened more than once. The atmosphere of dark repression and mysterious forces – the mood or feeling of the movie – might be destroyed by the revelation of her body. It scared me as she began her striptease dance in the nightclub. I didn’t want everybody to see her body, or even to see that Rita Hayworth had a body. [more inside]
posted by Trurl
on Sep 5, 2011 -
14 comments
The Academy of Motion Picture Arts and Sciences’ Margaret Herrick Library today launched its latest online research tool, the Production Art Database. The database contains records for more than 5,300 items from the library’s collection, including motion picture costume and production design drawings, animation art, storyboards and paintings. Nearly half of the records include images, making this an invaluable online resource for researchers interested in motion picture design.
posted by Trurl
on Jul 2, 2011 -
7 comments
Transformers 3 scene from The Island.
SlashFilm
passes along the news that Michael Bay recycled shots from his 2005 film
The Island in his new film
Transformers: Dark of the Moon, saving costs by adding different CGI to the same car chase scenes. "I’m not sure how often this kind of thing happens, but my guess is that it happens probably more than you would think."
posted by mediareport
on Jul 1, 2011 -
78 comments
'Star Wars' Producer Gary Kurtz Reflects When George Lucas and I began planning the first film, we had no idea what it would become; the kind of devotion it would attract... So what was it that made Star Wars so different, so special? I can give you one small example of the kind of care we took when putting the film together...
posted by modernnomad
on Apr 19, 2011 -
132 comments
So here's what's on tap two summers from now: an adaptation of a comic book. A reboot of an adaptation of a comic book. A sequel to a sequel to an adaptation of a comic book. A sequel to a reboot of an adaptation of a TV show. A sequel to a sequel to a reboot of an adaptation of a comic book. A sequel to a cartoon. A sequel to a sequel to a cartoon. A sequel to a sequel to a sequel to a cartoon. A sequel to a sequel to a sequel to a sequel to a movie based on a young-adult novel. And soon after: Stretch Armstrong.
How did Hollywood get here? There's no overarching theory, no readily identifiable villain, no single moment to which the current combination of caution, despair, and underachievement that defines studio thinking can be traced. But let's pick one anyway: Top Gun.
The Day the Movies Died.
(via)
posted by Horace Rumpole
on Feb 20, 2011 -
146 comments
Zombie Baby, Fucking Jane Austen, The Last Witch Hunter, Abraham Lincoln: Vampire Hunter, American Bullshit, Better Living Through Chemistry... just some of the titles that made this year's
Black List, a list of the best unproduced screenplays of the year as voted on by industry insiders.
LA Times and
Deadline Hollywood have pieces on it and here's an October
audio interview with Franklin Leonard, creator of the Black List. In past years, aspiring screenwriters could find PDFs of the scripts online. It's gonna be
a lot harder
now.
posted by dobbs
on Dec 13, 2010 -
42 comments
Lookout Mountain Laboratories (Hollywood, CA) was originally built in 1941 as an air defense station. But after WWII, the US Air Force repurposed it into a secret film studio which operated for 22 years during the Cold War. The studio produced classified movies for all branches of the US Armed Forces, as well as the Atomic Energy Commission, until it was deactivated in 1969. During this time, cameramen,
who referred to themselves as "atomic" cinematographers, were hired to shoot footage of atomic bomb tests in Nevada, Utah, New Mexico and the South Pacific. Some of their films have been declassified and can be seen
here. [more inside]
posted by zarq
on Sep 14, 2010 -
6 comments
Behind the opening scenes of Blade Runner. “Doug and his Entertainment Effects Group team created thousands of acid-etched brass miniatures lit from below with hundreds of bundles of fiber-optic lights, shot in forced-perspective through layers of smoke to create layers of light refraction, creating depth.” The first of a three-part series on the making of
Blade Runner’s unforgettable opening sequence.
posted by spitefulcrow
on Sep 12, 2010 -
79 comments
“There is one line in ‘Zero Hour!’ where a stewardess says, completely seriously, ‘The life of everyone on board depends upon just one thing: finding someone back there who can not only fly this plane, but who didn’t have fish for dinner,’ ” Mr. Abrahams said. “That was the essence of the movie. We just repeated the line. We didn’t have to change a thing.”
Airplane! (known in Australia as
Flying High!)
turns 30 [more inside]
posted by crossoverman
on Jun 28, 2010 -
186 comments
Toy Story 3 hits theaters today, and it's already winning
universal acclaim as an enchanting and heartbreaking wonderwork, employing
understated 3D and a
"real-time" perspective that
deftly capitalizes on the nostalgia and can't-go-home-again angst of a generation that grew up with the series.
It has a strong pedigree, with 11-year-old predecessor
Toy Story 2 the rare sequel to equal its forebear, 1995's
Toy Story (itself the first CGI feature in history).
And it joins a lofty stable of films: over the last 15 years, Pixar has put out an unbroken chain of
ten commercial and critical successes that have grossed over $5 billion worldwide and collected
24 Academy Awards (including the
second-ever Best Picture nom for animation with
Up), a legacy that
rivals some of the greatest franchises in film history.
But there's rumbling on the horizon. Although the studio has been
hailed for its originality (of the 50 top-grossing movies in history, only nine were original stories -- and
five of them were by Pixar), two of their upcoming projects are
sequels, both of them based some of their least-acclaimed films (
Cars 2 in 2011 and
Monsters, Inc. 2 in 2012). And while 2012 will also bring
The Bear and the Bow Brave, the first Pixar flick to feature a female protagonist
[previously], fellow newcomer
Newt has been
canceled. With
WALL-E/Up/Toy Story 3 guru Andrew Stanton focusing on
his 2012 adaptation of
John Carter of Mars and with
forays into live-action already in development,
does this mark the end of the golden age of Pixar? Or is this latest entry lasting proof that even the toughest case of sequelitis can be raised to the level of masterpiece?
[more inside]
posted by Rhaomi
on Jun 18, 2010 -
227 comments
The bumping off of a famous person is the
sort of oyster that any detective delights to open, so you can just bet the
family jewels that I was pretty much elated when my Chief, the late Thomas
Lee Woolwine, District Attorney of Los Angeles County, called me into his
private office on the morning of February 3rd, 1922, and assigned me to
represent his office in the investigation of this greatest of all murder
mysteries. -- Excerpted from an article archived at
Taylorology, a site exploring the life and death of William Desmond Taylor, a silent movie actor and director whose unsolved murder was among the earliest Hollywood true crime scandals. Researcher
Bruce Long first published his accumulated information about the case as a small fanzine which evolved into a monthly electronic newsletter and is now a vast archive of articles and interviews, official documents, photos, and more. Although the Taylor case is the main focus, there's also a wealth of supplemental information about the silent film industry and its stars.
[more inside]
posted by amyms
on Feb 22, 2009 -
7 comments
"The biggest problem with the metal bikini, was that it wasn’t metal. ——Not that metal would’ve been an improvement over what it was actually made of, which was kind of a hard plastic. Whatever it was, it didn’t adhere to one’s skin. MY skin. My young, soon to be popular, unlucky skin. SO, when I was relaxing leisurely against Jabba the Hutt’s gigantic, albiet grotesque stomach, my hard, plastic bikini bottom……….well, it had the tendency to make my now not so private privates quite public. Especially for the actor standing behind Jabba playing Bobba Fett—–I believe his name was Jeremy—–from where Bobba/Jeremy stood, so straight and tall and severe behind his mask——to put it simply and weirdly, Jeremy could see beyond my yawning, plastic bikini bottoms all the way to Florida."
-
Carrie Fisher goes from
writing the occasional book to
daily blogging, from substance abuse to abusing punctuation
posted by crossoverman
on Feb 3, 2009 -
66 comments
