"V" -- a science-fiction allegory for World War II -- may return to television. NBC has commissioned a three-hour movie script from writer-director Kenneth Johnson (who was responsible for the excellent first miniseries, but not the second miniseries or the dreadful series) that promises "a metaphor for the new millennium." Will Johnson might tackle unilateralism and WMD? And might a letter-writing campaign be in order to encourage production?
Warner removes peace symbol from What A Girl Wants ad. Terrified of the "political" content of a young lady flashing the peace symbol, Warner has removed it from their new ads. The movie, incidentally, was hardly agitprop. It was only a teen movie featuring a young lady goofing off on the poster. If this isn't overly cautious, then just how paranoid will movie studios and marketers get?
HMOs sign on with William Morris. "We're not saying it's verboten to attack some part of the health care system. We're saying there is another side to what we do." No word yet on whether the American Association of Health Plans is set to star opposite Tom Cruise in the next summer blockbuster. But, aside from moving beautiful people from casting to marquee, I believe this is the first time in history that the William Morris Agency has been set up as a Hollywood lobbyist. It's bad enough that more than 100 product placement agencies continue to bombard movies with increasing junk. But, assuming the studios take this representation seriously, is it too much to ask that corporate interests be denied any potential sullying of the cinematic voice? Will CAA follow suit and take on the NRA? Or are today's movies beyond salvation?
Tron returns with a vengeance. With a theatrical sequel, a 20th anniversary DVD and a first-person PC shooter, you have to wonder why Disney is rollling out the red carpet all of a sudden.
The man behind Woman in the Dunes has passed away. Filmmaker Hiroshi Teshigahara died on Saturday with nary a press announcement. I haven't been this pissed off about a media blackout since Sam Fuller passed on (or, to some extent, the recent death of Joey Ramone). Is the only way for an obscure artist to gain that long-neglected recognition for their works to kick the bucket? It would seem that, even then, there are no guarantees.