New streaming entertainment service Zediva is streaming new-release movies, avoiding the waiting period you get with Netflix, Amazon or iTunes. How? Instead of converting movies to files on a hard drive, they're renting out actual DVDs being played in actual DVD players - remotely. That means if the movie you want is being watched by someone else, you're gonna have to wait. Launched in November, the company is supposed to exit its beta phase this week.
Roger Ebert is returning to television: "'This is the rebirth of a dream,' said Ebert, who partnered in recent years with Richard Roeper before cancer robbed him of the ability to speak. He said he will act as co-producer and employ a computer voice to appear on every episode with segments titled Roger's Office devoted to classic, overlooked and new films." (Ebert, previously on MeFi.)
WTF Comcast is "proof that whoever writes the Comcast OnDemand descriptions is drunk."
Lorenzo Semple, 84, has been a screenwriter for more than 50 years; his credits include "Papillion," "The Parallax View" and "Three Days of the Condor." Marcia Nasatir, 81, is a longtime agent and production executive, was the first female VP of production at United Artists, and produced films like "The Big Chill" and "Hamburger Hill." Together, they are the "Reel Geezers," offering irresistible film reviews on YouTube. To wit: Superbad, Iron Man, Sex and the City, Lars and the Real Girl, No Country for Old Men, There Will Be Blood. [more inside]
"And I Refuse To Forget," the three-minute sci-fi thriller from 21-year-old director Nuru Rimington-Mkali, has won the grand prize in the Filmaka feature film competition. Judges include Werner Herzog, Wim Wenders, Neil Labute and many others. For his efforts, Rimington-Mkali wins the director's chair of his first feature film, to be produced by Filmaka. (Lots of other great stuff on Filmaka, too.)
The sequel to Repo Man will finally arrive next month - in graphic novel form. The script was originally floated by Alex Cox in 1994, but an attempt at filming it was unsuccessful. Now, the comic version, illustrated by Chris Bones, is on its way from Gestalt Comics. [more inside]
"It wasn't scary, it was just gratuitous, as if they thought, 'I know, let's have a rape,' and that made me quite angry." The question will be asked often in the coming weeks, as "Vacancy" and "Hostel 2" approach: Do modern horror films ("gorno," or gore pornography) go too far, particularly when it comes to women? Who said violent misogyny was entertaining? Is this just a retread of the exploitation wave of the 1970s/80s? (Most links NSFW, sensitive souls, people who detest violence)