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"congress shrugged"

If it weren't for the 1976 Copyright Act, copyright on work would expire after 56 years - which would have meant that Kerouac's On The Road, the original 12 Angry Men, and Elvis's All Shook Up would be public domain by today.
posted by divabat on Dec 31, 2013 - 38 comments

Nearly 20 Years Ago...

Best known for creating the nostalgic mash-up REMEMBER series (previously), Youtube user Thepeterson teams up with Slackstory to create another video clip time machine: REMEMBER 1994
posted by The Whelk on Dec 20, 2013 - 16 comments

The Atlantic - Benj Edwards

The Copyright Rule We Need to Repeal If We Want to Preserve Our Cultural Heritage
posted by East Manitoba Regional Junior Kabaddi Champion '94 on Mar 15, 2013 - 34 comments

"I never doubted that it was all going to work out."

A life well lived. On October 4, 1973, Josh Miele (4) was permanently blinded in an acid attack by his neighbor (pdf). 40 years later, Dr. Miele has worked for NASA on the Mars Rover project, he's helped develop "WearaBraille", a virtual Braille keyboard interface, and has a new project launching this month: the Descriptive Video Exchange (DVX), which will allow "sighted video viewers to seamlessly add audio description to DVDs as they watch." [more inside]
posted by zarq on Mar 5, 2013 - 14 comments

Agent Scully needs a few good Gentlepersons

Mefi's own Mightygodking takes the April Fool's joke from Comics Alliance ( previously ) to the logical next step with The League Of Extraordinary Gentlepersons: 1996.
posted by The Whelk on Aug 21, 2012 - 114 comments

The Bear and the Rainbow

Does It Matter If the Heroine of 'Brave' Is Gay? [Contains spoilers for Brave]
posted by Artw on Jun 27, 2012 - 214 comments

"Villains used to always die in the end. Now the nightmare guy comes back."

Bad Guys: The GQ Villains Portfolio (Movies + TV) [more inside]
posted by zarq on Jun 1, 2012 - 26 comments

This FPP © zarq. Do Not Bend, Fold, Spindle or Mutilate. Do Not Taunt Happy Fun Ball.

Kirby Ferguson's fourth and final installment of Everything is a Remix: System Failure has been released. (Also on YouTube.) It covers intellectual property rights, the derivative nature of creativity, patents and copyright. Transcript. [more inside]
posted by zarq on Feb 17, 2012 - 5 comments

March of Time

From 1935 to 1951, Time Magazine bridged the gap between print & radio news reporting and the new visual medium of film, with March of Time: award-winning newsreel reports that were a combination of objective documentary, dramatized fiction and pro-American, anti-totalitarian propaganda. They “often tackled subjects and themes that audiences weren’t used to seeingforeign affairs, social trends, public-health issues — and did so with a combination of panache and subterfuge that today seems either absurd or visionary.” (Previous two links have autoplaying video.) By 1937, the short films were being seen by as many as 26 million people every month and may have helped steer public opinion on numerous issues, including (eventually) America’s entry to WWII. Video samples are available at Time.com, the March of Time Facebook page and the entire collection is available online, (free registration required) at HBO Archives. [more inside]
posted by zarq on Aug 22, 2011 - 8 comments

Orange you glad you got your Nickelodeon?

Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
posted by Rhaomi on Jul 25, 2011 - 116 comments

The post stands on the shoulders of the two that came before it....

Part 3 of the Everything is a Remix video series has been released, by New York filmmaker Kirby Ferguson. Previously on MeFi. See the entire series on Vimeo: Parts One, Two and Three. (YouTube versions and transcripts inside.) Official Site. [more inside]
posted by zarq on Jun 23, 2011 - 31 comments

The "Citizen Kane" of Civil Defense

In an effort to preserve the rich story behind this landmark film, CONELRAD has spent the last two years thoroughly researching DUCK AND COVER's production history as well as its initial public reception in 1952. Interviews were conducted with living participants involved in the making of the film as well as surviving family members of those key players who had passed away. In the course of our research, CONELRAD also uncovered a wealth of archival material that leaves no doubt that a tremendous amount of thought went into the making of this nine minute motion picture that has been the subject of so much dismissive ridicule over the years. (More CONELRAD goodness previously)
posted by Trurl on Jun 19, 2011 - 12 comments

A World of Hits

A World of Hits "Ever-increasing choice was supposed to mean the end of the blockbuster. It has had the opposite effect." [more inside]
posted by chunking express on Jan 7, 2010 - 22 comments

Choose your own misadventure: the story of Interfilm

" There were lots of small children in the audience. I thought about asking one little girl if she had voted for the paddle, the rod or the cattle prod." In 1995, a company called Interfilm revolutionized the movie industry. Oh, no, wait, it didn't. Audiences at Mr. Payback, "the first interactive movie," pressed buttons on a joystick attached to their seat to vote on the actions of the characters on-screen -- for instance, what kind of physical abuse a captured thug should undergo. Despite the pedigree of director Bob Gale (writer/producer of Back to the Future) and co-star Christopher Lloyd, critics were not impressed. The company folded a week after releasing its third interfilm, "I'm Your Man," scored by Joe Jackson, which did, a few years Interfilm was the brainchild of "conceptualist" and guy-with-gigantic-glasses Bob Bejan (Dateline NBC interview), who now works at a next-generation, data-driven marketing agency that delivers strategic, multi-channeled communication solutions designed to cultivate and sustain relationships between brands and their audiences. Watch: Clips from "Mr. Payback." The making of "I'm Your Man." (warning: A. Whitney Brown.) Read: the New York Times on the 1998 DVD release of "I'm Your Man." Booklet copy from the "I'm Your Man" DVD.
posted by escabeche on Aug 31, 2009 - 43 comments

Museum of the Moving Image

Moving Image Source is devoted to the history of film, television, and digital media. It features original articles by leading critics, authors, and scholars; a calendar that highlights major retrospectives, festivals, and gallery exhibitions at venues around the world; and a regularly updated guide to online research resources. [more inside]
posted by netbros on Dec 30, 2008 - 1 comment

Why Does Hollywood Hate the Suburbs?

In defense of suburbs: "Revolutionary Road," based on Richard Yates's 1961 novel of the same name, is the latest entry in a long stream of art that portrays the American suburbs as the physical correlative to spiritual and mental death.
posted by kliuless on Dec 29, 2008 - 172 comments

"LOCK UP THE DATE!" --FBI for writers

FBI 101 -- "Essentials for Writers," an "exciting and informative" interactive workshop for writers being offered to members of my union -- the Writers Guild of America, East - by the FBI Office of Public Affairs and FBI New York. ... -- Very interesting account of a workshop the FBI puts on for writers in NY. What's in it for the FBI? ...The only question we have for you is 'Will it show us in a good light?'" ...
posted by amberglow on Jun 9, 2007 - 13 comments

9/11 the movie and Morpheus

Memorializing Hypereality maybe it is not always something 'new' that bears fruit but rather actually understanding something said before. Especially if we don't listen carefully the first time.
posted by hard rain on Sep 12, 2006 - 12 comments

Give respect, get respect

"Movies: They're worth it!" In a move to educate those darn thieving kids and their evil P2P file-sharing networks which are used to trade ripped movies, the MPAA has launched a public service campaign to explain, in layman's terms, why violating their copyrights is wrong. …Yes, these are the same people who have just brought us an entire summer of bloated sequels, shameless celebrity vehicles and uninspired hack-work. Respect!
posted by Down10 on Aug 3, 2003 - 81 comments

Apple announced QuickTime 6 today

Apple announced QuickTime 6 today with MPEG 4 support but refused to release it. Apple, along with other members of the Internet Streaming Media Alliance are not happy with the the MPEG-4 licensing scheme. And they have good reason, among other fees, the plan includes per minute charges for viewing content, with no maximum amount.

Is this the Moving Picture Experts Group and their licensing partners admitting that content will be worthless in 5 years? Is the financial future of the entertainment industry modeled on the utility companies?
posted by joemaller on Feb 12, 2002 - 5 comments

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