Kyle Kallgren finishes "Shakespeare Month" on his art house movie review series "Brows Held High" (previously) with a smashing take down of Roland Emmerich's 2011 Shakespeare-was-a-fraud conspiracy thriller "Anonymous". [more inside]
In need of an entertaining cinematic podcast to meet your listening needs? Then tune into Fighting in the War Room! Previously known as Operation Kino, Fighting in the War Room features fascinating discussions between film critics Katey Rich (Vanity Fair), Matt Patches (Hollywood.com / Vulture.com), Da7e Gonzales, and David Ehrlich (Film.com), offering reviews of current films, as well general cinema related topics. [more inside]
Is his face always like that? It's like he washed it with a powdered doughnut. The Confused Notes of a Twilight Newbie Forced to Watch Breaking Dawn – Part 2
Those Americans who are familiar with the name Claude Lanzmann most likely know him as the director of “Shoah,” his monumental 1985 documentary about the extermination of the European Jews in the Nazi gas chambers. As it turns out, though, the story of Lanzmann’s eventful life would have been well worth telling even if he had never come to direct “Shoah.” In addition to film director, Lanzmann’s roles have included those of journalist, editor, public intellectual, member of the French Resistance, long-term lover of Simone de Beauvoir and close friend of Jean-Paul Sartre, world traveler, political activist, ghostwriter for Jacques Cousteau — I could go on, but it’s a good deal more entertaining to hear Lanzmann himself go on, and thanks to the publication in English of his memoir, “The Patagonian Hare,” we now have the opportunity to do so. (previously)
The Vikings Of Bjornstad a "a living history and educational group, concentrating on the Viking age " reviews every viking movie ever made for its authenticity in depicting Vikings and Viking Culture. Every. single. one. [more inside]
The French romantic thriller “Diva” dashes along with a pellmell gracefulness, and it doesn’t take long to see that the images and visual gags and homages all fit together and reverberate back and forth. It’s a glittering toy of a movie... This one is by a new director, Jean-Jacques Beineix... who understands the pleasures to be had from a picture that doesn’t take itself very seriously. Every shot seems designed to delight the audience. - Pauline Kael, 1982 [more inside]
The annotated scores for [*and Filmtracks.com's reviews of] Howard Shore's soundtracks to The Fellowship of the Ring*, The Two Towers*, and The Return of the King*
Two and a half years ago, we explored the early history of Cartoon Network... but it wasn't the only player in the youth television game. As a matter of fact, Fred Seibert -- the man responsible for the most inventive projects discussed in that post -- first stretched his creative legs at the network's truly venerable forerunner: Nickelodeon. Founded as Pinwheel, a six-hour block on Warner Cable's innovative QUBE system, this humble channel struggled for years before Seibert's innovative branding work transformed it into a national icon and capstone of a media empire. Much has changed since then, from the mascots and game shows to the versatile orange "splat." But starting tonight in response to popular demand, the network is looking back with a summer programming block dedicated to the greatest hits of the 1990s, including Hey Arnold!, Rocko's Modern Life, The Adventures of Pete & Pete, The Ren & Stimpy Show, Double Dare, Are You Afraid of the Dark?, Legends of the Hidden Temple, and All That. To celebrate, look inside for the complete story of the early days of the network that incensed the religious right, brought doo-wop to television, and slimed a million fans -- the golden age of Nickelodeon. (warning: monster post inside) [more inside]
Monster Shack is a b-movie review site that also contains an extensive collection of classic movie posters, old news reel reviews and an Atari shrine.
The B-Master Cabal is a site that aggregates some of the best bad movie review sites on the web and puts together for themed movie roundtables. Most of the sites focus not only on mocking bad films but also praising obscure horror, fantasy, action and science-fiction. B-Masters Roll-Call! Teleport City covers everything from Turkish spy movies to kung-fu rarities to Japanese whiskey. 1000 Misspent Hours and Counting has in-depth, critical reviews of classic horror and genre films. And You Call Yourself A Scientist! examines who movies handle from the perspective of a female scientist. Badmovies.org features a Marine dissecting crap film with copious quotes and clips. Jabootu.net posts excruciatingly long reviews of excruciating films, and is one of the few sites to cover contemporary trash like Gigli. The Unknown Movies Page unearths films too obscure even for the rest of the cabal. Cold Fusion Video, Stomp Tokyo, and Brain Eater round out the group
You might have thought The Phantom Menace was the worst movie ever made, but no - it's Attack of the Clones. And RedLetterMedia is here to tell you exactly why. Parts one, two, three, four, five, six, seven, eight, and nine.
Blindspots is a continually-updated collection of movie reviews based around one very interesting concept -- how accessible they are to the visually impaired. [more inside]
We love you best when you're snarky, Roger. Perhaps the best reviews from the venerable Roger Ebert are when he gives 1 or fewer stars to a movie (a good example being his review of Just Friends, which comes out this weekend). He has more to say about the industry, the process of film making, and the way people think when they pay to see these things. Now, we've discussed Ebert before, but it's worth a read of his reviews by searching for movies rated from Zero to One star.
"I want them to remember me with a shudder." Filthy's mind often wanders when reviewing films in his hometown of Armada, Colorado, regailing us with occasional snippets of wage slavery, sympathy, Larry, Jimmy, Gooden, the Harelip of the Armada Tavern, and growing up.
"This is frankly one of the greatest films ever made." Harry Knowles reviews "Return of the King."
At the time of posting, Rotten Tomatoes has 1 'rotten' review and 76 'fresh' reviews for Peter Jackson's The Two Towers. I thought it was a superb film, but I hardly thought it would unite the critics like this. This has got to be one of the most universally praised films of all time!
Entertainment Weekly's Lisa Schwarzbaum whacks Pay It Forward. And I do mean whacks -- there's blood everywhere.