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8 posts tagged with Movies by matteo.
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"Ten Favorite Offbeat Musicals"

"Ten Favorite Offbeat Musicals" by Jonathan Rosenbaum
posted by matteo on Apr 4, 2006 - 30 comments

Small screen vs. big screen

It's still about the means of production, you see — but in the overdeveloped world, at least, it's not about the production of goods and services anymore. Today's virtual revolutionary is happy to leave all that to capitalists. The virtual revolutionary wants to control the production of meaning — representations of herself and her world as she wants them to seem. Or be. Or whatever. That's all she asks.
Or, rather, takes.
Thomas de Zengotita welcomes the big world of the small screen. Peter Bogdanovich, instead, still mourns that last picture show.
posted by matteo on Mar 26, 2006 - 22 comments

Lon Chaney's power to terrify

"He was someone who acted out our psyches ... He somehow got into the shadows inside our bodies; he was able to nail down some of our secret fears and put them on-screen... the history of Lon Chaney is the history of unrequited loves. He brings that part of you out into the open, because you fear that you are not loved, you fear that you never will be loved, you fear there is some part of you that's grotesque, that the world will turn away from."
A Valentine for Lon Chaney, the Man of a Thousand Faces. (BugMeNot for the first link; more inside)
posted by matteo on Feb 18, 2006 - 14 comments

Aleksandr Sokurov's "The Sun"

The Emperor's Bunker. "The Japanese, with sadness and irony, stressed that Hirohito couldn't even speak properly. This was partly to do with the fact that he didn't have to speak - people spoke in his name and he was isolated from real life". "The Sun", the third part in Russian director Aleksandr Sokurov's 'Men of Power' tetralogy after the gloom of Moloch (1999), about Hitler and Eva Braun, and the despairing tones of "Taurus" (2001), focused on the wheelchair-bound Lenin in his death throes, "The Sun" seems almost upbeat. This, after all, is a film about reconciliation. More inside.
posted by matteo on Sep 13, 2005 - 21 comments

Edward Bunker, 1933-2005

"It has always been as if I carry chaos with me the way others carry typhoid. My purpose in writing is to transcend my existence by illuminating it."
Crime novelist Edward Bunker, who died last Tuesday at age 71 (LATimes obit), became at 17 the youngest inmate at San Quentin after he stabbed a prison guard at a youth detention facility. It was during his 18 years of incarceration for robbery, check forgery and other crimes that Bunker learned to write. In 1973, while still in prison, he made his literary debut with "No Beast So Fierce", a novel about a paroled thief James Ellroy called "quite simply one of the great crime novels of the past 30 years" and that was made into the movie "Straight Time" starring Dustin Hoffman. Also a screenwriter ("Runaway Train"), Bunker appeared as an actor in nearly two dozen roles, most notably as Mr. Blue in "Reservoir Dogs." (more inside)
posted by matteo on Jul 25, 2005 - 9 comments

David Lynch's INLAND EMPIRE

David Lynch's secret movie (site with annoying, loud sound, sorry) "It's about a woman in trouble, and it's a mystery, and that's about all I want to say about it". Titled "INLAND EMPIRE" (all caps, though Lynch doesn't explain why), it stars Laura Dern, Justin Theroux, Harry Dean Stanton, Jeremy Irons. Lynch has shot much of his latest film in Poland, after making friends with the organizers of the Camerimage festival in Lodz. He's now back shooting in and around Los Angeles. Even at this relatively advanced stage of production, Lynch is cagey about when it will be finished. It was shot entirely in DV: "I started working in DV for my Web site, and I fell in love with the medium. For me, there's no way back to film. I'm done with it".
posted by matteo on May 12, 2005 - 36 comments

Hitchcock's Trailers

MURDER! MYSTERY!! TREACHERY!!! ROMANCE!!!! Hounded by spies… Hunted by police… Double crossed by the woman he loves… in THE 39 STEPS.
Alfred Hitchcock's trailers, 1934-1956
posted by matteo on Apr 14, 2005 - 6 comments

In the Mood for Rapture.

In the Mood for Rapture. "Forget the completion anxiety that attended Wong Kar-wai's new film 2046 — four years in the gestating, with scenes still being shot a few weeks ago — what 2046 makes unavoidably clear, is that Wong Kar-wai is the most romantic filmmaker in the world. Love, the playwright Terry Johnson wrote, is something you fall in. Wong's films make art out of that vertiginous feeling. They soar as their characters plummet". It is a sequel of sorts to Wong's In the Mood for Love. It is the story of a writer: in his novel, a mysterious train left for 2046 every once in a while. Everyone who went there had the same intention: to recapture their lost memories. (more inside)
posted by matteo on May 24, 2004 - 21 comments

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